The Ferry at Forfar. c. 1930. Etching and drypoint. 9 3/4 x 12 3/4 (sheet 12 1/4 x 17 7/8). Edition 77, #41. Slight toning. A rich impression printed on light tan laid paper. Printed on the full sheet with deckle edges. Signed and numbered in ink. $275.

Waiting to Pass. River Tigris. 1924. Drypoint. 4 1/8 x 8 1/2 (sheet 8 1/2 x 12 7/8). Printed on cream wove paper. A brilliant impression in pristine condition. Signed, titled and annotated in pencil. $275.

Ben Ledi. c. 1911. Pencil, conte crayon and watercolor on watercolor board. 14 3/16 x 11 7/16. Related to the etching of the same title (Rinder 424), Cameron's most famous etching. Signed, lower left. $9,500.

Ben Lomond. 1923. Etching and drypoint. Rinder 468.v/vi. 10 3/8 x 16 (sheet 11 1/2 x 17). Edition about 80. Illustrated: Salaman, Modern Masters of Etching; Print Collector's Quarterly 11 (1923): 63; American Magazine of Art (August, 1929). A rich, tonal impression with drypoint burr, printed on tissue paper mounted onto Japanese mulberry paper. A rich impression with drypoint burr. Signed in pencil. $2,000.

Ben Lomond. 1923. Etching and drypoint. Rinder 468.v/vi. 10 3/8 x 16 (sheet 11 1/2 x 17). Edition about 80. Illustrated: Salaman, Modern Masters of Etching; Print Collector's Quarterly 11 (1923): 63; American Magazine of Art (August, 1929). A rich, tonal impression with drypoint burr, printed on tissue paper mounted onto Japanese mulberry paper. A rich impression with drypoint burr. Signed in pencil. $2,000.

Cambuskenneth. 1904. Etching and drypoint. Rinder 367.iii/iii. 4 5/8 x 7 3/4 (sheet 7 1/2 x 10 1/4). A rich impression with plate tone and drypoint burr, printed on tan 'W.A.C.' watermarked laid paper. Signed in pencil. $275.

Castle Moyle. 1932. Drypoint. Rinder 497.iii. 6 7/8 x 10 7/8. Edition 220. Signed in pencil. $450.

Castle Urquhart. 1929. Drypoint with etching. Rinder 484.v. Edition about 85. 9 1/4 x 16 1/2 (13 x 19 1/8). A fine impression with drypoint burr, printed on cream wove paper. Signed in pencil. $750.

The Clyde at Symington. 1889. Etching. Rinder 32. 4 1/2 x 8 15/16 (sheet 8 5/8 x 13 3/8). A rich impression printed on white laid paper from an old volume. Signed by Cameron AND the printer, Frederick Goulding. Goulding was the master printer in the UK. At the time, his signature was often valued more than the artist's signature. $450.

Culzewn Castle. 1889. Etching. Rinder 48. 5 13/16 x 9 (sheet 8 1/4 x 12). Series: The Clyde Set, #19. There are several printing folds, primarily in the margins. A fine impression with plate tone on watermarked laid paper. Printed by Goulding. Signed in pencil by Goulding and by Cameron. $275.

Dunure Castle. Oil on canvas. 16 1/2 x 28 3/8 (framed 22 x 34). Signed, lower right. $18,500.

Elcho on the Tay. 1900. Etching and drypoint. Rinder 312.ii. 10 11/32 x 13 5/8. Exhibited at the Painter-Etchers, 1901, #35. Signed in pencil. $850.

The Fisher's Hut. 1910. Etching and drypoint. Rinder 411.iv/v. 4 15/16 x 10 1/16 (sheet 5 7/8 x 11). A rich, glowing impression with plate tone and drypoint burr printed on Japanese mulberry paper. Signed and titled in pencil. $450.

Glen Orchy. Watercolor over pencil on paper. 9 1/4 x 13 (sight size). Ex-collection L.Gl Duke. Signed and titled in pencil, lower right. $2,750.

The Lion and the Unicorn. 1921. Etching. R 427.v. 6 1/8 x 4 5/16). Edition 200. A rich impression printed on the full sheet of cream Japanese vellum. As issued for the Edition de luxe of the Rinder catalogue of Cameron's etchings and drypoints. Signed in pencil. $175.

Mar's Work, Stirling Castle, No. 2. 1907. Etching and drypoint. Rinder 386.iii/v. 9 7/8 x 6 3/4. Edition 23. A rich impression on Japanese mulberry paper. $325.

Robert Lee's Workshop. 1905. Etching and drypoint. Rinder 375.iii. 11 3/4 x 8 21/32 (sheet 12 7/8 x 9 1/4). Illustrated: Salamana, Modern Masters of Etching. A rich impression on Japanese mulberry paper. Signed in pencil. $1,250.

Tantallon. 1932. Drypoint. R 499.iii. 8 1/16 x 15 7/8. Edition about 80. Illustrated: Fine Prints of the Year, 1932. $650.

Tayside. 1890. Etching. Rinder 73. 6 x 11 (sheet 7 5/8 x 12 9/16). An impression with subtle plate tone printed in 'RH' laid paper. A scarce early etching. Signed in pencil. $375.

Tantallon. 1932. Drypoint. Rinder 499.iii. 7 7/8 x 15 7/8 (sheet 10 5/8 x 18 1/2). Edition about 80. Illustrated: Fine Prints of the Year, 1932. A rich impression with plate tone and drypoint burr printed on cream laid paper. Faint mat line; otherwise in fine condition. Signed in pencil. $650.

The Three Vagrants. 1892. Etching. R 149. 5 x 6 1/8 (sheet 5 3/8 x 6 1/8). Edition 10. Printed on cream laid paper, trimmed to the plate on three sides. Signed and titled in pencil. Exhibited: Painter-Etchers, 1893. A fine impression of this extremely rare early image. $500.

The Admiralty. 1899. Etching. Rinder 301. 4 1/2 x 4 3/16 (sheet 5 1/2 x 5 3/16). London set, #12. Edition of 35 sets, with a few individual proofs apart from the set. A rich impression printed on cream laid paper. Signed in pencil. $550.

The Chapel and Founder's Tomb, Charterhouse. 1895. Etching. Rinder 240. 6 1/4 x 4 1/4. Frontispiece for E.P. Wilmot and E.C. Streatfeld, Charterhouse Old and New (London: Nimmo, 1895). Initialed in the plate. A fine impression printed on Japanese vellum. $50.

Gloucester. 1931. Etching and drypoint. Rinder 490.iii. 16 7/16 x 7 7/8 (sheet 19 5/16 x 8 7/8). Edition about 88. Illustrated: Fine Prints of the Year, 1931. A rich impression printed on antique laid paper. Signed in pencil. $725.

Kingsgate, Winchester. 1902. Etching. Rinder 340. 6 1/8 x 4 (sheet 10 1/8 x 7 3/8). A good impression printed with plate tone on cream wove paper. As issued in The Complete Angler. Signed in pencil. $175.

Newgate. 1899. Etching. Rinder 300.ii/iii. 6 3/16 x 4 7/8 (sheet 7 9/16 x 5 7/8). Series: London set, #11. Illustrated: Salaman, Modern Masters of Etching. Printed with plate tone on off-white laid paper. Signed in pencil. $500.

Old Bridge, Whitby. 1908. Drypoint. Rinder 403.iii. 7 7/8 x 12 1/2 (sheet 9 x 13 1/2). Edition 21. Printed with rich drypoint burr and plate tone on Japanese mulberry paper. A glowing impression of this extremely rare image. Signed in pencil. $650.

Old Farm, Norington. 1902. Etching. Rinder 331. 3 15/16 x 5 7/8 (sheet 7 x 9 13/16). As published in Walton's Compleat Angler. Winchester Edition, edited by George A.V. Dewar. London: Freemantle & Co., 1902. A fine impression printed on cream wove paper. Initialed in the plate. $75.

St, George's, Hanover Square. 1899. Etching. Rinder 301. 4 1/2 x 4 3/16 (sheet 5 1/2 x 5 3/16). London set, #12. Edition of 35 sets, with a few individual proofs apart from the set. A rich impression printed on cream laid paper. Signed in pencil. $650.

The Belfry of Bruges. 1907. Etching and drypoint. Rinder 392.ii. 14 15/16 x 5 9/32 (sheet 16 1/4 x 7). Belgian set #6. Edition 63. A rich, glowing impression with burr, printed on fine laid paper. Printed on the full sheet with deckle edges.Signed in pencil. $675.

Old La Roche. 1907. Etching and drypoint. Rinder 393.iii. 8 1/2 x 10 (sheet 10 5/16 x 11 1/16). Belgian set #7. Edition 63. A rich, glowing impression with burr, printed on Japanese mulberry paper. Printed on the full sheet with deckle edges.Signed in pencil. $550

Ypres II [Belgium]. c. 1910-1914. Charcoal and watercolor. 9 x 12 (sheet 9 1/16 x 13 3/4). Signed in pencil. $1,750.

Beauvais. 1910. Etching and drypoint. Rinder 412.iii/iii. 10 1/8 x 8 1/8 (sheet 12 1/8 x 9 5/16). Edition 39. A rich impression with drypoint burr printed on Japanese mulberry paper. Signed pencil. $600.

The Chimera of Amiens. 1910. Drypoint. Rinder 415.vii. 9 9/16 x 7 3/16. Illustrated: Guichard, British Etchers, 1850-1940; Holme, Modern Etchings and Drypoints, 1913; Lumsden, The Art of Etching; Salaman, Modern Masters of Etching: D.Y. Cameron; Hind, The Etchings of D.Y. Cameron. Signed in pencil. $1,750.

Cour des Bon Enfants, Rouen. 1897. Etching. Rinder 277.ii/iii. 9 x 12 15/16 (sheet 10 11/16 x 14 1/8). No edition stated. Printed with plate tone on cream wove paper. A glowing impression of this rare image. Signed in pencil. $650

Hotel de Sens. 1904. Etching and drypoint. Rinder 363.iv. 11 3/16 x 6 1/4 (sheet 12 1/16 x 6 5/16). Paris Set, #3. The Paris Set consisted of 6 images, printed in an edition of 35, with some additional impressions. A rich impression with plate tone printed on cream laid paper. The name commemorates the factthat in the fifteenth century, when this hotel was built for the occupation of the Archbishops of Sens, Paris was under their ecclesiastical jurisdiction. A rich impression of this scarce imnage. Signed in pencil. $600.

Rue Saint Julien le Pauvre. 1904. Etching and drypoint. Rinder 366.ii/iv. 8 3/16 x 6 1/2 (sheet 9 x 7). Paris Set, #6. The Paris Set consisted of 6 images, printed in an edition of 35, with some additional impressions. Repaired paper loss from a hinge, top right, outside the image. Printed with plate tone on off-white laid paper. A very rich impression of this scarce image. Signed in pencil. $525.

Saint Laumer, Blois. 1903. Etching and drypoint. Rinder 351.iii. 12 7/8 x 7 1/4 (sheet 15 x 8 13/16). A rich impression with plate tone, printed on Japanese mulberry paper. Illustrated: Salaman, Modern Masters of Etching. Signed in pencil. $600.

Haarlem. 1893. Etching. Rinder 170.i. 8 3/8 x 11 7/8 (sheet 8 3/4 x 12 13/16). No published edition -- a very few impressions only. Printed on antique laid paper. Exhibited: Painter-Etchers, 1894, and in Berlin. A carefully wiped tonal impression of this very rare image. Signed and annotated '#19'1^st State' in pencil. $1,500.

Souvenir d'Amsterdam. 1915-30. Etching and drypoint. Rinder 460.iv/vi. 14 25/32 x 10 5/16 (sheet 13 1/8 x 18 1/8). Edition 60. Illustrated: Print Collector's Quarterly 11 (1924): 53. Slight mount line, well outside the image. A very rich, tonal impression with atmospheric plate tone, printed on pale cream crown and shield watermarked laid paper. Signed in pencil. $1,250.

Aquamanile. 1913. Etching and drypoint. Rinder 441.iii. 10 5/8 x 9 1/2. Edition about 50. Illustrated: Hind, The Etchings of D.Y. Cameron. An aquamanile is a water vessel. This image is modeled after a fourteenth-century brass said to come from Hereford Cathedral. Signed in pencil. $250.

The Turkish Fort. 1909. Etching and drypoint. Rinder 409. 5 1/2 x 10 3/8. The fort is on the Mokaltam Hills, near Cairo. Signed in pencil. $275.

Street in Cairo. 1910. Etching and drypoint. Rinder 414.v/v. No edition size is stated. 14 3/16 x 8 15/16 (sheet 15 1/2 x 10 5/8). A rich impression with drypoint burr and plate tone, printed on Japanese mulberry paper. This is a very rare image. Signed and titled 'Street Scene Cairo' in pencil. $500.

West Bow, Edinburgh. c. 1847. Lithograph by Harding after a drawing by Cattermole. 16 3/4 x 11 9/16 (sheet 21 1/2 x 14). From the portfolio "Scotland Delineated in a Series of Views," originally produced for John Parker Lawson and published by E,Gambart in London and Edinburgh, 1849 - 1854. Lithographed by Day and Son. There were several printings. This is probably from the first edition, volume 1. Printed on heavy off-white wove paper. Good condition apart from scattered foxing. Signed in pencil by Cattermole. $175.

Duck Hunter. 1933. Etching. 12 x 7 7/8 (sheet 16 5/8 x 11). Dated in the plate, lower left; signed in pencil, lower right. A rich impression on cream wove paper. A highly dramatic image. $225.

Brandsby Tower, Yorkshire. c. 1838. Soft-ground etching. Popham 366. 9 7/8 x 7 3/8 (sheet 19 1/8 x 13 1/8). Illustrated: Print Collectors Quarterly 9(1922): 272. A very fine impression from the first edition, as published for the large paper issue of Cotman's Liber Studiorum in 1838. Printed on the full sheet of cream laid paper. Signed and titled in the plate. $225.

Peacocks (Upright Plate). 1905. Etching. Dodgson10.vi. 7 1/4 x 4 1/2 (sheet 10 3/4 x 8 1/8). Illustrated: Print Collector's Quarterly 9 (1923): 339. A fine, richly inked impression with plate tone, printed on simili-Japan paper. Signed in pencil by Edward Julius, and initialed by him for himself and for his late twin brother. $875.

Changing Pastures. c. 1926. Etching. 6 15/16 x 14 3/8 (sheet 10 3/4 x 17 3/4). Printed on the full sheet of cream 'AN 1922' 'England' laid paper. Signed in pencil. $550.

Evening. 1926. Etching. 6 x 12 1/8 (sheet 10 1/2 x 15 1/2). Edition 100, #44. Printed on Japanese mulberry paper. Signed and numbered in pencil. $550.

Homecoming of the King. 1926. Drypoint and aquatint. 8 x 13 3/8 (sheet 14 1/2 x 18 7/8). Edition 75, # 21. A fine impression with selective plate tone, printed on the full sheet of Japanese mulberry paper. Signed and numbered in pencil. A large, impressive image. $750.

The Spirit of the East. 1923-24. Etching and drypoint. PostDodgson, Centenary Exhibition 40. 55. 9 5/8 x 8 5/8 (sheet 11 3/8 x 9 5/8). Edition 100. A fine, richly inked impression on simili-Japan paper. Signed in pencil. $500.

Charles Cundall, R.A. 1926. Drypoint. Schwabe 171.v. 18 x 11 3/4. Illustrated: Guichard, British Etchers, 1850-1940. A painter and lithographer, Cundall (1890-1971) had his first one-man show at Colnaghi the year after this portrait was made. $950.

D^r Samuel Johnson. Mezzotint. Chaloner Smith 2. Undescribed state between I and II. 18 x 13 (sheet 18 3/8 x 13 3/8). Early proof before 'Dr' was erased and 'LLD'added. Inscription: Painted by Sir Joshua Reynolds. Engraved by Willi^m Doughty. / D^r Samuel Johnson/ London Publish'd s the Act directs June 24 1779 by William Doughty No 4 Little Titchfield St Cavendish Square. Two small punctures, one near the left-hand plate mark and one just above the lower plate mark. Slight scattered foxing. An extremely rich, tonal impression printed on cream laid paper. Provenance: E.L. Knoedler, New York. Signed and titled in the plate. An undescribed, probably unique proof. $3,750.

[A Boy Scout]. c. 1927. Drypoint. 5 1/2 x 3 15/16 (sheet 13 3/8 x 8 11/16). A fine impression on the full sheet of pale cream-colored wove paper. Signed in pencil. There are very few etchings of Boy Scouts. $125.

[A Glasgow Alleyway]. c. 1927. Etching and drypoint. 14 1/8 x 7 7/8 (sheet 18 3/8 x 11 5/8). A fine impression printed on 'FJ Head & Co' laid paper, on the full sheet with deckle edges. Signed in pencil. $175.

Lancing College, from Coombes Road. c. 1900. Etching. 7 1/2 x 10 5/8 (sheet 9 7/8 x 14 7/8). Published by W.H. Bergnor and Co., Cheltenham. A fine impression with plate tone, printed on cream paper countermarked 'O.W.P. & A.O.L.' Margins grubby; the image is in good condition. Titled in the plate; signed in pencil. $125.

Scheregate Steps, Colchester (Essex). c. 1921. Etching. 9 1/2 x 6 3/8 (sheet 13 x 9 1/8). Edition 50. A fine proof printed with plate tone, on Japanese mulberry paper. $150.

The Strand. c. 1927. Drypoint. 14 x 8 (sheet 17 1/8 x 11 5/8). Three small tape stains in the margins, well outside the image; otherwise excellent condition. A rich impression with selective plate tone, printed on simili-Japan laid paper. Signed in pencil. $375.

Amazons on a Breton Beach. 1931. Drypoint. Wright 45.ii. 8 x 13 3/8 (sheet 10 3/4 x 17 1/4). Edition 76, #14. A, extremely rich impression printed on cream 'J Whatman Hand Made' paper. Hinge stains in 3 corners, well outside the image. Illustrated: Salaman, Modern Masters of Etching. Signed and numbered in ink. $1,250.

Bagno della Marchesa. 1930.Drypoint. 10 1/2 x 7 5/8 (sheet 13 3/16 x 8 1/2). Trial proof, apart from the edition of 75. An extremely rich impression printed on French 1798 countermarked laid paper. Illustrated: Fine Print of the Year, 1930; Guichard, British Etchers. Extensively annotated in ink by Flint: 'Trial: entire background was later reworked. Paper: French 1798.' Signed and dedicated 'To Eve H.Sanders with salutations'. An exceptionally rare proof. $1,850.

The Prison Door, Concarneau. 1929. Drypoint. Wright 15. 9 3/4 x 7 5/8 (sheet 13 x 10). Edition 76, #72. A, extremely rich impression printed on cream laid paper from an antique volume. Numbered in ink, but not signed. $375.

A Rendez-Vous, Vincenzia. 1929. Drypoint. Wright 19.v.9 1/2 x 6 5/8 (sheet 12 1/8 x 9 3/8). Edition 75, #I. An extremely rich impression printed on blue/green laid paper. Signed and numbered in ink. $875.

Spanish Wheelwrights. 1931. Drypoint. Wright 46. 9 3/16 x 12 7/8 (sheet 10 3/4 x 16 3/8). Edition 75, #24. An extremely rich impression printed on 'J Whatman 1799' laid paper. Signed, numbered and dated '17.11.31' in ink. $1,250.

Old Woman, early in profile, to left, cap, dark kerchief over and across it, both hands leaning on top of crutch; at bottom to left, T.F. Under, dotted, T: Frye, Pictor. Invnt & Sculpt Hatton Garden 1760". 1760. Mezzotint. Chaloner Smith 15. 18 5/8 x 13 3/4 (sheet 20 1/8 x 15 1/4). From the artist's first series of Life-sized Heads of twelve independent mezzotint portraits. General slight surface rubbing; a fold in the lower right-hand corner; otherwise good condition. A fine impression printed on antique cream laid paper. Initialed in the plate. The Boydell catalogue of 1783 calls this a portrait of Mrs. Frye, the engraver's wife. $1,250.

Directed to front, facing dowwards and looking towards right, cap with pearls worked in, earring, necklace, right hand on left wrist; at borrom to right, T. Frye, 1761". 1761. Mezzotint. Chaloner Smith 21. 19 3/4 x 13 3/4 (image and sheet). From the artist's second Life-sized Heads series of six independent mezzotint portraits: Ladies, very elegantly attired in the fashion, and in the most agreeable attituded." Printed on antique laid paper with a fleur-de-lys and shield watermark. General light surface rubbing in the dark areas around the figure; trimmed to the plate. Signed and dated in the plate. An elegant decorative image. $1,250.

Amongst the Pines. 1930. Etching. 7 7/8 x 5 3/4 (sheet 15 7/8 x 10 3/4). A rich impression on "L Whatman" countermarked cream-colored laid paper. Signed in pencil. $125.

Chepstow Castle. c. 1930. Mezzotint. 15 5/8 x 15 (sheet 24 x 20 1/2). A fine impression with tone printed in warm brown/black ink on chine appliqué mounted on white wove paper, and a backing board. Signed in pencil. $600.

Dawn. c. 1930. Mezzotint. 8 x 9 7/8 (sheet 13 7/8 x 19 3/4). A fine impression with tone printed in dark brown ink on white wove paper. Signed in pencil. $500.

The Forest. c. 1930. Mezzotint. 8 x 11 5/16 (sheet 14 x 19 1/4). A rich impression on china paper, applied to a heavy white wove paper. Signed in pencil. A rich impression in pristine condition. $500.

Isles of the Morning. 1925. Aquatint. 12 3/4x 19 1/2 (sheet 13 7/8 x 22). Edition 150 published by Lefèvre. A fine impression with subtle tonal range. Printed on cream wove paper with full margins. Signed in pencil. $475.

The Lake. 1910. Aquatint. 8 1/4 x 11 1/8 (13 1/4 x 20). A rich impression on heavy wove paper. Signed in pencil. $500.

The Lonely Tower, Roman Campagna. 1924. Aquatint. 10 x 14 1/4 (sheet 13 1/2 x 20). Edition 150. A fine impression with tone printed in dark brown ink on white wove paper. Signed in pencil. $550.

San Giovanni di Bellagio. 1924. Aquatint. 10 x 14 1/2 (sheet 13 13/16 x 19). Edition 150. llustrated: Fine Prints of the Year, 1924. Signed in pencil. A rich impression on cream wove paper. $450.

Solitude. c. 1922. Aquatint. 12 3/4x 19 1/2 (sheet 15 7/8 x 22). A glowing impression printed in brown ink on china paper laid onto cream white wove paper. Signed in pencil. This is the artist's largest aquatint plate. $550.

Sunrise in the Clearing. c. 1920. Mezzotint. 7 5/ 8 x 11 7/8 (sheet 14 x 19 1/8). A rich impression on china paper, applied to a heavy white wove paper. Signed in pencil. A rich impression in pristine condition. $550.

The Wood on the Common. c. 1920. Etching. 9 3/4 x 6 5/8 (sheet 17 x 10 11/16). Printed with plate tone on 'J. Whatman' cream wove paper. Signed and titled in pencil. $175.

Wood Notes Wild. c. 1920. Mezzotint. 10 1/4 x 12 7/8 (sheet 22 1/4 x 18). A rich impression on warm china paper, applied to a heavy white wove paper. Signed in pencil. Excellent condition. Signed in pencil. $500.

Adeste Fideles. 1916. Wood engraving. Physick 72. 2 x 2 (sheet 2 3/8 x 2 3/8). As published in Adeste Fideles a Christmas Hymn and elsewhere. Printed on cream wove paper. Signed in pencil. $1,250. Another proof, before letterpress, unsigned. $750. A third proof with letterpress, "Christmas Greetings" $500.

The Blessed Trinity with the Blessed Virgin. 1921. Wood engraving. Physick 181. 3 x 3 5/8 (sheet 3 9/16 x 5 1/8). Based upon a drawing by Elizabeth Gill. Printed on cream wove paper. Unsigned. $575.

Cantet nunc 'lo'. 1916. Wood engraving. Physick 77. 2 x 2 (sheet 2 1/2 x 2 1/2). As published in Adeste Fideles a Christmas Hymn and elsewhere. Printed on cream wove paper. Signed in pencil. $1,250. Another proof printed on fine wove paper. 2 1/16 x 2 1/16 (sheet 2 9/16 x 2 9/16). Originally published in Adeste Fideles a Christmas Hymn and elsewhere. Unsigned. $450 .

Cantet nunc 'lo'. 1916. Wood engraving. Physick 75. 2 1/16 x 2 1/16 (sheet 4 1/8 x 3 1/4). Printed with letterpress as a Christmas card on simili-Japan paper. Unsigned. $400.

Christ and the Money-Changers: Intravit Jesus in Templus Dei & Ejiciebat Omnes Vendentes & Ementes in Templo. Proof. 1919. Wood engraving. Physick 153. 5 5/8 x 3 5/8 (sheet 6 3/8 x 4 3/8). Printed on simili-Japan paper. Unsigned. $375.

Christmas Gifts: Dawn: PAX HOMINIBUS BONAE VOLUNTATIS. 1916. Wood engraving. Physick 80. 2 13/16 x 3 9/16 (sheet 3 1/8 x 3 3/4). As published in The Game volume I, no. 2 and in Nisi Dominus. Printed on cream wove paper. Signed in pencil. $1,250. Another unsigned proof, $500.

Crucifix With a Crown of Thorns (late state). 1922. Wood engraving. Physick 197. 8 x 3 1/8 (sheet 8 13/16 x 3 11/16). Proof printed on Japanese mulberry paper. $1,250.

Madonna and Child. 1924. Three engravings printed in reddish brown ink on copper, all printed on a single sheet of white wove paper. Physick 302. 1 5/ 8 x 7/8. Edition 50, #43. Etched after a drawing by the artist's daughter, Elizabeth. Physick 303. 1 5/8 x 1 3/16. Edition 50, #38. Etched after a drawing by the artist's daughter, Joanna. Physick 304. 1 5/8 x 7/8. Edition 50, #42. Etched after a drawing by the artist's daughter, Petra. Each engraving signed and numbered in pencil. A charming trio of family-themed works. It is rare to find Gill engravings printed in this manner. $2,250.

Madonna and Child. 1924. Intaglio print. Physick 298. 3 1/4 x 1 7/8. Edition 50. Printed in sepia ink on cream wove watermarked paper. Unsigned. $350.

The Madonna and Child with an Angel: Madonna Knitting. Proof. 1916. Wood engraving. Physick 60. 2 1/4 x 2 1/4 (sheet 4 3/4 x 3 1/4). As published in Mary Sat a'Working and Song of the Dressmaker. Printed on Japanese mulberry laid paper. Unsigned. $550.

The Madonna and Child with an Angel: Madonna Knitting. 1919. Wood engraving. Physick 60. 2 1/2 x 2 1/2 circular (sheet 5 3/8 x 5). Printed on white wove paper. Signed in pencil. $1,750.

Madonna and Child With Arms Outstretched. 1922. Wood engraving. Physick 215. 4 x 1 3/4. Printed on tan wove paper. Used as a design for a Christmas card. Signed in pencil. $1,750.

Madonna and Child with Gallows. 1916. Wood engraving. Physick 82. 2 x 2 (sheet 2 1/8 x 2 1/8). Used for a Christmas card. Printed on Japanese mulberry paper. Unsigned. $350.

Nativity in a Cave. 1916. Wood engraving. Physick 79. 2 5/8 x 2 1/16 (sheet 2 15/16 x 2 3/8). Design for a Christmas Card. Proof before the letterpress "A Happy Christmas". Unsigned. $550.

Nativity with Midwife, St. Joseph Standing. 1913. Wood engraving. Physick 14. 2 1/8 x 2 1/8 (sheet 2 5/8 x 2 3/4). Design for a Christmas Card. Printed on cream wove paper. Laid onto a paper mount along the top sheet edge. Signed and annotated with a '+' in pencil. $750.

Resurrection: EGO SUM RESURRECTIO ET VITA. 1934. Wood engraving. Physick 866. 4 1/8 x 2 1/8 (sheet 5 x 3). Letterpress verso: 'DAVID WHITEMAN PEPLER 23 OCT. 1905 2 SEPT. 1934 DONA EI REQUIEM INVENUMUS EUM IN CAMPIS SILVAE'. Printed as a memorial card, apart from the illustration for The Passion of Our Lord. Extremely scarce in this printing. Printed on cream wove paper. Unsigned. $450.

St. Mark. 1934. Wood engraving. Physick 870. 6 11/16 x 4 1/16 (sheet 7 5/16 x 4 3/4). Printed on bluish-gray wove paper as a holiday card. Printed on the inside reads, 'Happy Christmas and New Year from Mary Gill', typeface. Annotated 'Our love to you, and from all the family,' in pen on the back of the front cover. From the Aldine Bible. Unsigned. $350.

St. Mark. 1934. Wood engraving. Physick 870. 6 5/8 x 4 1/16 (sheet 7 3/8 x 9 1/2). Printed on light gray wove paper as a holiday card. Printed on the outside cover of the card reads, 'Happy Christmas & New Year From Mary Gill'. The image of St. Mark is printed on the inside. Written on the back of the card in ink reads 'My love to you both. I will be waiting. MG.' $1,500.

St. Matthew. 1934. Wood engraving. Physick 869. 6 x 3 1/2 (sheet 8 13/16 x 5 1/4). Issued as a Christmas card from Mary Gill. Annotated, 'My love to you both and the family. MG' in ink. Illustrated for the Aldine Bible. Printed on cream wove 'England 1945' watermarked paper with two sides deckle edges. $450.

Virgin and Child. 1931. Wood engraving. Physick 827. 5 3/4 x 2 3/4 (sheet 8 1/16 x 3 7/16). Proof printed on simili-Japan paper with one side deckle edge. Unsigned. $275.

Another signed proof printed on white wove paper. Initialed, dated and annotated 'Greetings from Eric and Mary Gill' in pencil. $975.

Virgin and Child. 1938. Wood engraving. Physick 980. 5 1/8 x 3 1/2 (sheet 7 1/2 x 5). Printed on hand-made laid paper as a Christmas card. Signed, dated, and annotated in ink on the inside leaf, 'with best wishes from Eric Gill christmas 1938.' An extremely scare personal card. Initialed and annotated 'et tuam ipsius animam pertransibit gladius' in the block. $950.

Adam and Eve in Heaven, or the Public-House in Paradise. 1927. Engraving on copper. Physick 480. 4 1/2 x 2 3/4 (sheet 13 1/8 x 9 7/8). Originally published in 'Art and Love,' an essay by Eric Gill (Douglas Cleverdon, Bristol, 1927. Later published in Engravings by Eric Gill Douglas Cleverdon, Birmingham, England, 1929. Printed on the full sheet of cream wove paper. Unsigned. $225.

Chalice and Host: Manducaverunt / Et Saturati Sunt Nimis: Non Sunt Fraudati A Desiderio Suo. 1927. Wood engraving. Physick 490. 2 5/8 x 1 3/4 (sheet 13 1/16 x 9 7/8). As published in Engravings by Eric Gill Douglas Cleverdon, Birmingham, England, 1929. Printed on the full sheet of cream wove paper. Made for the Reverend Desmond Chute. Unsigned. $175.

Christ and the Money-Changers: Intravit Jesus in Templus Dei & Ejiciebat Omnes Vendentes & Ementes in Templo. 1919. Wood engraving. Physick 153. 5 1/2 x 3 1/2 (sheet 13 1/16 x 10). Originally published in 'The Game' II, I, Corpus Christi, 1919. As published in Engravings by Eric Gill Douglas Cleverdon, Birmingham, England, 1929. Printed on the full sheet of cream wove paper. Unsigned. $175.

Christ and the Money-Changers. 1919. Wood engraving. Physick 152. 2 1/4 x 3 1/4 (sheet 13 x 10). Originally published in 'Riches' (S. Dominic's Press, 1919), The Welfare Handbook 3 & elsewhere. As published in Engravings by Eric Gill Douglas Cleverdon, Birmingham, England, 1929. Printed on the full sheet of cream wove paper. Unsigned. $175.

Divine Lovers I. 1922. Wood engraving. Physick 193. 3 1/2 x 3 (sheet 13 x 9 7/8). Edition 480. After a drawing from life. As published in Engravings by Eric Gill Douglas Cleverdon, Birmingham, England, 1929. Printed on the full sheet of cream wove paper. Unsigned. $225.

Epiphany. 1917. Wood engraving. Physick 84. 1 3/4 x 2 7/8 (sheet 2 x 2 3/4). Originally published in 'God and the Dragon' (S. dominic's Press, 1917). As published in Engravings by Eric Gill Douglas Cleverdon, Birmingham, England, 1929. Printed on off-white wove paper. Printed on off-white wove paper. Unsigned. $350.

Eve. 1926. Wood engraving on sycamore. Physick 380. 9 1/4 x 4 3/4 (sheet 13 x 10). As published in Engravings by Eric Gill Douglas Cleverdon, Birmingham, England, 1929. Printed on the full sheet of cream wove paper. This is Gill's most famous image. Unsigned. $2,250.

The Good Shepherd. (Et alias oves habeo - And I will have other sheep). 1926. Wood engraving. Physick 397. 3 1/16 x 1 1/2 (sheet 13 x 9 7/8). Edition 480. After a carving in relief at Highbury Chapel, Bristol. As published in Engravings by Eric Gill Douglas Cleverdon, Birmingham, England, 1929. Printed on the full sheet of cream wove paper. Unsigned. $175.

Jesus Dies Upon the Cross. 1917. Woodcut. Physick 104. 2 1/4 x 2 1/4 (sheet 3 5/16 x 2 3/4). Originally published in 'The Way of the Cross,' after the artist's 'Stations of the Cross' in Wesminster Cathedral. As published in Engravings by Eric Gill Douglas Cleverdon, Birmingham, England, 1929. Printed on cream wove paper. Letterpress verso: BEHOLD, O KIND AND MOST sweet Jesus, I cast myself on my knees in Thy sight, and with the most fervent desire of my soul, I pray and beseech Thee that Thou wouldst impress upon my heart lively sentiments of faith, hope & charity, with true repentance for my sins, & a firm desire for amendment, while with deep affection and frienf of soul I ponder within myself and mentally contemplate Thy five most precious wounds, having before my eyes that which David spake in prophecy: 'They pierced My hands and My fee; they have numbered all My bones.' Say also five times the Our Father and Hail Mary, for the Pope and for the Church.' Unsigned. $400.

The Last Judgement. 1917. Wood engraving. Physick 107. 1 3/4 x 2 1/4 (sheet 13 x 10). Originally published ina bory published in a broad-sheet (S. Dominic's Press, 1917). As published in Engravings by Eric Gill Douglas Cleverdon, Birmingham, England, 1929. Printed on the full sheet of cream wove paper. Unsigned. $175.

Madonna and Child. 1919. Woodcut. Physick 154. 6 1/2 x 3 7/8 (sheet 13 x 9 7/8). Edition 480. Design for a poster. As published in Engravings by Eric Gill Douglas Cleverdon, Birmingham, England, 1929. Printed on the full sheet of cream wove paper. Unsigned. $225.

Our Lady of Lourdes. 1920. Woodcut. Physick 154. 11 1/4 x 9 1/2(sheet 13 x 9 7/8). Edition 480. Design for a poster. As published in Engravings by Eric Gill Douglas Cleverdon, Birmingham, England, 1929. Printed on the full sheet of cream wove paper. 1 1/4-inch diagonal tear in the left sheet edge, not affecting the image. Unsigned. $225.

Resurrection (2nd state). 1917. Wood engraving. Physick 91. 5 7/16 x 3 1/2 (sheet 13 x 9 7/8). Edition 480. As published in Engravings by Eric Gill Douglas Cleverdon, Birmingham, England, 1929. Printed on the full sheet of cream wove paper. Monogrammed in the block. $225.

Slaughter of the Innocents. 1914. Wood engraving. Physick 18. 2 3/8 x 1 15/16 (sheet 13 1/16 x 9 15/16). Orignally published as the catalogue cover of an exhibition in aid of Belgian Refugees and Nisi Dominus. Engravings by Eric Gill Douglas Cleverdon, Birmingham, England, 1929. Printed on the full sheet of cream wove paper. Monogrammed in the block. $175.

Spoil Bank Crucifix. 1919. Wood engraving. Physick 157. 2 x 3 (sheet 13 x 9 7/8). Edition 480. As published in Engravings by Eric Gill Douglas Cleverdon, Birmingham, England, 1929. Printed on the full sheet of cream wove paper. Monogrammed in the block. $175.

Spoil Bank Crucifix. 1919. Wood engraving. Physick 157. 2 x 3 (sheet 4 x 4 3/8). Printed on simili-Japan paper. Initialed in pencil. $575.

St. Helena. 1922. Wood engraving. Physick 204. 2 1/2 x 1 1/4 (sheet 13 x 10). Bookplate for Petra Gill. St. Angela Merici. 1922. Wood engraving. Physick 204. 3 1/4 x 1 1/2 (sheet 13 x 10). Bookplate for Elizabeth Gill. Both images printed on a single sheet, as published in Engravings by Eric Gill Douglas Cleverdon, Birmingham, England, 1929. Printed on the full sheet of cream wove paper. $175 for the pair.

St. Martin. 1922. Wood engraving. Physick 212. 1 3/8 x 1 1/4 (sheet 1 3/4 x 1 5/16). As published in Engravings by Eric Gill Douglas Cleverdon, Birmingham, England, 1929. Printed on fine wove paper. Used as letterheading for RF Martin. Unsigned. $375.

Animals All: WHO WERE THE FIRST TO CRY NOWELL ANIMALS ALL AS IT BEFELL. 1916. Woodcut. Physick 50. 2 1/16 x 2 1/16 (5 x 3 7/16). As published in Engravings by Eric Gill Douglas Cleverdon, Birmingham, England, 1929. Printed on simili-Japan paper. Signed in pencil. $1,250.

Castle and Trees. 1923. Wood engraving. Physick 254.i/ii. 2 1/8 x 1 3/8 (sheet 2 9/16 x 1 7/8). Printed on cream wove paper. Unsigned. $350.

Daily Herald Order of Industrial Heroism. 1923. Individual images are, left to right: A Rose Plant in Jericho (Physick 221), The Holy Ghost as Dove (P224), St. Christopher and Chimney Smoke (Physick 220), and Wave (Physick 222). Wood engravings printed in 5 blocks in red and black on one sheet. The dove was replaced by by a star (Physick 223) in the final version. 5 x 7 1/2 (sheet 13 1/8 x 7/8). As published in Engravings by Eric Gill Douglas Cleverdon, Birmingham, England, 1929. Printed on the full sheet of cream wove paper. Unsigned. $300.

Hair Combing (Portrait of Petra Gill). 1922. Wood engraving. Physick 208. 4 x 2 1/2 (sheet 6 5/8 x 4 1/16). Proof printed on Japanese mulberry paper. Unsigned. $2,250.Petra was Eric Gill's daughter.

Man and Girl on Way to Church. 1927. Wood engraving. Physick 427. 7 x 1 1/8 (sheet 8 7/8 x 4). Used as a wedding invitation for Petra Gill and Denis Tegetmeier; January 7, 1930. This invitation is addressed to 'M^r. and M^rs. H.D.C. Pepler'. This image was used in Troilus and Criseyde, and is extremely scarce as an invitation. Printed on cream laid 'MADE IN ENGLAND' watermarked paper with two sides deckle edges. Slight foxing around the edge of the invitation, well outside the image and text. Unsigned. $1,000.

Mother and Child [With Arms Outstretched]. 1936. Wood engraving. Physick 917. 3 3/4 x 2 5/16 (sheet 7 3/8 x 5 1/2). A fine impression printed on Japanese mulberry paper. Signed and numbered '5' and '605' in pencil. $2,000.

Mother and Child [With Arms Outstretched]. Another proof, issued as a Christmas rememberance in 1941. The front cover reads, 'REMEMBERANCE from all at Pigotts CHRISTMAS 1941'. The Mother and Child [With Arms Outstretched] image is on the left hand side inside the card and the text of the right reads, 'The joy of our heart is ceased; our dancing is turned into mourning. The crown is fallen from our head; woe to us, because we have sinned. But thou, O Lord, shall remain for ever; thy throne from generation to generation. Convert us, O Lord, to thee, and we shall be converted; renew our days, as from the beginning.' Unsigned. $850.

Parlers. 1917. Wood engraving. Physick 85. 1 5/8 x 2 1/4 (sheet 4 1/2 x 5 1/16). Printed on Japanese mulberry laid paper. A fine impression of this rare image. Unsigned. $500.

Semicircular Device. 1916. Wood engraving. Physick 77. 1 1/8 x 3 5/8 (sheet 1 13/16 x 4 5/16). Printed on Japanese mulberry laid paper. There is a small hole on the support backing sheet, off of the image sheet, and well away from the image. Initialed in pencil. $975.

Self Portrait (Final State). 1927. Wood engraving. Physick 497. 7 1/4 x 5 (sheet 11 x 8 1/2). Proof apart from the frontispiece to Engravings by Eric Gill. Signed in pencil. $1,500.

Teresa and Winifred Maxwell. 1923. Wood engraving. Physick 255. 4 x 4 1/2 (sheet 7 11/16 x 6 1/8). A charming and scarce portrait printed on Japanese mulberry paper. Titled and initialed in the block. Signed in pencil. $400.

Toilet. Proof. 1923. Wood engraving. Physick 256. 4 1/2 x 4 1/2 (sheet 5 5/8 x 4 1/8). Printed on Japanese mulberry laid paper. Unsigned. $500.

Actor on Stage. 1920. Wood engraving. Physick 226. 4 1/8 x 7 1/4 (sheet 13 1/16 x 9 7/8). Made for Ditchling Dramatic Club. As published in Engravings by Eric Gill Douglas Cleverdon, Birmingham, England, 1929. Printed on the full sheet of cream wove paper. Unsigned. $175.

Autumn Midnight. 1923. Wood engraving. Physick 231. 4 1/2 x 3 1/4 (sheet 13 x 10). As published in Engravings by Eric Gill Douglas Cleverdon, Birmingham, England, 1929. Printed on the full sheet of cream wove paper. Initialed in the block. Unsigned. $325.

Bookplates: Girl with Three Scallops: EX LIBRIS / KATE FLETCHER. 1927. Engraving on copper. Physick 492. 3 1/2 x 2 1/4 (sheet 13 1/16 x 9 7/8). Made for Miss Kate Fletcher. As published in Engravings by Eric Gill Douglas Cleverdon, Birmingham, England, 1929. Printed on the full sheet of cream wove paper. There is one small, dark spot well outside of the image. Unsigned. $175.

Cartouche for Colophon. 1929. Woodcut. Physick 613. 2 1/4 x 3 5/16 (sheet 13 1/16 x 9 7/8). Printed for Douglas Cleverdon's Engravings by Eric Gill. Printed on cream wove paper. Unsigned. $75.

Clothes: For Dignity and Adornment. 1927. Engraving on copper. Physick 483. 4 1/2 x 2 3/4 (sheet 13 1/16 x 9 7/8). As published in Engravings by Eric Gill Douglas Cleverdon, Birmingham, England, 1929. Printed on the full sheet of cream wove paper. Unsigned. $225.

Initial 'S' with Church. 1916. Wood engraving. Physick 62. 1 x 1. Engraved for S. Dominic's press.

Device: Chalice and Host with O and A. 1916. Wood engraving. Physick 54. 1 x 1. Originally published in 'Serving at Mass', compiled by Eric Gill (s. Dominic's Press, 1916).

Device: Gravestone with Angel: OLD / FREE- / MAN. 1916. Wood engraving. Physick 61. 1 1/4 x 1 1/4. Published in 'Old Free-man,' by Matthew Stephenson (Everard Meynell, London, 1916). Subsequently used in publications of S. Dominic's Press (e.g., in 'The Game,' II, I, January, 1918).

Semi-circular Device: 273028292831 / A.D.MDCCCCXVI. 1916. Wood engraving. Physick 77. 1 1/8 x 3 5/8. Made for S. Dominic's Press, but wasn't used.

Circular Device: 273028292831 / AD / MCM / XV / I. 1916. Wood engraving. Physick 78. 1 1/2 x 1 1/2. Originally published in 'The Game,' I, 2, December, 1916. A pen beneath '2730' refers to the work of Edward Johnston on pages 27 and 30; a printer's dabber beneath '2829' to H.D.C. Pepler's on pages 28 and 29; and a graver beneath '2831' to Eric Gill's on pages 28 and 31.

All five images printed upon the full sheet of cream wove paper. There is slight foxing throughout the sheet, not effecting the images. As published in Engravings by Eric Gill Douglas Cleverdon, Birmingham, England, 1929. Unsigned. $225.

Device: Spray of Leaves. 1917. Wood engraving. Physick 108. 1 x 1 3/8. Printed for a funeral card and subsequently used for other purposes by S. Dominic's press.

Device: Stalk with Leaves. 1917. Wood engraving. Physick 109. 7/8 x 1. Printed for a funeral card and subsequently used for other purposes by S. Dominic's press.

Device: Initial letter 'O' with Speedwell. 1917. Wood engraving. Physick 110. 1 1/8 x 1 1/8. Printed for a funeral card and subsequently used for other purposes by S. Dominic's press.

Device: Paschal Lamb. 1917. Wood engraving. Physick 192. Originally printed in The Game, Volume I, Number 31 and elsewhere.

Device: Axe and Block. 1917. Wood engraving. Physick 135. 1 1/2 x 1 1/2. Originally printed in The Game, volume II, Number 1; and Woodwork, by A. Romney Green (S. Dominic's press, 1918).

Device: Hangman's Rope. 1917. Wood engraving. Physick 136. 1 1/2 x 2 1/2. Originally printed in The Game, volume II, Number 1; and Woodwork, by A. Romney Green (S. Dominic's press, 1918).

All six wood engravings printed on one sheet of cream wove paper, as published in Engravings by Eric Gill Douglas Cleverdon, Birmingham, England, 1929. Unsigned. $175.

Device: Hog and Wheatsheaf: THE HAMPSHIRE HOUSE BAKERY / DOVES / PLACE / HAMMERSMITH W. 1915. Wood engraving. Physick 31. 5 1/4 X 5 1/4 (sheet 13 x 10). Made for printing on paper bags for the Hampshire House Bakery, Doves Place, Hammersmith. Subsequently used for the illustration on the back cover of A Statment of Aim, pub. #8 (Ditchling, Sussex: S. Dominic's Press, 1916). On p. 19 of Wood-engravings - S. Dominic's Press, pub. #44, 1924. As published in Engravings by Eric Gill Douglas Cleverdon, Birmingham, England, 1929. Printed on the full sheet of cream wove paper. Unsigned. $225.

Dress: 1860. 1921. Wood engraving. Physick 187. 2 3/4 x 2 1/4 (sheet 13 1/16 x 9 7/8). Originally published in 'Dress' (S. Dominic's Press, 1921). The image was based upon an old photograph. As published in Engravings by Eric Gill Douglas Cleverdon, Birmingham, England, 1929. Printed on the full sheet of cream wove paper. Unsigned. $225.

Dress: 1920. 1921. Wood engraving. Physick 186. 3 3/4 x 3 (sheet 13 1/16 x 9 7/8). Originally published in 'Dress' (S. Dominic's Press, 1921). Made after a drawing by Edward Sullivan for 'The New Utopia,' by H.G Wells. As published in Engravings by Eric Gill Douglas Cleverdon, Birmingham, England, 1929. Printed on the full sheet of cream wove paper. Unsigned. $225.

Dumb-Driven Cattle. 1915. Wood engraving. Physick 36. 3 3/4 x 3 1/4 (sheet 13 1/8 x 9 15/16). Originally published in 'The Devil's Devices,' by Douglas Pepler (The Hampshire House Workshops, London, 1915). The first 200 copies of the edition of 1,500 were numbered and signed. Two editions of the engravings only (consisting of 15 and 33 sets at 31/6 and 15/- a set respectivly) were issued in the same year. As published in Engravings by Eric Gill Douglas Cleverdon, Birmingham, England, 1929. Printed on the full sheet of cream wove paper. Initialed in the block. $175.

Earth Waiting. 1926. Engraving on copper. Physick 360. 4 1/2 x 3 1/2 (sheet 13 x 10). Originally published in 'The Procreant Hymn,' by Powys Mathers (Golden Cockerel Pres, 1926). As published in Engravings by Eric Gill Douglas Cleverdon, Birmingham, England, 1929. Printed on the full sheet of cream wove paper. Unsigned. $225.

Initial 'S' with Church. 1916. Wood engraving. Physick 62. 1 x 1. Engraved for S. Dominic's press.

Chalice and Host with Candles. 1916. Woodcut. Physick 53. 1 1/4 x 1.

Hog in a Triangle. 1916. Wood engraving. Physick 58. 1 1/8 x 3/4.

DP and Cross. 1916. Wood engraving. Physick 64. 1 1/4 x 3/8.

Chalice and Host. 1916. Wood engraving. Physick 65. 1 7/16 x 3/4.

All five images printed upon cream laid paper with one side deckle edge (8 x 4 7/8). Unsigned. $175 for the sheet.

Flying Buttresses (Id Quod Visum Placet). 1926. Engraving on copper. Physick 373. 4 1/2 2 3/4 (sheet 13 1/6 x 9 7/8). Originally published in 'Id Quod Visum Placet,' an essay by Eric Gill (published by the author, Capel-y-iffin, Abergavenny, 1926). The image was based upon a drawing of St. Pierre, Chartres. As published in Engravings by Eric Gill Douglas Cleverdon, Birmingham, England, 1929. Printed on the full sheet of cream wove paper. Unsigned. $225.

Girl Sleeping. 1925. Wood engraving. Physick 334. 1 1/4 x 3 1/2 (sheet 13 1/16 x 9 7/8). Originally made to be published in The Song of Songs (Golden Cockerel Press, 1925), but was not used. As published in Engravings by Eric Gill Douglas Cleverdon, Birmingham, England, 1929. Printed on the full sheet of cream wove paper. Unsigned. $225.

The Harem. 1925. Wood engraving. Physick 316. 4 3/4 x 3 3/4 (sheet 13 1/16 x 9 7/8). Originally published in The Song of Songs (Golden Cockerel Press, 1925). As published in Engravings by Eric Gill Douglas Cleverdon, Birmingham, England, 1929. Printed on the full sheet of cream wove paper. Unsigned. $225.

Hottentot. 1920. Wood engraving. Physick 172. 8 x 1 3/4 (sheet 13 x 10). As published in Engravings by Eric Gill Douglas Cleverdon, Birmingham, England, 1929. Printed on the full sheet of cream wove paper. Unsigned. $225.

The Lion. 1921. Wood engraving. Physick 179. 2 1/4 x 3 (sheet 13 1/8 x 9 7/8). This print is also known as 'She Loves Me Not,'and was made after a museum study. As published in Engravings by Eric Gill Douglas Cleverdon, Birmingham, England, 1929. Printed on the full sheet of cream wove paper. Unsigned. $225.

My Love among the Lilies. 1925. Wood engraving. Physick 327. 2 x 3 (sheet 13 1/16 x 9 7/8). Originally published in The Song of Songs (Golden Cockerel Press, 1925). As published in Engravings by Eric Gill Douglas Cleverdon, Birmingham, England, 1929. Printed on the full sheet of cream wove paper. Minimal foxing on the bottom part of the sheet, well outside of the image. Unsigned. $175.

New England Woods. 1920. Wood engraving. Physick 163. 3 3/4 x 2 1/4 (sheet 13 x 9 1/4). Originally printed in Three Poems by A.K. Coomaraswamy (privately printed). As published in Engravings by Eric Gill Douglas Cleverdon, Birmingham, England, 1929. Printed on the full sheet of cream wove paper. Unsigned. $225.

On my Bed by Night. 1925. Wood engraving. Physick 125. 2 1/2 x 3 3/4 (sheet 13 1/16 x 9 7/8). Originally published in The Song of Songs (Golden Cockerel Press, 1925). As published in Engravings by Eric Gill Douglas Cleverdon, Birmingham, England, 1929. Printed on the full sheet of cream wove paper. Minimal foxing on the sheet, well outside of the image. Unsigned. $225.

Portrait of: Beatrice Warde. 1926. Wood engraving. Physick 400.ii. 9 x 6 (sheet 13 1/16 x 9 7/8). As published in Engravings by Eric Gill Douglas Cleverdon, Birmingham, England, 1929. Printed on the full sheet of cream wove paper. There is slight foxing at the bottom of the sheet, well outside of the image. Initialed in the block. $175.

Portrait of: Eliz. Gill. 1924. Engraving on zinc. Physick 279. 7 x 5 (sheet 13 1/16 x 9 7/8). As published in Engravings by Eric Gill Douglas Cleverdon, Birmingham, England, 1929. Printed on the full sheet of cream wove paper. Titled, monogrammed, dated and annotated 'zinc' in the block. $175.

Portrait of: Gordian Gill. 1924. Engraving on zinc. Physick 280. 8 x 6 (sheet 13 1/16 x 9 7/8). As published in Engravings by Eric Gill Douglas Cleverdon, Birmingham, England, 1929. Printed on the full sheet of cream wove paper. Titled and monogrammed in the block. $175.

Portrait of: A Lady (Moira, Mrs. Robert Gibbings). 1924. Engraving on copper. Physick 296. 7 x 4 1/2 (sheet 13 1/16 x 9 7/8). As published in Engravings by Eric Gill Douglas Cleverdon, Birmingham, England, 1929. Printed on the full sheet of cream wove paper. Signed in the block. $175.

Portrait of: Miss R. Rothstein. 1926. Engraving on copper. Physick 370. 10 x 7 (sheet 13 1/16 x 9 7/8). As published in Engravings by Eric Gill Douglas Cleverdon, Birmingham, England, 1929. Printed on the full sheet of cream wove paper. Monogrammed in the block. $175.

Portrait of: Mrs. Williams of Ditchling. 1924. Wood engraving on sycamore and grain. Physick 270. 8 3/4 x 7 5/8 (sheet 13 1/16 x 9 7/8). As published in Engravings by Eric Gill Douglas Cleverdon, Birmingham, England, 1929. Printed on the full sheet of cream wove paper. Initialed in the block. $175.

Portrait of: Ruth Lowinsky. 1924. Wood engraving. Physick 277. 9 x 6 (sheet 13 1/16 x 9 7/8). As published in Engravings by Eric Gill Douglas Cleverdon, Birmingham, England, 1929. Printed on the full sheet of cream wove paper. Initialed and titled in the block. $175.

Portrait of: Thomas Esmond Lowinsky, Esq. 1924. Wood engraving. Physick 276. 10 5/8 x 7 5/8 (sheet 13 1/16 x 9 7/8). As published in Engravings by Eric Gill Douglas Cleverdon, Birmingham, England, 1929. Printed on the full sheet of cream wove paper. Titled and initialed in the block. $175.

Portrait of: Xenia Noelle Lowinsky. 1924. Wood engraving. Physick 278. 9 x 6 (sheet 13 1/16 x 9 7/8). As published in Engravings by Eric Gill Douglas Cleverdon, Birmingham, England, 1929. Printed on the full sheet of cream wove paper. Initialed and titled in the block. $175.

Sculpture: I. 1923. Wood engraving. Physick 227. 3 x 1 1/2 (sheet 13 1/16 x 9 7/8). This is the second state of the engraving, as indicated by the lines cut into dots in the limbs.

Sculpture: II. 1923. Wood engraving. Physick 228. 3 x 2 (sheet 13 1/16 x 9 7/8). Originally published in Sculpture, by Eric Gill (2nd edition, S. Dominic's Press, 1923). Printed on the title page and cover for Engravings by Eric Gill Douglas Cleverdon, Birmingham, England, 1929.

Skaters. 1926. Engraving on copper. Physick 368.ii. 4 3/8 x 4 1/4 (sheet 13 1/16 x 9 7/8). This is the second state of the engraving, as indicated by the ballet skirts worn by each skater. (In the first state, the skaters were completely nude.) Skaters was based upon a photograph in the 'Daily Mirror' of two men skating. As published in Engravings by Eric Gill Douglas Cleverdon, Birmingham, England, 1929. Printed on the full sheet of cream wove paper. Unsigned. $275.

Another unsigned proof printed on Japanese mulberry paper. 4 1/4 x 4 1/2 (sheet 6 13/16 x 6 1/4). $250.

Swineherd. 1925. Wood engraving. Physick 337. 2 1/4 x 3 3/8 (sheet 13 1/16 x 9 7/8). Originally made to be published in The Song of Songs, but was never used As published in Engravings by Eric Gill Douglas Cleverdon, Birmingham, England, 1929. Printed on the full sheet of cream wove paper. Unsigned. $175.

The Tennis Player. 1923. Wood engraving. Physick 217. 4 5/8 x 4 1/8 (sheet 13 x 10). As published in Engravings by Eric Gill Douglas Cleverdon, Birmingham, England, 1929. Printed on the full sheet of cream wove paper. The image was based upon a photograph in the Daily Mirror. Unsigned. $250.

Toilet: N G. 1927. Wood engraving on sycamore, end grain. Physick 256. 4 1/2 x 2 1/2 (sheet 13 1/6 x 9 7/8). Made after a drawing in real life. As published in Engravings by Eric Gill Douglas Cleverdon, Birmingham, England, 1929. Printed on the full sheet of cream wove paper. Unsigned. $175.

Triangular Device: Cavalry. 1915. Wood engraving. Physick 44. 1 1/4 x 3 1/4. As published in Engravings by Eric Gill Douglas Cleverdon, Birmingham, England, 1929.

Triangular Device: Five Stalks of Leaves. 1915. Wood engraving. Physick 39. 3 1/4 x 2. As published in Engravings by Eric Gill Douglas Cleverdon, Birmingham, England, 1929.

Triangular Device: Ship. 1915. Wood engraving. Physick 41. 2 x 2 1/2. As published in Engravings by Eric Gill Douglas Cleverdon, Birmingham, England, 1929.

All three prints printed on the full sheet of cream wove paper (13 1/8 x 9 15/16). Unsigned. $225.

Woman with Balloons. 1926. Wood engraving. Physick 387. 4 x 1 1/2 (sheet 13 1/16 x 9 7/8). Designed after a drawing from real life. As published in Engravings by Eric Gill Douglas Cleverdon, Birmingham, England, 1929. Printed on the full sheet of cream wove paper. Unsigned. $225.

The Parable of the Fruit Tree. 1927. Line engraving. Dodgson 60.v/vi. 5 7/8 x 3 7/8 (sheet 15 1/16 x 11 1/8). One of 15 proofs before the engraved title. Series: Fables of La Fontaine. Printed on cream wove paper on the full sheet with deckle edges. Signed and dated in pencil. $250.

Pilgrim. 1930. Line engraving. 1 7/8 x 3 7/8 (sheet 3 3/8 x 4 3/16). Printed on cream wove paper with text on the verso, laid onto a card for support. Signed and annotated 'B' in ink. $175.

Fables of La Fontaine: Unsigned proofs from the book edition.

The Acorn and the Pumpkin. 1927. Line engraving. 6 3/16 x 3 1/2 (sheet 10 1/8 x 6 1/8). Edition 525 in the book printing (there were 15 pre-publication proofs). Series: Fables of La Fontaine. As published in the 1931 Heinemann edition of La Fontaine, translated by Sir Edward Marsh, volume II. Printed on cream wove paper on the full sheet with deckle edges. Unsigned. $95.

The Admirable Crichton. 1927. Line engraving. Dodgson 91. 3 3/4 x 2 7/8 (sheet 10 1/8 x 6 1/8). Edition 525 in the book printing (there were 15 pre-publication proofs). Series: Fables of La Fontaine. As published in the 1931 Heinemann edition of La Fontaine, translated by Sir Edward Marsh, volume II. Printed on cream wove paper on the full sheet with deckle edges. Unsigned. $50

The Dairymaid and the Jar of Milk. 1927. Line engraving. 6 3/8 x 3 3/8 (sheet 10 1/8 x 6 1/4). Edition 525 in the book printing (there were 15 pre-publication proofs). Series: Fables of La Fontaine. As published in the 1931 Heinemann edition of La Fontaine, translated by Sir Edward Marsh, volume II. Printed on cream wove paper on the full sheet with deckle edges. Unsigned. $65.

Daphnis and Alcimadura. 1927. Line engraving. 6 5/16 x 3 1/2 (sheet 10 1/8 x 6 3/16). Edition 525 in the book printing (there were 15 pre-publication proofs). Series: Fables of La Fontaine. As published in the 1931 Heinemann edition of La Fontaine, translated by Sir Edward Marsh, volume II. Printed on cream wove paper on the full sheet with deckle edges. Unsigned. $65.

The Judge, the Hospitaler and the Solitary. 1927. Line engraving. 4 x 4 (sheet 10 1/8 x 6). Edition 525 in the book printing (there were 15 pre-publication proofs). Series: Fables of La Fontaine. As published in the 1931 Heinemann edition of La Fontaine, translated by Sir Edward Marsh, volume II. Printed on cream wove paper on the full sheet with deckle edges. Unsigned. $75.

The Old man and the Three Youths. 1927. Line engraving. 6 3/16 x 3 1/2 (sheet 10 x 6 1/4). Edition 525 in the book printing (there were 15 pre-publication proofs). Series: Fables of La Fontaine. As published in the 1931 Heinemann edition of La Fontaine, translated by Sir Edward Marsh, volume II. Printed on cream wove paper on the full sheet with deckle edges. Unsigned. $65.

The Shepherd and his Flock. 1927. Line engraving. 3 x 3 3/8 (sheet 10 1/8 x 6 1/8). Edition 525 in the book printing (there were 15 pre-publication proofs). Series: Fables of La Fontaine. As published in the 1931 Heinemann edition of La Fontaine, translated by Sir Edward Marsh, volume II. Printed on cream wove paper on the full sheet with deckle edges. Unsigned. $50.

The Two Friends. 1927. Line engraving. 6 1/4 x 3 1/2 (sheet 10 x 6 1/4). Edition 525 in the book printing (there were 15 pre-publication proofs). Series: Fables of La Fontaine. As published in the 1931 Heinemann edition of La Fontaine, translated by Sir Edward Marsh, volume II. Printed on cream wove paper on the full sheet with deckle edges. Unsigned. $50.

The Wolf and the Sportsman. 1927. Line engraving. Dodgson 89. 2 1/4 x 3 1/4 (sheet 10 x 6). Edition 525 in the book printing (there were 15 pre-publication proofs). Series: Fables of La Fontaine. As published in the 1931 Heinemann edition of La Fontaine, translated by Sir Edward Marsh, volume II. Printed on cream wove paper on the full sheet with deckle edges. Unsigned. $50.

Off Volendam, Holland. c. 1925. Drypoint. 7 7/8 x 11 7/8 (sheet 9 3/8 x 14). Edition probably 75, #73. A rich, tonal impression printed on 'VGZ' cream laid paper with full margins. A rich impression with drypoint burr. Signed and numbered in pencil. $175.

The Almonry. 1925-26. Etching. Comstock 34.v/vii. 9 1/2 x 6 1/2 (sheet 11 1/8 x 7 5/8). Edition 82 in this state (total edition 101). A fine impression on white laid paper with full margins. Illustrated Fine Prints of the Year, 1925. With the DP stamp verso (Lugt 760a). Signed in pencil. This is the artist's major etching. $8,500. .

The Barbican. 1920. Etching. Comstock 26.i/iii. 6 3/16 x 6 3/4 (sheet 9 5/8 x 8 3/4). Edition 30 in this state (total edition about 61). A fine impression on blue/green laid paper. Signed and dedicated 'To R.A. Walker' in pencil. $2,000.

Fen Monastery. 1923. Etching. Wright, Comstock 31.vi but without the numbering. 6 3/8 x 9 5/8 (9 x 12 3/8). Edition 44 recorded impressions in this state (total 86 proofs). A fine impression printed on Liber Angliae series cream laid paper with "DP" stamp, verso. Signed in pencil. $2,000.

The Ford. 1915-24. Etching. Comstock 9.vi. 5 7/8 x 9 7/16 (sheet 11 1/2 x 8 1/2). Edition 43 in this state (total 127 proofs). A fine impression on sturdy cream laid paper. 'DP (Dover House Press) stamp in ink, verso. Signed in pencil. $2,000.

Linn Bridge. 1922. Etching. Comstock 29.iii/iv. 6 3/16 x 5 1/16 (sheet 10 7/16 x 17). Edition 40 in this state (total 61 proofs). Illustrated: Print Collector's Quarterly 11 (1924): 107. A fine impression printed on antique cream laid paper. 'DP' (Dover House Press) stamp in ink, lower right. Signed in pencil. $2,000

Lone-End. 1930. Etching. Comstock 42.vi. 7 1/8 x 10 1/4 (sheet 10 x 14 7/16). Edition 90 in this state (total 96 proofs). Illustrated: Print Collector's Quarterly 26 (1939): 70. A fine impression on cream laid paper with wide margins. Stamped 'D.H.P' (Dover House Press) in ink, verso, and numbered '25' in pencil. Signed in pencil. $2,000.

Netherton Chapel. 1935. Etching. Comstock 53.v. 5 11/16 x 4 3/8 (sheet 8 15/16 x 6 1/2). Edition 85 in this state (total 88-89 proofs). Illustrated Fine Prints of the Year, 1936;; Print Collector's Quarterly 26 (1939): 286. A fine impression on white laid paper with a partial crown watermark. Signed in pencil. $1,650.

The Palace. 1921. Etching. Comstock 17.v. 5 5/16 x 5 3/16 (sheet 12 1/8 x 9 1/16). Edition 41 in this state (total about 107 proofs). A rich impression printed on antique cream laid paper. One rust spot, inherent in the paper, in the margin outside the imae; otherwise excellent condition. Signed in pencil. $1,650.

Potter's Bow. 1924. Etching. Comstock 33.vii. 9 7/8 x 7 1/8 (image and sheet). Edition 46 in this state (total 73 proofs). Illustrated: Illustrated: Salaman, Modern Masters of Etching ; Fine Prints of the Year, 1924. Printed on French 1740 antique cream laid paper. With the DP (Dover House Press) stamp verso. Trimmed to the image, as is usual with this etching. Signed in pencil. $2,000.

St. Botolph's Cathedral, Boston. 1925. Etching. Comstock 32.v. 10 1/2 x 7 1/8 (sheet 11 5/8 x 8 1/16). Edition 76 in this state (total 98 proofs). Illustrated: Salaman, Modern Masters of Etching. A rich impression with plate tone printed on antique laid paper. Diagonal printing fold in the sky; otherwise in excellent condition. 'HG' stamp, lower right. Signed in pencil. $2,750.

St. Mary's, Nottingham. 1928. Etching. Comstock 41.iv. 7 1/2 x 10 3/8 (sheet 12 1/2 x 17 7/8). Edition 76 in this state (total 98 proofs). Illustrated: Print Collector's Quarterly 26 (1939): 266. A fine impression on sturdy cream wove paper. With the DP (Dover House Press) stamp verso and numbered '24' in pencil. Signed in pencil. $2,000.

St. Wendred's, March. 1921. Etching. Comstock 27.ii. 9 1/4 x 5 1/4 (12 1/16 x 9) Edition 63 in this state (total 66 proofs). Illustrated: Print Collector's Quarterly 11 (1924): 121. A beautiful impression printed with plate tone on cream laid paper with full margins. With the DP (Dover House Press) stamp recto. Signed in pencil. $2,000.

Lambs on a Hillside. 1927. Etching. 8 1/2 x 11 1/2. Two proofs. First state. Signed and dated. Mount annotated, ex-collection Dr. Perth. Paper fold along top right-hand sheet, just into the aimage. Completed state, signed and dated. Collector's seal verson. Both printed on blue-green paper from an antique volume, the finshed state sheet countermarked 'SM'. $950 the pair.

Summer Morning. 1926. Etching. 8 x 11 1/4. Proof 49. Gwynne-Jones did only 11 etchings. This image is derived from a drawing done in Sussex, just after the artist went to the Slade. A rich impression printed with plate tone on laid paper watermarked "J. W. Whatman." Signed, dated numbered and titled in pencil. $650.

The Draughtsman, Swanage. c. 1877. Conte crayon drawing. 14 x 19 3/4. Unsigned. Sunstruck. Mounted on board. Provenance: Frederick Keppel Gallery. Titled verso. It is likely that the draughtsman is Haden imself. $1,500.

Fine Prints

Battersea Reach. 1863. Etching and drypoint. Schneiderman 48.iv/xii. 6 x 8 7/8 (sheet 7 5/16 x 10 1/4). As published in the Gazette des Beaux-Arts, XVII, 1864. Illustrated: Guichard, British Etchers, 1850-1940. A rich impression printed on cream laid paper. Signed, dated and annotated 'Old Chelsea Out of Whistler's window' in the plate. $650.

Ye Compleat Angler. 1877. Etching. Schneiderman 161.iii. 5 1/2 x 8 1/16 (7 3/4 x 11). As published in Hamerton, Etching and Etchers, 3rd edition, London 1880. Printed on cream laid paper with deckle edges on three sides. Signed in pencil. $375.

Early Morning, Richmond. 1859. Early Morning, Richmond. 1859. Etching. Schneiderman 25. Undescribed proof between ii and iii, before the bird in the sky, and before publication in Études à l'Eauforte. 4 3/8 x 10 7/8 (sheet 10 x 15 3/8). An extremely strong, well-inked impression. Printed on simili-Japon paper with full margins . Mild time tone within the mat window area. Provenance: Kennedy Galleries. Signed in pencil. A very rare state of this dramatic image. $975

Egham. 1859. Etching and drypoint. Schneiderman 20. vi/x. 4 15/16 x 7 15/16 (sheet 6 5/8 x 9 3/8). As published in Études à l'eau forte, Number 12. A rich impression with burr, printed on off-white laid paper. One iron oxide spot, inherent in the paper; otherwise excellent condition. Signed in reverse in the plate. $325.

Egham. 1859. Etching and drypoint. Schneiderman 20. viii/x. 4 15/16 x 7 15/16 (sheet 7 13/16 x 10 9/16). Printed on vellum. Signed in pencil. Foxing in the margins; otherwise excellent condtion. $550.

Erith Marshes. 1865. Etching. Schneiderman 104.ii/vi. 9 7/16 x 15 (sheet 12 5/16 x 19 3/4). An extremely strong impression with pronounced etched lines. Prior to the extensive area of rust in the plate and prior to the removal of much etched work in the sky. Printed on heavy cream wove paper with full margins and deckle edges. Mild time tone within the mat window area. Weak lower platemark with three small strips of archival tape for support, verso. Signed in pencil. Haden etched this extensive landscape in the company of his friend, the famous French painter-etcher, C.F.Daubigny. The image shows the marshes on the north side of the Thames at Purfleet, opposite Erith, a few miles to the east of London. $950.

Fulham. 1859. Etching and drypoint. Schneiderman 222. xi/xii. 4 7/16 x 11 (sheet 5 13/16 x 11 7/8). Printed on cream laid paper. Signed in pencil. $650.

Grayling Fishing. 1897. Mezzotint with drypoint. Schneiderman 227.ii/v. 7 1/2 x 11 5/8 (10 x 14 1/8). Excellent condition and impression. A rich impression printed in dark brown ink on white wove paper. Gold Medal winner at the Paris Exposition. Signed in pencil. $1,500.

Grim Spain. 1877. Etching. Schneiderman 173.i/ii. 6 X 8 13/16 (sheet 9 5/8 x 12 1/2). A fine impression printed on simili-Japan paper. Printed by Goulding for the Fine Art Society for publication in Frederick Wedmore's Four Masters (London, 1883). Signed and dated in the plate. $475.

Grayling Fishing. 1897. Mezzotint with drypoint. Schneiderman 227.ii/v. 7 1/2 x 11 5/8 (10 x 14 1/8). Excellent condition.. A rich impression printed in dark brown ink on white wove paper. Gold Medal winner at the Paris Exposition. Signed in pencil. $1,500.

A Lancashire River. 1887. Etching. Schneiderman 203. Undescribed proof between vii and viii, with the clouds touching the hills, but before the blindstamp in state viii. 10 7/8 x 15 3/48 (sheet 15 5/16 x 120 1/2). An extremely strong, well-inked impression. Printed on heavy cream wove paper with full margins . Mild time ton within the mat window area. Provenance: Kennedy Galleries. Signed in pencil. $975.

A Lancashire River. 1887. Etching. Schneiderman 203.viii. 10 7/8 x 15 7/8 (sheet 13 7/8 x 17 7/8). Illustrated: Print Collector's Quarterly 1 (1911): 27. A fine impression printed with plate tone on cream wove paper with full margins. Signed and dedicated in pencil 'To Mr. Charles W. West in pleasant remembrance of 1883'. Professor Charles E. West, like Haden, was interested in photography. $950.

A Likely Place for a Salmon. Etching and drypoint with extensive additions in pencil and conte crayon. 1869 and later.Schneiderman 129, a proof impression between the third and fourth states (of eight). 4 3/16 x 10 (sheet 5 5/16 x 11). Unidentified collector's mark verso (Lugt 2368b). Signed in pencil. $1,750.00

The Mill Wheel. 1874. Etching. Schneiderman 144. iv. 7 x 10 5/16 (sheet 9 13/16 x 12 1/4). Printed on cream wove paper with deckle edges. Signed in pencil. $550.

Mount's Bay. 1868. Etching and drypoint. Schneiderman 117.ix/x. 5 1/2 x 8 3/8 (sheet 9 x 13). An rich impression with plate tone printed on beautiful tan fibrous laid paper. Annotated 'D. 114' in another hand; signed in pencil by Haden. $450.

Old Willesley House. 1865. Etching. Schneiderman 92. iii/iv. 6 7/8 x 9 15/16 (10 1/4 x 13 1/2). Printed on cream wove paper. Signed in pencil. $650.

Shere Mill Pond, No. II (large plate). 1860. Etching and drypoint, S 37.vi/ix. 7 x 13 1/8 (sheet 11 7/16 x 17 1/2). Illustrated: Guichard, British Etchers, 1850-1940; Print Collector's Quarterly 1 (1911): 18. A rich impression on light cream-colored wove paper with large margins. Signed in pencil. $1,500.

Sonning Bank. 1865. Etching and drypoint. Schneiderman 106.iii/v. 5 5/16 x 8 1/2 (sheet 9 1/4 x 14 5/8). Printed on cream laid paper with full margins. Signed in pencil. $650.

A Sunset in Ireland. 1863. Etching and drypoint. Schnediderman 47.vi/xiv. 5 1/2 x 8 1/2. As published in Études à l'eau forte. A rich, glowing impression on light tan laid tissue paper. Signed in pencil. Philip Gilbert Hamerton wrote "With the exception of one plate by Claude, this is the finest etching of a landscape subject that has ever been executed in the world." $1,975.

"Thomas Haden of Derby". 1864. Etching and drypoint. Schneiderman 53.ii/v. 13 7/8 x 9 7/16 (sheet 16 1/2 x 11 7/16). Printed with plate tone on cream-colored 'BIV' laid paper. Rubbing from a previous mat in the lower margin, well outside the image; otherwise excellent condition. A fine impression of this scarce early state. Signed and titled in the plate. $550.

The Two Sheep. 1869. Etching. Schneiderman 132. v/vi. 4 7/16 x 5 15/16 (5 5/8 x 9). Rich plate tone printed on tan laid paper. Signed in pencil and annotated "Just right or Bon à tirer" (good to print). $450.

A Water Meadow. 1859. Etching. Schneiderman 23.iv/v. 6 x 8 7/8 (sheet 8 3/4 x 11 1/16). A fine impression on cream-colored wove paper. $500.

Windmill Hill No. II. 1877. Drypoint. Schneiderman 153.iii/v. 5 15/16 x 8 7/8 (sheet 8 x 12 11/16). Printed on white laid paper with deckle edges. Signed in pencil. $550.

Windsor. 1898. Etching. Schneiderman 186.xii. 13 1/4 X 17 1/2 (sheet 18 5/8 x 23 1/4).. Edition of 50 in this state, published by the Fine Art Society. A fine impression printed on cream wove paper with full margins. Signed in pencil. $1,250.

Yacht Tavern, Erith. 1865. Etching. Schneiderman 103.iii/iv. 9 1/2 x 14 3/4 (sheet 11 13/16 x 14 3/8). A rich impression on cream-colored wove paper. Very slight mat burn. Annotated "D[rake] 101" in another hand; signed in pencil by the artist. $850.

Avila, Spain. c. 1920. Etching. 5 15/16 x 8 7/16 (sheet 7 x 10 11/16). Printed with plate tone

Old Bridge at Avila. c. 1927. Etching and drypoint. 4 7/8 x 6 7/8. Edition 50. A fine impression on watermarked "F J Head & Co" laidpaper. Signed, annotated and titled in pencil. $200.

A Spanish Town. c. 1927. Etching and drypoint. 6 3/4 x 9 3/4 (sheet 9 7/8 x 13 1/2). Edition 40, #22. A fine impression on cream laid paper. Illustrated: Print Collector's Quarterly 15 (1928): 39. Signed and numbered in pencil. $275.

Bolton Castle: Vista. 1894. Etching. 4 1/4 x 7 7/8 (sheet 5 1/16 x 8 3/4). A fine impression printed with subtle plate tone on fine laid paper. An early state, before the signature and date '1895' in the plate. Signed and dated in pencil. $225.

Broughton Moor Pits, Durham. c. 1920. Etching and drypoint. 7 7/8 x 11 13/16 (sheet 10 x 14 3/8). A fine impression on cream wove paper. Signed in pencil. $325

Cartmel Abbey. c. 1894. Etching. 6 15/16 x 9 7/8 (sheet 8 3/16 x 11 1/8). A fine impression with rich plate tone printed on cream laid paper. Signed, dated and titled in pencil. $225.

Castle Acre Priory. c. 1920. Etching and drypoint. 7 x 11 7/8 (sheet 9 1/4 x 14 5/8). A rich impression with drypoint burr, printed on Japanese mulberry paper. Provenance: the artist's studio. Unsigned. $175.

[The Dock, Hayling Island, Hampshire]. c. 1927. Etching and drypoint. 6 3/4 x 8 7/8 (sheet 8 1/4 x 10 1/2). Signed in pencil. $250.

[Fishing, Sinah Warren]. c. 1895. Etching. 4 5/8 x 6 1/2 (sheet 6 15/16 x 9 1/4).A rich impression with plate tone, printed on cream laid paper. Horizontal fold; otherwise in fine condition. Signed in pencil. $150.

Ludlow Castle, Shropshire. c. 1894. Lithograph. 7 x 10 3/4 x 5 1/2 (sheet 9 1/4 x 13 1/2). A fine impression on white laid paper countermarked 'MBM'. Signed in the stone, titled in pencil in the lower right-hand margin. $100.

[Ludlow Town, Shropshire.] 1895. Etching. 5 7/8 x 9 7/8 (sheet 7 3/8 x 10 1/8). A fine impression with plate tone on 'MBM'laid paper. Signed and dated in the plate; signed and dedicated 'to John Stephenson' in pencil. $225.

[Road into Town]. c. 1894. Lithograph. 5 5/8 x 8 3/8 (sheet 7 3/8 x 10 1/4). Printed on cream 'MBM' laid paper. Signed in the stone. $75.

[Trees, Hayling Island, Hampshire]. c. 1924. Etching and drypoint. 5 x 7 3/4(sheet 8 1/4 x 11 7/8). A fine impression on cream laid paper watermarked 'FJ Head & Co'. Unsigned. Provenance; the artist's studio. $125.

[A Yorkshire Road]. c. 1924. Etching and drypoint. 5 x 7 1/4(sheet 7 1/2 x 10 1/2). A fine impression on cream laid paper watermarked 'FJ Head & Co'. Signed in pencil. $225.

A Farm on the Hill Top. c. 1926. Etching. Hardie 113. 6 x 10 1/16 (sheet 9 3/16 x 12 1/2). Edition 90. A rich impression on cream laid paper watermarked "England". Printed on the full sheet with deckle edges. Done from sketches made at Gisors in October, 1926. Printed by Strang, January 1927 - June, 1929. Signed in ink. $175.

The Incoming Tide. 1923. Drypoint. Hardie 94. 4 1/2 x 11 (sheet 7 1/2 x 12 5/8). Edition 78. Illustrated: Fine Prints of the Year, 1923. A rich impression with drypoint burr, printed on 'CR' laid paper with a crown watermark, from an antique volume. Blindstamp: The Rose Collection. Signed in ink. $275.

Wells-on-Sea (Norfolk). c. 1950. Drypoint. Hardie 189. 6 7 /8 x 10 3/4 (sheet 9 3/8 x 13 3/8). Presentation plate for The Print Collectors Club, Alexandria, Virginia. Printed on cream laid paper. This is the artist's last print. Signed in ink, lower right. $250.

View at Blythburgh. Watercolor and charcoal. 11 1/2 x 15. Signed. Exhibited: Royal Scottish Society of Painters. Excellent color and condition. $950.

Walberswick, from Dunwich. August, 1937. Watercolor. 10 1/4 x 15 5/8. Signed in ink, lower right; titled, signed and dated in pencil, verso. $950.

At Dorking. c. 1836. Lithograph. 15 1/8 x 11 1/8 (sheet 22 1/8 x 15 3/5). Printed on grey paper laid onto heavy wove paper. Titled and monogrammed in the stone. Scattered foxing; otherwise good condition. A fine impression. $175.

Old Nan. 1928. Drypoint. 7 3/8 x 7 (sheet 15 3/8 x 10). Edition 52, #45. A rich impression with selective plate tone, printed on cream laid paper. Signed and numbered in pencil. $175.

Gertrude Ellen Hayes. born 1872.

Shakespeare's Birthplace, Henley Street, Statford-on-Avon. c. 1910. Etching. 6 9/16 x 11 7/8 (sheet 9 7/8 x 15 9/16). A rich impression printed on fine laid paper mounted onto board for support. Some toning, otherwise in good condition. Signed in pencil. $125.

George Hayter. 1792-1871.

Guerilla Bandit. 1824. Etching. Alexander 25. 6 x 6 7/8. From the Rimmel edition of 1879 on India paper. Illustrated: Print Quarterly II.iii (1985): 221. Initialed in the plate. $100.

John Hayter. 1800-1891.

Religious Ecstasy. Ink and watercolor on wove paper. 4 x 3 7/8 (sheet 10 7/8 x 9). Study for the painting. There is an outline drawing of a staff on the verso. Unsigned. $125.

Lime Kiln Cottage (Old Cottage, Cornwall). 1923. Etching. 5 7/8 x 5 7/8 (sheet 10 1/8 x 7 3/4). Signed in pencil. A rich tonal impression printed on cream laid paper, apart from the published edition of 50. A proof was exhibited in London at the Fine Art Society in 1923. $250.

Snow 1973. Lithograph and screenprint in colors, from 6 stones, 1 aluminium plate, two screens. Scottish Arts Council 140. 34 1/4 x 28 1/2 (sheet 40 x 33 1/2). Edition 98 (plus 12 artist's proofs), #32. 'Weather' series. Printed on Arjomari mould-made paper, with the Gemini G.E.L. blindstamps, Los Angeles. A fine impression with fresh colours in pristine condition. Signed, dated, titled and numbered in green crayon. Price upon request.

Water Made of Lines and a Blue Wash. 1980. Lithograph printed in colors. 20 x 28 (sheet 26 x 36). Edition 25, #35. Published by Tyler Graphics. Printed on white TGL handmade paper. Signed,dated and numbered in pencil. Price upon request.

O The Roast Beef of Old England, &c. 1749. Engraving. 13 3/4 x 17 3/8 (sheet 15 1/4 x 18 1/8). Engraved by Charles Mosley and William Hogarth. Printed on tan laid paper. In poor condition: scattered pinholes, various paper loss in three corners, two folds in the image, upper right. Published March 6^th, 1749. Signed, dated and titled in the plate. $125.

Essex Watergate, WC2. 1934. Etching. 9 7/16 x 6 (sheet 12 1/8 x 9 5/8). Edition 50, #38. A fine impression printed in cream laid paper, on the full sheet with deckle edges. A dramatic London view. Signed, titled and numbered in pencil. $250.

Pont Neuf, Paris. 1924. Aquatint. 7 3/16 x 10 (sheet 11 5/8 x 14 5/8). Unpublished - very rare. A rich impression printed on cream laid paper. Signed in pencil. $350.

Ponte San Angelo, Rome. 1932. Etching with drypoint. 7 1/2 x 8 3/4 (sheet 10 x 15). Published by James Connell in an edition of 50. A rich impression with subtle tonal wiping. Illustrated: Fine Prints of the Year, 1932. Signed in pencil. $500.

San Giorgio, Maggiore, Venice. 1930. Drypoint. 8 3/16 x 12 1/8. Signed in pencil. Published by James Connell, in an edition of forty proofs. A rich impression printed on cream wove paper with full margins. Signed in pencil. $600.

Town Hall Steps. (Skipton, Yorkshire) 1929. Drypoint. 7 1/2x 10 (sheet 11 7/16 x 15 7/16). Published by James Connell in an edition of sixty proofs only. A very rich impression printed on cream laid paper with full margins. Illustrated: Fine Prints of the Year, 1929. Signed in reverse in the plate, lower left; also humorously signed on the advertising sign to the right of the telephone booth on the corner. Sold with the copper etching plate, 7 5/8 x 10 1/16. The image on the plate is reversed in the etching when the etching is printed. $975 the pair.

The Flight into Egypt. 1924. Copper etching plate for the drypoint, which was awarded the prestigious Prix de Rome. 7 1/4 x 9 3/8. $300.

Going to the Fields. 1928. Copper etching plate for the drypoint. 7 x 10. $300.

Making the Stack. c. 1930. Etching and drypoint. 6 3/8 x 7 5/7 (sheet 8 1/2 x 10 3/4). Edition 50, #39, fourth state. A very rich impression on cream laid paper watermarked "J Whatman". Signed, numbered and titled in pencil. $225.

The Cobbler and His Wife c. 1948. Etching. 5 5/8 x 4 5/16 (sheet 11 3/8 x 9 1/8). A fine impression on white laid paper with deckle edges. Signed and titled in pencil. Presentation plate for the Print Collector's Club in 1948. Signed in pencil. $175.

Aiguille de Varens (large plate). Etching. 10 1/16 x 7 13/16 (sheet 16 x 11 3/16). Printed on the full sheet of laid paper with deckle edges. Stamped signature. $125.

Aiguille de Varennes (small plate). Etching and drypoint. First state. 8 7/8 x 5 7/8 (sheet 12 3/4 x 9 7/8). A fine impression on cream-colored paper counterrmarked Arches France, on the full sheet with deckle edges. Before the additional work on the distant town in the foreground. Stamped signature $100.

Aiguille de Varennes (small plate). Etching and drypoint. Second state. 8 7/8 x 5 7/8 (sheet 12 5/8 x 9 3/4). Printed on the full sheet of laid paper with deckle edges. With additional drypoint in the mountain,the town and the foreground.Stamped signature $100; pencil signature $150.

Alpine Buildings. Etching. 11 7/8 x 8 7/8 (sheet 18 1/8 x 11 1/2). Printed on laid, watermarked paper with deckle edges. Stamped signature. $150.

Alpine Village. Etching. 9 7/8 x 11 7/8 (sheet 12 1/2 x 18). Printed on a full sheet of 'FJ Head' laid paper. Stamped signature. $150.

Apple Tree (Fruit Tree Overlooking Farm) (proof). Etching. 9 1/8 x 7 13/16 (sheet 15 3/8 x 10 7/16). Printed on the full sheet of laid watermarked paper with deckle edges. Annotated 'proof' in the lower left corner. Stamped signature. $225.

Avalon House, South Place, Penzance: view from the right. Etching. 3 5/8 x 4 11/16 (sheet 6 1/8 x 6 9/16). Working proof with pencil additions along the roof line. Printed on wove, watermarked paper with deckle edges on three sides. One foxing spot in the left-hand roof. Tack holes in the margin from drying. Stamped signature. $100.

Avalon House, South Place, Penzance: view from the right. Etching and drypoint. Early proof, before the vertical lines on the white wall, left side and the right-hand roofs. 3 5/8 x 4 11/16 (sheet 6 9/16 x 10 3/8). Printed on wove, watermarked paper with deckle edges. Stamped signature. $100.

Avalon House, South Place, Penzance: view from the right. Etching. Proof with vertical lines on the white wall, left side, and the right-hand roofs. 3 5/8 x 4 11/16 (sheet 6 9/16 x 10 3/8). Printed on wove, watermarked paper with deckle edges. Stamped signature. $100.

Avalon House, South Place, Penzance: view from the right. Etching. Proof with vertical lines on the white wall, left side and the right-hand roofs. 3 5/8 x 4 11/16 (sheet 6 9/16 x 10 3/8). Proof with more plate tone. Printed on wove, watermarked paper with deckle edges. Stamped signature. $100.

Between the Trees. Etching. 10 7/8 x 7 7/8 (sheet 18 1/4 x 11). Printed on the full sheet of watermarked laid paper with deckle edges. Stamped signature. $175.

Chimney Tops. Etching. 7 3/4 x 6 15/16 (sheet 13 3/4 x 9 3/4). Printed on the full sheet of laid, watermarked paper with deckle edges. Stamped signature. $175.

Church in Cornwall. Etching. 6 1/4 x 8 5/16 (sheet 9 3/16 x 12 3/8). Printed on the full sheet of 'England' laid paper with deckle edges. A unique working proof with extensive pencil annotations by the artist. Stamped signature. $300.

Cornish Elms. Reproduction, reduced in size from the original etching. 3 11/16 x 4 (sheet 5 x 5 1/2). Christmas Card Reproduction. Printed text left inside sheet '"Cornish Elms." From the Original By Eleanor Hughes, R.I.' Printed text right inside sheet, 'Christmas 1936. With the best of good wishes for Christmas and the New Year from Mrs. Eleanor Hughes. Chyangweal, St. Buryan, Cornwall.' Stamped signature. $75.

Cornish Elms. Etching. 5 6/16 x 5 3/16 (sheet 7 15/16 x 10 3/4). Printed on laid, watermarked paper with deckle edges. Annotated 'proof' on the lower left corner; annotated verso, 'E. Hughes, "Cornish Elms" ii/ii (ED. 50)". Stamped signature. $200.

Cottage -- front view. Etching. 3 5/8 x 3 3/8 (sheet 5 1/16 x 5 1/8). Printed on cream-colored laid paper with a partial watermark. A fine impression. Stamped signature. $75.

Cottage -- front view. Etching. 3 5/8 x 3 3/8 (etching sheet 13/16 x 4 5/8; calendar sheet 9 x 7 1/8). The etching is hinged onto a backing board. A sheet of parchment paper is the front mount; a 1937 calendar is affixed to the parchment paper. An orange ribbon, tied in a bow, holds the front and back mount together. Stamped signature. $175.

Cottage -- side view. Etching. 3 1/2 x 4 3/16 (sheet 4 5/8 x 6 1/16). Printed on cream wove paper with deckle edges on three sides. Stamped signature. $75.

Cottage and Barn. Etching. 4 11/16 x 3 5/8 (sheet 10 1/2 x 7 1/4). Printed on the full sheet of laid watermarked paper with deckle edges. Stamped signature. $100.

Cottage and Stonewall. Etching. 6 15/16 x 8 7/8 (sheet 9 1/4 x 12 9/16). Printed on laid, watermarked paper with deckle edges. Stamped signature. $175.

Cottage With Trees. Linoleum cut. 7 1/8 x 8 1/8 (sheet 10 x 15 3/8). Printed on Japanese mulberry paper with deckle edges. Stamped signature. The artist's linoleum cuts are extremely rare. $300.

Deserted Tin Mine. Etching and drypoint. 6 15/16 x 9 7/8 (sheet 9 x 12 3/8). Printed in the full sheet of 'FJ Head & CO' laid paper with deckle edges. Stamped signature. $200.

Farmhouse with Birds. Etching. 4 1/2 x 5 1/2 (sheet 7 3/4 x 10 3/16). Printed on the full sheet of pale cream-colored laid. A rich impression in excellent condition. Stamped signature. $150.

Farmhouse with Fields: just Above the Farm (Farmhouse With Fields). Etching. 2 3/4 x 3 7/16 (sheet 5 7/16 x 6 5/8). Printed on wove paper. Stamped signature. $100.

Farmyard. Etching. 6 x 7 7/8 (sheet 9 1/8 x 12 3/4). Printed on the full sheet of watermarked laid paper with deckle edges. Stamped signature. $175.

Farmyard from the Stone Wall. Etching. 6 x 7 7/8 (sheet 9 3/16 x 12 11/16). Printed on the full sheet of watermarked laid paper with deckle edges. Stamped signature. $175.

Folly Seen Through the Pine Trees. Etching. 3 1/4 x 3 7/16 (sheet 9 1/4 x 6 13/16). Printed on laid paper with deckle edges. Stamped signature. $100.

Four Trees: Farm in the Distance. Etching. Second state. 5 15/16 x 3 11/16 (sheet 8 1/2 x 8 9/16). A rich impression on cream-colored wove paper with deckle edges on two sides. Stamped signature. $100.

Four Trees: Farm in the Distance. Etching with 1939 calendar affixed to the sheet (12 7/8 x 8 3/4). Stamped signature. $175.

From Below the Farm. Soft-ground etching. 6 13/16 x 4 15/16 (sheet 9 1/4 x 6 5/8). Printed on 'Imitation Steinbach' laid paper. The artist's soft ground etchings are very rare. A fine printing with tonal wiping. Stamped signature. $150.

Landsend (The Cove). Etching. 6 1/4 x 6 1/8 (sheet 12 5/8 x 9 1/4). Printed on the full sheet of laid, watermarked paper with deckle edges. Unique proof touched with watercolour in the top, to the left of the pointed rock. Stamped signature. $175.

Landsend (The Cove). Etching. 6 1/4 x 6 1/8 (sheet 12 5/8 x 9 1/4). Printed on the full sheet of laid, watermarked paper with deckle edges. Annotated "working proof" in the upper left corner. Stamped signature. $150.

Local Pub. Etching. 2 7/8 x 4 1/16 (sheet 4 3/4 x 4 15/16). Printed on wove paper. Stamped signature. $100.

Mill Wheel with Sycamore. Etching. 7 7/8 x 5 15/16 (sheet 11 7/16 x 9 1/8). Printed on the full sheet of laid paper with deckle edges. Stamped signature. $150.

Old Watermill. Etching. 2 5/8 x 3 7/16 (sheet 3 1/4 x 4 3/8). Three working proofs, printed on cream wove paper. Stamped signature verso. $300 for the set of three:

a. Before the addition of the tree on the left; hint of conte crayon to suggest smoke over the roof, and faint outlines of another tree between the two on the right.

b. Before the addition of the tree on the left; conte crayon over the crees and roof on the left, and faint outlines of another tree branch between the two trees on the right.

c. With the addition of the tree on the left; conte crayon outlines of another tree between the two on the right.

Old Watermill. Etching. 2 5/8 x 3 7/16 (sheet 9 3/16 x 6 7/8). Final state with the addition of the tree on the left and an additional branch on the next tree to the right. Printed on the full sheet of pale cream-colored wove paper with deckle edges. Tied to a separate support board with a brown ribbon tied in a bow. Preparatory for a calendar. Stamped signature. $125.

Old Watermill. Etching. 2 5/8 x 3 7/16 (sheet 9 1/4 x 6 7/8). Final state with the addition of the tree on the left and an additional branch on the next tree to the right. A 1938 calendar is affixed to the etching sheet. Printed on the full sheet of pale cream-colored wove paper with deckle edges. Tied to a separate support board with a brown ribbon tied in a bow. Stamped signature. $175.

Path to the Farm. Etching. 9 7/8 x 7 7/8 (sheet 15 11/16 x 10 3/8). Printed on the full sheet of watermarked laid paper with deckle edges. Stamped signature. $200.

Pendant Branches. Etching. 9 7/8 x 7 13/16 (sheet 15 1/2 x 10 5/8). Printed on the full sheet of laid paper with deckle edges. Stamped signature. $200.

Penzance Church from the Harbour over Dry Dock. Etching. 7 1/2 x 7 1/8 (sheet 12 1/2 x 9 1/4). Printed on the full sheet of cream laid paper with deckle edges. Stamped signature. $175.

Pollarded Trees. Pencil study for the etching. 5 x 4 3/8 (sheet 6 3/4 x 6 3/8). Drawn on cream wove paper of the verso of the etching. $125.

Pollarded Trees. Etching. 5 x 4 3/8 (sheet 6 3/4 x 6 3/8). Printed on wove paper with deckle edges on two sides; a corner of the paper missing, outside the image. Stamped signature. $125.

Pollarded Trees. Etching. 5 x 4 3/8 (sheet 6 3/4 x 6 3/8). Printed on cream wove paper in black ink. Working proof touched with white watercolour. Stamped signature. $125.

Pollarded Trees. Etching. 5 x 4 3/8 (sheet 9 7/84 x 7 5/8). Printed on cream wove paper. Printed on the full sheet of cream wove paper, with deckle edges. Tack holes in the margins from drying. A richly inked impression is brown/black ink. Stamped signature. $125.

Quarry. Etching and drypoint. 6 3/4 x 7 3/4 (sheet 9 1/8 x 12 1/2). Printed on the full sheet of pale cream-colored laid paper with an "F.G. Head & Co." watermark. A rich impression in excellent condition, on the full sheet with deckle edges. Stamped signature. $175.

Rock Faces. Etching. 10 7/8 x 7 7/8 (sheet 16 x 11 5/8). Printed on the full sheet of cream laid paper with deckle edges. Pencil signature. $150.

Rookery. Etching with 1939 calendar affixed to the sheet 3 3/8 x 4 7/8 (sheet 10 7/8 x 8 3/4). Stamped signature. $175.

St. Buryan Farm. Etching. 8 3/4 x 5 13/16 (sheet 12 5/8 x 9 3/4). A rich impression on cream-colored laid paper watermarked "[Ar}ches, France". Printed on the full sheet with deckle edges. Stamped signature. St Buryan is situated in west Penwith in the far south west of Cornwall. $175.

Saint Michael's Mount. Etching. 5 15/16 x 7 13/16 (sheet 9 1/8 x 12 3/8). Printed on the full sheet of laid paper with deckle edges. Stamped signature. $200.

Saint Michael's Mount From the Coast. Etching. 6 7/8 x 9 7/8 (sheet 10 5/8 x 15 1/2). Printed on laid paper with deckle edges. Stamped signature. $200.

Single Tree by Farmstead. Etching. 12 x 7 15/16 (sheet 15 5/8 x 10 5/16). Printed on the full sheet of laid paper with deckle edges. Stamped signature. $200.

Sycamores. Linoleum cut. 7 x 8 (sheet 10 1/2 x 12 1/4). Printed on Japanese mulberry paper with deckle edges. Stamped signature. The artist's linoleum cuts are extremely rare. $300.

Sycamore and Rooftops. Etching. 7 7/8 x 5 3/4 (sheet 12 5/8 x 9 1/16). A rich impression on "England" watermarked pale cream-colored laid paper. Printed on the full sheet with deckle edges. Stamped signature. $175.

Tall Trees. Etching. 9 3/4 x 7 3/4 (sheet 13 7/16 x 9 7/8). Printed on the full sheet of cream-colored laid paper with deckle edges on three sides. Stamped signature. $175.

Three Trees. Etching. 4 15/16 x 5 7/8 (sheet 6 1/4 x 10 3/8). Printed on wove paper with deckle edges. Stamped signature. $175.

Tredavoe: The Approach. (near Newlyn in South Cornwall). Etching. 5 15/16 x 7 7/8 (sheet 9 3/8 x 12 3/8). Printed on light tan laid paper. Edition 50, #4. Signed, numbered, and annotated "Tredavoe - 1st State", in pencil $275.

Trees Overlooking the Cliffs. Etching. 4 5/8 x 5 7/16 (sheet 6 1/8 x 9 5/8). Printed on laid paper with deckle edges. Stamped signature. $175.

Trees Overlooking the Town. Etching. 7 13/16 x 10 7/16 (sheet 10 1/8 x 15 1/2). Printed on the full sheet of laid, watermarked paper with deckle edges. Stamped signature. $225. Another impression annotated "proof" in pencil; stamped signature. $175.

Trees With Two Birds. Etching. 5 15/16 x 6 15/16 (sheet 9 1/16 x 11 7/16). Printed on the full sheet of laid watermarked paper with deckle edges. Stamped signature. $150.

Trewoofe: Old Doorway. 1909. Etching. 2 3/4 x 3 3/8 (sheet 4 3/4 x 5 11/16). Card. Stamped signature. $100.

Trewoofe II. Etching. 6 1/8 x 7 7/8 (sheet 9 1/4 x 12 3/4). Printed on the full sheet of "J Whatman" laid paper. Signed in pencil verso, annotated "working proof" in pencil; stamped signature. $275.

Trewoofe II. Etching. 6 1/8 x 7 7/8 (sheet 9 3/8 x 12 3/8). Edition 50, #5. Printed on the full sheet of cream laid paper with deckle edges. Signed, numbered, and annotated "Trewoofe II" in pencil. $300.

Two Sycamores. Etching. 10 x 10 5/16 (sheet 17 5/8 x 13 3/8). Printed on the full sheet of "Ingres France" laid paper with deckle edges. Annotated "trial proof" lower left. Stamped signature. $275.

Windblown Trees. Etching. 3 x 5 3/8 (sheet 5 9/16 x 10 1/4). Printed on wove paper. Stamped signature. $100.

Wood Above the House. Etching. 6 3/4 x 4 7/8 (sheet 9 7/8 x 7 5/8). Printed on laid paper with deckle edges. A extremely rich impression. Annotated verso by the artist, 'Inst[ructions] - put heavy French transport g[round] or 1/2 & 1/2 ground by Blind". Stamped signature. $175.

Woodland Farmyard. Etching and drypoint. First state. 7 7/8 x 5 7/8 (sheet 12 5/8 x 9 11/16). Printed on the full sheet of "Arc[hes]" laid paper with deckle edges. Stamped signature. $175.

Woodland Farmyard. Etching and drypoint. Second state with additional drypoint on the trees and buildings. 7 7/8 x 5 7/8 (sheet 12 11/16 x 9 5/8). Printed on the full sheet of laid paper with deckle edges. Stamped signature. $175.

Windy Day, Whitley c. 1925. Etching. 5 1/8 x 4 7/16 (sheet 7 1/4 x 5 3/8). A fine impression with rich plate tone printed on cream wove paper with deckle edges. Signed and titled in pencil. $95.

Listening In. 1926. Wood engraving. 5 5/8 x 3 1/8 (7 3/8 x 4 15/16). A well-inked impression printed on tan Japanese mulberry paper. A printing fold in the upper right-hand side of the image; two foxing spots. A charming study of a young woman. Signed, dated and titled in pencil. $125.