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Let Us Now Praise Famous Men.

All works are signed in pencil or ink, unless indicated otherwise.

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Artists and Writers.

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Robert Sargent Austin, A.R.A., R.E. 1895-1973.

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Self Portrait. 1916. Pencil drawing. 8 x 5 1/2 (12 3/4 x 9 7/16). Drawn on cream wove paper. Unsigned. $650.

Francesco Bartolozzi, R.A. 1727-1815.

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William Cowper Esqr. (After Thomas Lawrence 1769-1830). 1806. Stipple engraving. 11 x 8 (sheet 12 1/8 x 9 5/8). Published by J. Johnson, St. Paul's Church Yard, January 1, 1806. Printed on cream wove paper. Paper grubby, mainly around the edges, otherwise fair original condition. Signed, dated and titled in the plate. $125.

Sir Muirhead Bone. 1876-1953.

Joseph Conrad Listening to Music. 1923. Drypoint. Dodgson 385.vii. 6 7/8 x 9 7/8 . Edition of 89 in this state (total edition 109). Two printing folds in the image; otherwise fine condition. An rich, tonal impression printed on simili-Japon paper with full margins. Signed in pencil, titled and annotated 'VII' in pencil. Housed in an archival French mat and 19 1/8 x 14 1/2 x 1/2-inch black and gold wood frame. $1,500.

In 1923, Conrad came to the United States to give a reading, and he was fêted by the press and admiring readers. On the voyage home in April, he met Muirhead and Captain David Bone on the 'Tuscania'. Muirhead Bone etched three portraits of Conrad in 1923.

Gerald Leslie Brockhurst, R.A., R.E. 1890-1978.

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Marquett. 1925. Etching. Fletcher 51. 8 7/16 x 6 7/8 (sheet 12 13/16 x 8 7/8). Trial proof, apart from the edition of 106 (total 113 impressions). A rich impression, printed on cream laid paper. Signed and annotated "Trial" and "to light" by the artist in pencil. The model for this portrait was the wood engraver, Marquett, whose portrait Brockhurst had etched in 1921 (Fletcher 27). $575.

James McBey. 1931. Etching. Fletcher 69.ix. 10 1/2 x 7 1/2 (sheet 14 7/8 x 11 3/8). Edition 111. A rich impression printed on cream wove paper with full margins. Illustrated: Fine Prints of the Year, 1931; Print Collector's Quarterly 22 (1944): 70. Signed in pencil. Housed in a 19 1/2 x 16-inch Hogarth style frame.

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An Old Corsican. 1921. Etching. F 27. 6 5/16 x 4 9/16 (11 1/2 x 9 3/8). Edition 76. A beautiful, rich impression with plate tone, printed on 'J. Whatman' laid paper on the full sheet with deckle edges. Signed in pencil. The model for this portrait was the wood engraver,Marquett, whose portrait Brockhurst had etched in 1925 (Fletcher 51). $650.

Henry Rushbury, A.R.A., R.E., R.W.S., No. 2. 1930. Etching. Fletcher 66. Published state. 10 x 7 3/8 (sheet 14 1/2 x 10 3/4). Edition 111. Illustrated in 'Royal Academy Illustrated' 1930; 'Fine Prints of the Year' 1930; Print Collector's Quarterly 21 (1943): 331. An exceptionally rich impression with printed on cream wove paper. Signed in pencil. Housed in a 19 1/2 x 16-inch Hogarth style frame. $2,000.

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A Self Portrait. c. 1932. Ink drawing on wove paper. 3 1/2 x 2 1/4 (sheet 10 x 7). Provenance: the artist's daughter. Unsigned. A unique silhouette housed in anarchival French double mat and a 12 3/4 x 11 3/8 Whistler-style gold leaf frame. $1,750.

Alphaeus Philemon Cole, N.A. American. 1874-1956.

Portrait of Eugene Higgins, Age 80. 1954. Oil on canvas. 30 x 25 (framed 35 x 30). Higgins and Cole, both artists, lived in Lyme, Connecticut. Born in the same year, they were both 80 when the painting was executed. Housed in a gold leaf frame. Signed and dated, lower right. $4,400.

Francis Dodd, R.A. 1874-1949.

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Charles Cundall, R.A. 1926. Drypoint. Schwabe 171.v. 18 x 11 3/4 (sheet 20 1/2 x 14 5/8). Illustrated: Guichard, British Etchers, 1850-1940. A rich impression printed on the full sheet of cream wove paper. A painter and lithographer, Cundall (1890-1971) had his first one-man show at Colnaghi the year after this impressive portrait was made. Signed in pencil. $1,250.

Fritz Eichenberg. 1901-1990.

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The Artist and the Seven Deadly Sins. 1975. Wood engraving. 9 5/8 x 7. Edition 100. This is a self-portrait of the artist working on a wood block, with the seven deadly sins personified, looking over his shoulders. The woodcut artist Naoko Matsubara is portrayed as 'lust'. The seven deadly sins are: pride, avarice (greed) , envy, gluttony, lust, sloth (idleness), slander. $975.

John William Evans. American. Born 1855.

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Timothy Cole Engraving a Woodblock. 1935. Wood engraving after Alphaeus Philemon Cole (1876-1988). 6 3/16 x 5 (sheet 12 x 9). A rich impression printed on cream wove paper. Signed in pencil by Alphaeus P. Cole, signed and dated by John W. Evans. $500.

Gavarni (Guillaume Sulpice Chevalier). 1804-1886.

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L'amant et le dictionnaire des rimes. (The Lover and the Rhyming Dictionary) July 7, 1839. Lithograph. 7 7/8 x 6 1/4 (image), 10 1/3 x 9 (border), 14 5/8 x 10 (sheet). A find impression printed on newsprint as published in Le Charivari. Good condition apart from a center fold. Signed in reverse in the stone. A charming parody on amateur poets. $125.

(L'amant): Nymphes des Bois, connaissez vous Adèle? (Le Dictionnaire des Rimes): Adèle! Pastourelle, charnelle, onzelle, matétielle, récelle, sempiternelle, femelle....Qu'elle demoiselle!

The comparisons become increasingly less flattering.

Eric Gill, R.E. 1882-1940.

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[Self-Portrait - Nude]. Pencil drawing. 4 3/16 x 2 1/2 (sheet 7 5/8 x 3 1/2). Drawn on cream wove paper. Size annotations. Unsigned. $10,000.

Sir Francis Seymour Haden, P.R.E. 1818-1910.

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"Thomas Haden of Derby". 1864. Etching and drypoint. Schneiderman 53.ii/v. 13 7/8 x 9 7/16 (sheet 16 1/2 x 11 7/16). Printed with plate tone on cream-colored 'BIV' laid paper. Rubbing from a previous mat in the lower margin, well outside the image; otherwise excellent condition. A fine impression of this scarce early state. Signed and titled in the plate. $550.

Arthur William Heintzelman. 1891-1965.

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Portrait of Albert Schweitzer. 1950. Etching. 11 3/6 x 9 3/4 (sheet 16 1/4 x 14). Illustrated: Beall, American Prints in the Library of Congress, page 205. A rich impression with plate tone printed on cream laid paper. Signed and annotated 'Printed from Copper' in pencil; titled on the mat in the artist's hand. $1,250.

Paul César Helleu. 1859-1927.

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Portrait of Whistler with the Monacle. 1897. Drypoint. 13 3/4 x 10 1/4 (sheet 16 3/4 x 11 5/8). A carefully wiped impression with plate tone, from the canceled plate (there were only 28 impressions before the plate was canceled), printed on cream laid paper. A delightful portrait of Helleu's colleague and friend, Whistler. $1,750.

Frèdèric Auguste La Guillermie. 1841-1934.

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Portrait of Lèon Bonnat. 1880. Etching. 3 1/4 x 2 1/2 (sheet 12 x 8 3/16). Printed by Vernant on cream wove paper and published in Revue de l'Art ancien et moderne. Monogrammed in the plate. $85.

Augustus Edwin John, R.A. 1878-1961.

Self Portrait. 1920. Etching and drypoint. Dodgson 138. 6 1/8 x 5 (sheet 13 1/4 x 11). Edition 105. A rich impression with plate tone, printed on cream wove paper. Signed 'John' and dated '1920' in pencil. One of the artist's finest self-portraits. 6,500.

Alphonse Legros. 1837-1911.

Portrait of George Frederick Watts (1817-1904. 1879. Etching. Beraldi 198.iii/iv; Wright 198 iii; Bliss 198. 7 1/8 x 5 1/4 (sheet 11 7/8 x 8). As published the Revue de l'Art ancien et moderne May 10, 1900. A fine impression printed on the full sheet of cream wove paper. Signed in the plate. $225.

Ernest Lumsden, R.S.A., R.E. 1883-1948.

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The Connoisseur: Malcolm Salaman. 1926. Drypoint. Boulet 202. Edition 540, #34. 9/8 x 11 1/2 (sheet 11 3/4 x 13). Illustrated: Print Collector's Quarterly 8 (1921): p.112. An extremely rich impression with drypoint burr and plate tone printed on Japanese mulberry paper. Signed, numbered and annotated 'imp' in pencil, indicating a proof printed by the artist. A penetrating portrait of the famous scholar. $1,500.

James McBey. 1883-1959.

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Artist and Model. 1925. Etching. Hardie 223.vi. 8 3/4 x 5 3/4. Edition 500. A fine impression on the full sheet of wove paper. Signed in ink. This is a delightful self-portrait. It is the frontispiece to the catalogue raisonne of the artist's early work by Martin Hardie. Etchings and Dry-Points by James McBey. 1902-1924. London: P. & D. Colnaghi & Co., 1925. $650.

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The Riva at Dusk. 1930. Etching. Hardie/Carter 253. 15 7/8 x 9 3/8 (sheet 17 1/2 x 11 5/8). Edition 80, #51. A fine impression on French blue-green laid paper from an antique volume with full margins. Signed and numbered in ink. The color of the paper suggests evening.The artist is pictured in the left foreground with his back to the viewer; his wife faces the viewer. This is a charming study of the couple in an outdoor cafe in Venice. $975.

Christopher Richard Wynne Nevinson. 1889-1948.

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Geoffrey Badger Moody. 1922. Drypoint. Guichard 38, Black 98. 10 x 7 (sheet 12 5/8 x 9 1/8). Edition 150. Illustrated: Fine Prints of the Year, 1923. A rich impression with drypoint burr, printed on 'FJ Head & Co' cream wove paper. Published by Lefevere and Son and Mssrs. Ernest Brown and Phillips. Signed in pencil. $2,750.

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Pablo Picasso. 1881-1973.

Homme dévoilant une Femme. (Man uncovering a woman). 1931. Drypoint. Bloch 138; Baer 203 B.d. Vollard Suite, plate 5. Printed by: Lacourier, Paris. Published by Vollard. From the edition of 250 on petit papier vergé Montval paper. Total Edition 310. Good condition apart from mat burn and 3 unobtrusive foxing spots in the lower left-hand margin. A rich impression with drypoint burr, printed on laid paper countermarked 'Vollard', on the full sheet with deckle edges on three sides. Annotated with the Baer number '203' in the lower left-hand margin. Signed 'Picasso' n pencil by the artist. Housed in a striking 28 1/2 x 23 1/2-inch modernist stepped gold leaf frame. Price upon request

Joseph Simpson. 1879-1939.

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Self Portrait. c.1933. Drypoint. 11 7/8 x 8 1/2 (sheet 18 3/8 x 11 1/4). Edition75, #39. Signed and numbered in pencil. Tack holes in the outer margins from drying, as usual. A rich impression on cream-colored laid paper with full margins. $600.

John Sloan, N.A. 1871-1951.

Connoisseurs of Prints. 1905. Etching. Morse 127. 5 x 6 7/8 (sheet 9 3/4 x 11 3/4). Series: New York City Life, first plate. Edition 100. Exhibited: Panama-Pacific International Exposition, San Francisco, 1915. A fine impression on cream wove paper with full margins. Signed, titled, annotated '100 proofs' in pencil. Housed in an archival mat and a striking 13 1/2 x 14 3/4-inch black and gold wood frame. $4,000.

William Strang, R.A., R.E. 1859-1921.

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Portrait of Dr. Thomas Graham Balfour. c. 1883. Etching. 8 3/4 x 6 1/4. One unobtrusive foxing spot; otherwise fine condition. Printed with plate tone printed on cream wove paper. Signed in the plate. Housed in a handsome 17 x 13 7/8-inch black frame with gold highlights. $175.

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Portrait of Sir Francis Seymour Haden. 1883. Etching. 10 7/8 x 6 7/8 (sheet 14 x 9 7/8). As published in English Etchings part 36, with their blindstamp, lower left. A fine impression with plate tone printed on cream wove paper. Signed and dated in the plate. $350.

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After Work. 1888. Etching and mezzotint. Binyon 114, David Strang 8, William Strang 551. 2 7/8 x 4 (sheet 4 1/4 x 5 7/16). A rich impression printed on cream laid paper. Printed by David Strang. Annotated in pencil, 'David Strang imp' and 'Wm Strang fec. DS'. The artist is the right-hand figure in the image. $350.

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Portrait of Alfred, Lord Tennyson. 1897. Etching. Binyon 310. 11 13/16 x 9 3/4 (sheet 17 7/8 x 13 1/4). Printed on 'J.Whatman' laid paper, on the full sheet with deckle edges. Signed in pencil. $975.

Walter Ernest Tittle. 1883-1969.

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James McBey. 1931. Drypoint. 8 7/8 x 5 7/8 (sheet 11 1/2 x 9 ). An extremely rich impression with drypoint burr, printed by the artist on cream wove paper. Signed in the plate lower left: "Walter Tittle / London." Signed and annotated 'imp' in pencil. $400.

Thomas Robert Way. 1861-1913.

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J.A.M. Whistler with the White Lock. c. 1895. Lithograph. Gallatin 131. 8 1/8 x 5 1/2 (sheet 10 X 6 3/4). A tonal impression printed on fine wove paper. Signed in pencil. $2,500

James Abbott McNeill Whistler. 1834-1903.

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J. Becquet, Sculptor (The Fiddler). 1859. Drypoint. Kennedy 52.iv/iv; Glasgow 62 vi/vi. 10 1/8 x 7 51/2 (sheet 12 3/4 x 9 1/2. Series: "Sixteen Etchings or Scenes on the Thames and Other Subjects" (Thames Set), plate 8. Illustrated: Print Collector's Quarterly 1 (1911): 36; Salaman, Modern Masters of Etching: Whistler; Guichard, British Etchers, 1850-1940. An extremely rich impression with plate tone, printed on the Japanese mulberry paper with full margins. Unsigned. $3,500.

Anders Zorn. 1860-1920.

Zorn and His Wife. 1890. Etching. Hjert and Hjert 31.ii. 12 1/2 x 8 3/8 (sheet 23 1/2 x 18). Edition 40-50. A fine impression on simili-Japan paper. Signed in pencil. $9,500.

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Print Collectors

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James McBey, LLD. 1883-1959.

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Portrait of Dudley Olcott. 1930. Drypoint. Hardie/Carter 263. 9 3/8 x 6 (sheet 15 1/2 x 7 1/2). Trial I, on a plate that had been used for a first study of Mr. J. Seaman, whose head has been partly scraped out. Edition 41 plus 5 trials. An extremely rich impression with drypoint burr, printed on antique cream laid paper. Signed and annotated 'Trial I' in ink; titled and annotated 'trial I' in pencil. A unique proof. $375.

Portrait of Dudley Olcott. 1930. Drypoint. Hardie/Carter 263. 9 3/8 x 6 (sheet 13 1/8 x 9 1/4). Trial III, on a plate that ha been used for a first study of Mr. J. Seaman, whose head appears upside down in the lower right. Edition 41 plus 5 trials. An extremely rich impression with drypoint burr, printed on antique cream laid paper. Signed and annotated 'Trial III' in pencil; annotated 'Trial III', 'old' and 'head scraped' in pencil. A unique proof. $375.

Portrait of Dudley Olcott. 1930. Drypoint. Hardie/Carter 263. 9 3/8 x 6 (sheet 12 5/8 x 8 5/8). Trial IV. The sitter's right ear shortened; added work all over thye face and in the background. Mr. Seaman's head removed from the plate. Edition 41 plus 5 trials. An extremely rich impression with drypoint burr, printed on antique cream laid paper. Signed and annotated 'Trial IV' in pencil; annotated 'Trial IV', 'ear shortened' and 'White head reinforceded' and 'hair brought down' in pencil. A unique proof. $375.

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Joseph Seaman. 1930. Drypoint. Hardie/Carter 262. 9 7/16 x 5 7/8 (sheet 14 1/4 x 10 1/8). Edition 41, #12. An extremely rich impression with drypoint burr, printed on antique cream laid paper. Signed and numbered in ink. $325.

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Portrait of Albert H. Wiggin (No. 3). 1930. Drypoint. Hardie/Carter 259. 8 x 7 (sheet 14 x 9). Edition 85, #33. An extremely rich impression with drypoint burr, printed on antique cream laid paper. Dedicated in ink, 'From collector to collector. A.H.W. to Dudley Olcott.' Signed and numbered in ink. $325.

Cadwallader Lincoln Washburn. 1866-1965.

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Dr. Frank Weitenkampf. c. 1913. Drypoint. 11 1/4 x 8 1/2 (sheet 14 1/4 x 10). A rich impression with drypoint burr, printed on Japanese mulberry paper. Signed and titled in pencil. $250.

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Military and Political Leaders

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William Say (1768-1832) after Robert Ker Porter (1777-1842).

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Sir Sidney Smith, K.C.B. (1764-1840) 1802. Mezzotint. 25 1/4 x 17 (plate). Text: 'Robert Ker Porter pinx.t. W.Say sculp.t. London Published as the Act directs, June 19 1802, by John P. Thompson, Printseller to his Majesty and their Royal Highness's the Duke and Duchess of York; Great Newport Street, and No 51, Dean Street, Soho.' Signed, dated and titled in the plate. Vertical stain under the 'S' in Smith; otherwise apparently fine condition. Housed in a stunning 34 x 25 1/2-inch carved, patinated and gilded frame with ormolu corner mounts. $350.00

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Religious Figures

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François de Herain. 1877-1962.

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Le Pope Niemetsky. Prisonnier de guerre au camp de Halle (Prusse), 1915. (Pope Niemetsky, Prisoner of war in the Halle Camp, Prussia). 1915. Drypont. Printed by Vernant and Dollé, and published in Revue de l'Art ancien et moderne. Unsigned. $65. img src="../logos/x342053a.gif" width=360 height=39 alt="x342053a.gif 1.86 K">

Eric Gill, R.E. 1882-1940.

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The Blessed Trinity with the Blessed Virgin. 1921. Wood engraving. Physick 181. 3 x 3 5/8 (sheet 3 9/16 x 5 1/8). Based upon a drawing by Elizabeth Gill. Printed on cream wove paper. Unsigned. $575.

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Crucifix With a Crown of Thorns (late state). 1922. Wood engraving. Physick 197. 8 x 3 1/8 (sheet 8 13/16 x 3 11/16). Proof printed on Japanese mulberry paper. $1,250.

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Nativity with Midwife, St. Joseph Standing. 1913. Wood engraving. Physick 14. 2 1/8 x 2 1/8 (sheet 2 5/8 x 2 3/4). Design for a Christmas Card. Printed on cream wove paper. Laid onto a paper mount along the top sheet edge. Signed and annotated with a '+' in pencil. $750.

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Resurrection: EGO SUM RESURRECTIO ET VITA. 1934. Wood engraving. Physick 866. 4 1/8 x 2 1/8 (sheet 5 x 3). Letterpress verso: 'DAVID WHITEMAN PEPLER 23 OCT. 1905 2 SEPT. 1934 DONA EI REQUIEM INVENUMUS EUM IN CAMPIS SILVAE'. Printed as a memorial card, apart from the illustration for The Passion of Our Lord. Extremely scarce in this printing. Printed on cream wove paper. Unsigned. $450.

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St. Mark. 1934. Wood engraving. Physick 870. 6 11/16 x 4 1/16 (sheet 7 5/16 x 4 3/4). Printed on bluish-gray wove paper as a holiday card. Printed on the inside reads, 'Happy Christmas and New Year from Mary Gill', typeface. Annotated 'Our love to you, and from all the family,' in pen on the back of the front cover. From the Aldine Bible. Unsigned. $350.

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St. Mark. 1934. Wood engraving. Physick 870. 6 5/8 x 4 1/16 (sheet 7 3/8 x 9 1/2). Printed on light gray wove paper as a holiday card. Printed on the outside cover of the card reads, 'Happy Christmas & New Year From Mary Gill'. The image of St. Mark is printed on the inside. Written on the back of the card in ink reads 'My love to you both. I will be waiting. MG.' $1,500.

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St. Matthew. 1934. Wood engraving. Physick 869. 6 x 3 1/2 (sheet 8 13/16 x 5 1/4). Issued as a Christmas card from Mary Gill. Annotated, 'My love to you both and the family. MG' in ink. Illustrated for the Aldine Bible. Printed on cream wove 'England 1945' watermarked paper with two sides deckle edges. $450.

Spoil Bank Crucifix. 1919. Wood engraving. Physick 157. 2 x 3 (sheet 4 x 4 3/8). Printed on simili-Japan paper. Initialed in pencil. $575.

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Daniel Ramé 1806-1887

(after Parmigianino. 1503-1540).

Moses Breaking the Tablet of the Law. c. 1860. Pencil drawing mounted onto paper. 12 1/4 x 3 3/4 inches. Collector's seal verso: Gustav Grunwald, (Lugt 1155b). Monogrammed 'DR' (Nagler 582), lower right. Housed in an archival French mat and a 20 X 11 1/2-inch carved wood frame. $1,750.

The drawing is based upon the famous vault painting by Parmigianino in the church of Santa Maria della Steceta in Parma.

Georges Rouault. 1871-1958.

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Notre Dame de la Fin des Terres. (Our Lady of the End of the World). Woodblock cut by Georges Aubert after a drawing by Rouault for the book Cirque de l'Étoile Filante (Circus of the Shining Star). (Paris, 1938), page 155. 6 x 7 3/4. Signed and dated in the block. $2,500.

Diana Thorne. 1895-.

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The Box at 'Faustus'. Drypoint. 11 x 8 7/8. Edition 100, #39. Signed, titled and numbered in pencil. A rich impression printed on pale greenish-toned wove paper. Signed in pencil. A tongue-in-cheek image of the devil in the opera box, lower right. $350.

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Allinson Gallery Index.

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