x342053a.gif - 1861 Bytes

War

"Plus ça change, plus c'est la même chose" (The more things change, the more they stay the same.)

Jean-Baptiste Alphonse Karr

Click on the samll images for larger screens.

The large image files are not linked; so please click on the BACK key to return to the War file.

Srule10.gif - 377 Bytes

The Classical World

Srule10.gif - 377 Bytes

Sir William Russell Flint, R.A. 1880-1909.

Click on the images for larger screens.

amazons1.jpg - 6067 Bytes

Amazons on a Breton Beach. 1931. Drypoint. Wright 45.ii. 8 x 13 3/8 (sheet 10 3/4 x 17 1/4). Edition 76, #14. An extremely rich impression printed on cream 'J Whatman Hand Made' paper. Hinge stains in 3 corners, well outside the image. Illustrated: Salaman, Modern Masters of Etching. Signed and numbered in ink. $1,500.

Srule10.gif - 377 Bytes

European Conflicts: Napoleon's Egyptian Campaign. 1798-1801 .

Srule10.gif - 377 Bytes

Hélene Formstecher. 1838-1874.

napoleon1.jpg - 6907 Bytes

Napoleon Bonaparte. (1769-1821). (Etching after Léon Cogniet (1794-1880). 6 3/4 x 5 1/4 (sheet 12 1/8 x 8 13/16). A fine impression with plate tone printed on cream laid paper with deckle edges on three sides. Signed in the plate and in pencil. $175.

William Say (1768-1832) after Robert Ker Porter (1777-1842).

smith1.jpg - 6388 Bytes

Sir Sidney Smith, K.C.B. (1764-1840) 1802. Mezzotint. 25 1/4 x 17 (plate). Text: 'Robert Ker Porter pinx.t. W.Say sculp.t. London Published as the Act directs, June 19 1802, by John P. Thompson, Printseller to his Majesty and their Royal Highness's the Duke and Duchess of York; Great Newport Street, and No 51, Dean Street, Soho.' Signed, dated and titled in the plate. Vertical stain under the 'S' in Smith; otherwise apparently fine condition. Housed in a stunning 34 x 25 1/2-inch carved, patinated and gilded frame with ormolu corner mounts. $750.00

Srule10.gif - 377 Bytes

European Conflicts: 1854-1871.

Srule10.gif - 377 Bytes

Honoré Victorin Daumier. 1808-1879.

Click on the images for larger screens.

Series: Actualités

3494t.jpg - 8113 Bytes

IRLANDE ET JAMAÏQUE. - Patience!.... (Ireland and Jamaica. Patience!....)
1866. Lithograph. Delteil 3494.ii/ii. 9 1/2 x 8 (sheet 11 7/16 x 11 3/16). Series: Actualités, (News of the Day), plate 60. Published in Le Charivari April 11, 1866. Text: lower left: A.de Vresse,r.de Rivoli,55.; lower right: Lith.Destouches,28 r.Paradis.Pre. Four fold marks,sheet trimmed. Initialed in the stone, lower left. $350.

3657b.jpg - 7369 Bytes

John Bull jure qu'il est attaché au fils de Théodoros par un lien indissoluble. (John Bull vows that he is tied to the son of Theodorus by an indissoluble band.)
1868. Lithograph. Delteil 3657.ii/ii (with letters). 9 5/8 x 8 1/4 (sheet 12 x 11 3/16). Series: Actualités, (News of the Day), plate 189. Published in Le Charivari August 22, 1868. Text: lower left:A.de Vresse,r. Rivoli 55.; lower right: Lith.Destouches, r. Paradis Pre.28. Six fold marks; sheet trimmed. Initialed in the stone, lower left. $350.

3669t.jpg - 7193 Bytes

LA RENTRÉÉE.
C'est drôle, je ne vois pas revenir la petite Confiance.

(The return
It's strange that , I don't seem to see little Confiance return.)

1868. Lithograph. Delteil 3669.iii/iii (with letters). 9 7/8 x 8 3/8 (sheet 11 3/4 x 11 3/16). Series: Actualités, (News of the Day), plate 220. Published in Le Charivari October 12, 1868. Text: lower left: A.de Vresse,r. Rivoli 55; lower right: Lith.Destouches, r. Paradis Pre.28. Vertical and horizontal folds; minor scattered foxing; sheet trimmed. Initialed in the stone, lower left. $125.

3673t.jpg - 8776 Bytes

Ils brûlent, ces gros-là, ils brûlent!
---
Chauds les gros! Chauds!...

(They scorch these big ones, they burn!
---
Big hot ones! Hot!)

1868. Lithograph. Hazard 3673.iii/iii (with letters). Not in Delteil 3673. 9 1/2 x 8 7/8 (sheet 11 3/4 x 11 3/4). Series: Actualités, (News of the Day), plate 222. Published in Le Charivari November 14, 1868. Text: lower left: A.de Vresse, R. Rivoli 55 lower right: Lith Destouches R.Paradis Pre. 28. Vertical and horizontal folds; sheet trimmed. Initialed in the stone, lower left. $175.

3965t.jpg - 8156 Bytes

Les augures de la diplomatie n'osant ouvrir l'oiseau-Prussien pour savoir à quoi s'en tenir.
(The augures of diplomacy, don't dare to open the Prussian bird, to find what it might contain.) 1867. Lithograph. Hazard 3965.i/i (with letters). RARE. Not in Delteil. 10 1/8 x 9 (sheet 11 1/2 x 11 5/16). Series: Actualités, (News of the Day), plate 179. Published in Le Charivari October 3, 1867. Text: lower left: Lith. Destouches, r. Paradis Pre.28; lower right: A.de Vresse Edr. rue du Rivoli 55. Center vertical fold and minor water stains on the left. A delightful early railroad image. Initialed in the stone, lower right. This is a one of Daumier's rare and notable images. $300.

Srule10.gif - 377 Bytes

World War I. The Great War. July 28, 1914 - November 11, 1918.

Srule10.gif - 377 Bytes

Great Britain

Srule10.gif - 377 Bytes

Sir Muirhead Bone. 1876-1953.

piccadillynew1.jpg - 7256 Bytes

Piccadilly Circus -- 1915. 1915. Drypoint. Dodgson 332.vi. 11 13/16 x 14 7/8 (sheet 16 x 22). Edition of 125 in this state. Illustrated: Furst, Original Engraving and Etching: An Appreciation. A rich impression printed on the full sheet of simili-Japan paper. Signed in pencil. $5,000.

Sir George Clausen, R.A. 1852-1944.

guns1.jpg - 7578 Bytes

Lifting an Inner Tube. 1917. Lithograph. 25 x 20 1/2. Series: "Making Guns" published by the Stationary Office as part of the series, The Great War: Britain's Efforts and Ideals. Edition 200. A fine impression printed on off-white wove paper. Signed in pencil. $850.

Alfred Kloke. 1922-1997 (after).

churchill1.jpg - 6642 Bytes

Winston S. Churchill - Man of the Century. 1999. Reproductive lithograph after the portrait sketch by Alfred Kloke, originally drawn in Berlin, 1948. 13 x 13 (image and sheet). Published by Chartwell Booksellers, New York, in 1999. Edition 500, #100. $250.

William Lee-Hankey, R.E., R.W.S., R.O.I. 1869-1952.

sorrowt.jpg - 6874 Bytes

Sorrow. c.1919. Conte crayon and watercolor on watercolor board. 13 7/8 x 17. Signed lower right; titled verso. $2,500.

Christopher Richard Wynne Nevinson, A.R.A. 1889-1948.

bayonets1.jpg - 6756 Bytes

Now Back the Bayonets. 1918. Lithographic poster, printed in red, black and yellow. 29 1/2 x 18 7/8 (image and sheet). Unobtrusive Vertical and horizontal fold marks; otherwise fine condition. An excellent impression with bright, fresh colors, printed on thin wove paper by Dangerfield Printing Co. Ltd, London. Signed in the stone. Price upon request.

engine1.jpg - 8221 Bytes

Making the Engine. 1917. Lithograph. Leicester Galleries 27. 15 7/8 x 12 (sheet 19 7/8 x 15 5/8). Edition 200. One of a set of 6 lithographs entitled "Building Aircraft" published by the Stationary Office as part of the series, The Great War: Britain's Efforts and Ideals. Illustrated: Ingleby, Black, Cohen and Cooke, C.R.W. Nevinson: The Twentieth Century Imperial War Museum exhibition catalogue, 1999, page 115. A rich impression in pristine condition printed on white wove paper. Signed in pencil.Price upon request.

Joseph Pennell, N.A. 1857-1926.

coronation1.jpg - 7598 Bytes

Coronation of King George V and Queen Mary in Westminster Abbey. June 22, 1911. 1911. Lithograph. Wuerth 197. 21 x 16 (sheet 25 1/8 x 20). Edition about 30. A fine impression printed on cream wove paper. An extremely scarce and important historical image. Signed in pencil. $2,000.

shopsatnight1.jpg - 6347 Bytes

The Shops at Night: Changing Shifts. 1916. Lithograph. Wuerth 450. 15 3/4 x 20 3/4 (sheet 19 x 24 3/4. Series: The War Work in England. Edition 50. A rich impression printed on ivory laid paper. Signed in pencil $750.

song1.jpg - 5834 Bytes

Song of the Search Lights (London in War Time). 1920. Resin aquatint. Wuerth 687. 4 x 6 7/8. Printed by the artist on cream wove paper. Signedand annotated 'imp' in pencil. Illustrated: Pennell, Etchers and Etching, 1920. $2,000.

Sir Frank Short, R.A., P.R.E. 1857-1945.

nightpicket1.jpg - 5758 Bytes

The Night Picket Boat at Hammersmith. 1916. Mezzotint. Hardie 125. 11 7/8 x 17 13/16 (sheet 19 3/8 x 24 1/2). A rich, atmospheric impression printed in black-brown ink on white wove paper with wide margins. A rich, atmospheric impression. This is Short's only war subject. Signed in pencil. $2,000.

Srule10.gif - 377 Bytes

The European Front: Belgium and France.

Srule10.gif - 377 Bytes

Sir David Young Cameron, R.E. 1865-1945.

ypres1.jpg - 5292 Bytes

Ypres II [Belgium]. c. 1910-1914. Charcoal and watercolor. 9 x 12 (sheet 9 1/16 x 13 3/4). Signed in pencil. $1,950.

Srule10.gif - 377 Bytes

Harold Kerr Eby, N.A. 1890-1946.

caissonsimage1.jpg - 10946 Bytes

"The Caissons Go Rolling Along". 1929. Etching and sandpaper ground. Giardina 145. 17 3/8 x 9 1/2 (sheet 18 3/4 x 11 1/2). Edition 90. Slight mat line, otherwise find condition. A rich impression with plate tone, printed on antique laid paper. Illustrated: Flint, Contemporary American Etching, 1930. Signed and annotated 'Ed 90' and 'imp' (imprimit) in pencil, indicating a proof printed Eby. $1,500.

machinegunstrial1.jpg - 6545 Bytesmachingunspub1.jpg - 10919 Bytes

Machine Guns. 1921-22. Etching. Giardina 64.ii. 7 x 11 1/2 (sheet 10 x 14). Trial proof, apart from the edition of 75. A fine impression printed with plate tone, printed on cream wove Van Gelder with full margins. Signed and annotated 'trial proof' 'imp' (imprimit) in pencil, indicating a proof printed Eby. $1,500.

Machine Guns. 1921-22. Etching. Giardina 64.ii. 7 x 11 1/2 (sheet 9 3/8 x 13 3/4). Published state from the edition of 75. Toning in the image area; otherwise find condition. A rich impression printed with plate tone, printed on cream wove Van Gelder paper with full margins. Signed and annotated 'imp' (imprimit) in pencil, indicating a proof printed Eby. $1,500.

openactiontrialimage1.jpg - 5652 Bytesopenactionpubimage1.jpg - 5635 Bytes

Open Action. 1926/1928. Etching. Giardina 124. 7 x 15 1/8 (sheet 12 3/4 x 15 1/4). Trial proof, prior to the edition of 90. An extremely rich, tonal impression printed on Van Gelder cream laid paper with wide margins and deckle edges on two sides. Signed and annotated 'trial' and 'imp' (imprimit) in pencil, indicating a proof printed Eby. $1,500.

Open Action. 1926/1928. Etching. Giardina 124. 7 x 15 1/8 (sheet 12 5/8 x 19 3/16). Edition of 90. An extremely rich, tonal impression printed on Van Gelder cream laid paper with wide margins and deckle edges on two sides. Signed and annotated Ed 90' and 'imp' (imprimit) in pencil, indicating a proof printed Eby. $1,500.

scout1.jpg - 5792 Bytes

Scout Planes at Dawn. 1928. Etching. Giardina 125. 12 7 /8 x 8 7/8 (sheet 17 1/2 x 13). Edition of 90. Illustrated: Fine Prints of the Year, 1928; Kerr Eby, War; Print Collector's Quarterly 26 (1939): 82; American Etchers: Kerr Eby. Slight toning; otherwise fine condition. A rich impression printed on cream wove paper. Signed and annotated 'Ed 90' and 'imp' (imprimit) in pencil, indicating a proof printed Eby. $1,500.

southernunit1.jpg - 6479 Bytes

A Southern Unit. 1919. Etching. Giardina 33. 4 7/16 x 6 7/16 . Edition 50. Illustrated: Print Collector's Quarterly 26 (1939): 88. A rich impression with plate tone printed on cream wove paper. Signed and annotated 'imp' (imprimit) in pencil, indicating a proof printed Eby. $750

washday1.jpg - 8313 Bytes

Wash Day. Charcoal drawing. 10 1/2 x 13 1/2. Provenance: Child's Gallery, Boston; a prominent North Shore Family. Signed, lower left. $850.

willows1.jpg - 6829 Bytes

The Willows. 1920. Drypoint. Giardina 41. 7 3/16 x 11 3/16. Edition 50. Signed and annotated 'imp' (imprimit) in pencil, indicating a proof printed Eby. $1,250.

Srule10.gif - 377 Bytes

Charles Huard. 1875-1965.

War Sketches. New York: Wood, 1916. Edition 300. Slim folio, original dark gray paper portfolio containing 20 original lithographs “drawn from life on the battle front of France,” each printed on cream wove paper, mounted on cardstock along the top margin. Each signed and numbered in pencil by the artist, who was “one of the official painters attached to the historical section of the Musée de l’Armée.” Title page and prospectus laid in; original slipcase. $1,600.

Click on the images for larger screens.

War Sketches. New York: Wood, 1916. Edition 300. Slim folio, original dark gray paper portfolio containing 20 original lithographs “drawn from life on the battle front of France,” each printed on cream wove paper, mounted on cardstock along the top margin. Each signed and numbered in pencil by the artist, who was “one of the official painters attached to the historical section of the Musée de l’Armée.” Title page and prospectus laid in; original slipcase. $1,600.

warsketchescovert.jpg - 7012 Byteswarsketches2t.jpg - 6030 Byteswarsketches3t.jpg - 5966 Bytes

1small.jpg - 6734 Bytes

1. The Old Bridge at Meaux. Sept., 1914.

2small.jpg - 6413 Bytes

2. Refugees on the Road between Château-Thierry and Mont Montmirail. Sept., 1914.Illustrated: Frances Wilson Huard, My Home in the Field of Mercy, p. 44, and annotated "The Retreat from Charleroy to the Marne."

3small.jpg - 6550 Bytes

3. La Trétoire on the Petit Morin. Sept., 1914.

4small.jpg - 6733 Bytes

4. An Arabian Chief. Oct., 1914. Illustrated: Frances Wilson Huard, My Home in the Field of Mercy, p. 44, and annotated "Amed-Ben Mohamed, Nini's Arab, who belonged to our Moroccan troops."

5small.jpg - 6345 Bytes

5. Prisoners in Flanders. Road to Ramscapelle. Nov., 1914. Illustrated: Frances Wilson Huard, My Home in the Field of Mercy, p. 74, and annotated The Retreat from Charleroy to the Marne.

8small.jpg - 6596 Bytes

6. Algerian Spahis in Artois. Nov., 1914. Spahis" were a member of a body of native Algerian cavalrymen in the French armed forces. They were disbanded after Algerian War of Independence which began in 1954 and ended in 1962; ending more than 130 years of French colonial rule over Algeria.

7small.jpg - 6262 Bytes

7. Battery on a Road in Artois. Dec., 1914. Illustrated: Frances Wilson Huard, My Home in the Field of Mercy, p. 214, and annotated "The loneliness of the roads -- in peace times always alive with traffic and pleasure-cars."

8small.jpg - 6596 Bytes

8. Trench in the Snow. Artois, Dec. 1914.

9small.jpg - 6933 Bytes

9. On the Way to the Trenches. Perryse, Dec., 1914.

10small.jpg - 7518 Bytes

10. Belgian Street Sentries at Nieuport. Dec., 1914.

11small.jpg - 7499 Bytes

11. A Street at Nieuport. Dec., 1914.

12small.jpg - 6865 Bytes

12. Types in the British Camp. Dec., 1914.

13small.jpg - 6851 Bytes

13. Observation Post near the Aisne. Jan., 1915.

14small.jpg - 6604 Bytes

14. Dawn in the Trenches near Berry au Bac. Jan., 1915.

15small.jpg - 7003 Bytes

15. Bouffignereux Woods. Feb., 1915.

16small.jpg - 7045 Bytes

16. 'Un Poilu' on the Road from Soissons to Venizel. Jan., 1915.

17small.jpg - 7121 Bytes

17. Second Line Trenches near Vie sur Aisne. Feb., 1915.

18smallkitchen.jpg - 7125 Bytes

18. A Kitchen in the Ruins. Soissons, Feb., 1915.

19small.jpg - 9797 Bytes

19. Soissons Cathedral. March, 1915.

20small.jpg - 6454 Bytes

20. Kamarad. March, 1915.

Srule10.gif - 377 Bytes

Twelve Etchings Made on the Front by Ch. Huard July 1916. Edition 150 printed on 'Arches' laid paper. Charles Huard's wife, Francis Wilson, lectured in America during the war and sold the etchings. The proceeds were used for maintaining a hospital in France.

labelt.jpg - 7108 Bytes

algerianb1.jpg - 6544 Bytesalgerianred1.jpg - 6318 Bytes

Algerian Spahi in Cellar. 6 7/8 X 4 7/8 (sheet 9 5/8 X 8 1/4). Etching printd in black ink. Series: Twelve Etchings Made on the Front by Ch. Huard July 1916. Edition 150 printed on Arches laid paper. Signed in pencil. $250.

Algerian Spahi in Cellar. 6 7/8 X 4 7/8 (sheet 9 5/8 X 8 1/4). Etching printed in sepia ink. Series: Twelve Etchings Made on the Front by Ch. Huard July 1916. Edition 150 printed on Arches laid paper. Signed in pencil. $250.

courtyard1.jpg - 6691 Bytes

Courtyard of a house, rue du Tribunal, Soissons. Etching printed in black ink. 5 7/8 x 3 7/8 (sheet 9 5/8 x 8 1/8). Edition 150. Printed on 'Arches' laid paper. Signed in pencil. $125.

fruit1.jpg - 6325 Bytes

A Fruit Seller, rue du Commerce, Soissons. 6 7/8 x 4 7/8 (sheet 9 3/4 x 8 1/8). Edition 150. Etching printed in sepia ink. Printed on 'Arches' laid paper. Signed in pencil. $275.

market1.jpg - 6608 Bytes

The Market at Rheims. Etching printed in sepia ink. 5 7/8 x 3 7/8 (sheet 9 5/8 x 8). Edition 150. Printed on 'Arches' laid paper. Signed in pencil. $275.

ruinsfontenay1.jpg - 6198 Bytes

Ruins of Fontenay. Etching printed in sepia ink. 5 7/8 x 7 7/8 (sheet 8 1/4 x 9 3/4). Edition 150. Printed on 'Arches' laid paper. Signed in pencil. $350.

etsketch1.JPG - 6639 Bytes

Sketch of a door near the cathedral, Soissons. 1916/ Etching printed in sepia ink.6 7/8 x 4 7/8 (sheet 9 5/8 x 8 1/9). Edition 150. Printed on 'Arches' laid paper. Signed in pencil. $275.

view1.jpg - 6593 Bytes

View of the enemy's trenches from a periscope, near Soissons. Etching printed in black ink. 4 7/8 x 6 7/8 (sheet 8 1/4 x 9 3/4). Printed on 'Arches' laid paper. Signed in pencil. $300.

Srule10.gif - 377 Bytes

James McBey. 1883-1959.

franceatfurnaces1.jpg - 6711 Bytes

France at her Furnaces. 1917. Etching. Hardie 175. 6 x 8 1/8 (sheet 7 3/8 x 9). Edition 76, #A14. A rich impression printed on old laid paper with full margins. Signed and numbered in ink. $1,500.

rouen1.jpg - 6061 Bytes

Rouen. 1916. Etching. Hardie 172. 6 11/16 x 14 3/8 (sheet 7 13/16 x 15 9/16). Edition 76, #A19. An extremely rich impression printed printed on 'J. Whatman' laid paper from an antique volume. Signed and numbered in ink. $975.

seine1.jpg - 6839 Bytes

The Seine at Rouen. 1916. Etching. Hardie 173. 6 x 8 13/16 (sheet 7 7/16 x 10). Edition 76, #A3. A rich impression printed on cream wove paper. Signed and numbered in ink. $650. (sheet 7 7/8 x 12).Edition 30, #3. A rich impression on antique laid paper. An extremely scarce image. Signed and numbered in ink. $650.

sussex1.jpg - 5932 Bytes

The Sussex. 1916. Etching. Hardie 171. 8 3/16 x 15 1/8 (sheet 9 3/4 x 16 3/16). Edition 76. Illustrated: Lumsden, The Art of Etching; Illustrated: Salaman,Modern Masters of Etching. A rich impression printed on antique laid . Signed and numbered in ink. $950.

France: The Somme Front.

francais1.jpg - 5599 Bytes

Français Inconnus. 1917. Drypoint. Hardie 176. 6 x 9 7/8 (sheet 7 1/2 x 11 3/8). Edition 76, #A18. A fine impression printed on cream laid paper from an antique volume. Signed and numbered in in ink. $1,250.

sommewc1.jpg - 5816 Bytes

The Somme. 1917. Watercolor. 9 1/2 in x 18 3/4. Signed and dated, lower left. Annotated verso, 'Bapaume Road'. $5,500.

Srule10.gif - 377 Bytes

Percy John Delf Smith, R.D.I. 1882-1948.

Twelve Drypoints of the War 1914-1918.

royalmarinet.jpg - 7039 Bytes

Royal Marine Artillery Camp. The Evening Before the Battle of Messines. 1918. Drypoint. 6 3/8 x 7 7/8 (sheet 9 1/4 x 10 1/2.) Series: Twelve Drypoints of the War 1914-1918. A rich impression with velvety drypoint burr, printed on cream wove paper. Signed and titled in pencil. $1,500.

Srule10.gif - 377 Bytes

The European Front: France and Germany From the Rhine to the Marne.

Srule10.gif - 377 Bytes

The European Front: Germany, Prussia and Moravia

Srule10.gif - 377 Bytes

Rudolf Bauer. 1889-1953.

soldier1.jpg - 5748 Bytes

German World War I Officer. c. 1914. Charcoal drawing. 18 1/3 x 6 5/8 (sheet 18 7/8 x 7). Drawn on cream laid paper watermarked "France". Signed lower left; estate stamp verso. The soldier is wearing a spiked helmet. $500.

François de Herain. 1877-1962.

pope1.jpg - 5573 Bytes

Le Pope Niemetsky. Prisonnier de guerre au camp de Halle (Prusse), 1915. (Pope Niemetsky, Prisoner of war in the Halle Camp, Prussia). 1915. Drypont. Printed by Vernant and Dollé, and published in Revue de l'Art ancien et moderne. Unsigned. $65.

Max Pollak. Austrian/Czech. 1886-c. 1970).

In Flüchtlingslager Nikolsburg-Auskämmen. (In the Nikolsburg,[Mikulov, Moravia] Refugee Camp.) 1914. Drypoints. Edition 75, #30. Rich impressions printed on Japan paper. Each drypoint signed, titled and annotated in pencil. Each print individually housed in its original 2-ply mat (12 1/4 x 11 3/4) and hinged at top of print to backing ; minor surface grime commensurate with age. Each stamped on verso of mat backing with triangular inked export stamp. $4,000 the set of 10.

This rare series of ten etchings by Max Pollak records displaced Galician families. He made the prints while he was on duty with the Austrian army in 1914. He printed them when he returned to Vienna.

Click on the images for larger screens.

pollak1t.jpg - 7008 Bytes

Schlafraum (Dormitory). 1914. Drypoint. 7 1/4 x 6 5/16 (sheet 10 5/8 x 8 1/4). Edition 75, #30. A rich impression printed on simili japon paper. Signed, titled and annotated in pencil.

pollak2t.jpg - 7509 Bytes

Flüchtling (Refugee). 1914. Drypoint. 2 1/2 x 2 1/2 (sheet 5 3/4 x 5 9/16). Edition 75, #30. A rich impression printed on simili japon paper. Signed, titled and annotated in pencil.

pollak3t.jpg - 6507 Bytes

Frau mit Kindern (Woman with Children). 1914. Drypoint. 3 5/8 x 5 7/16 (sheet 6 1/2 x 8 7/16). Edition 75, #30. A rich impression printed on simili japon paper. Signed, titled and annotated in pencil. $2,000 the set of 10.

pollak4t.jpg - 7056 Bytes

Morgengebet (Morning Prayer). 1914. Drypoint. 3 1/2 x 3 1/2 (sheet 6 9/16 x 6 1/4). Edition 75, #30. A rich impression printed on simili japon paper. Signed, titled and annotated in pencil.

pollak5t.jpg - 6939 Bytes

Gruppe von Flüchtlingslingen (A Group of Refugees). 1914. Drypoint. 4 1/2 x5 1/2 (sheet 6 3/8 x 8). Edition 75, #30. A rich impression printed on simili japon paper. Signed, titled and annotated in pencil.

pollak6t.jpg - 6451 Bytes

Altes Weib (Old Woman). 1914. Drypoint. 3 5/8 x 3 5/8 (sheet 6 9/16 x 6 3/8). Edition 75, #30. A rich impression printed on simili japon paper. Signed, titled and annotated in pencil.

pollak7t.jpg - 6759 Bytes

Auskommen (Getting By). 1914. Drypoint. 3 5/8 x 3 5/8 (sheet 6 9/16 x 6 3/8). Edition 75, #30. A rich impression printed on simili japon paper. Signed, titled and annotated in pencil.

pollak8t.jpg - 6166 Bytes

Kinder (Children). 1914. Drypoint. 6 1/4 x 7 3/8 (sheet 9 3/4 x 11). Edition 75, #30. A rich impression printed on simili japon paper. Signed, titled and annotated in pencil.

pollak9t.jpg - 6665 Bytes

Im Zimmern der Barache (In the Rooms of the Barracks). 1914. Drypoint. 5 x 7 3/16 (sheet 10 9 3/4). Edition 75, #30. A rich impression printed on simili japon paper. Signed, titled and annotated in pencil.

pollak10t.jpg - 6519 Bytes

Junge Mutter (Young Mother). 1914. Drypoint. 3 3/16 x 5 (sheet 7 3/8 x 9 1/4). Edition 75, #30. A rich impression printed on simili japon paper. Signed, titled and annotated in pencil.

Srule10.gif - 377 Bytes

Europe: Naval Battles

Earlier Wooden Hulled Naval Ships

Frank Brangwyn, R.A. 1867-1956.

duncan1.jpg - 7171 Bytes

Breaking Up of the 'Duncan'. 1911. Etching. Gaunt 193. 32 3/8 x 21 3/8 (sheet 27 3/8 x 36 2/8). Edition 125. Glue stains along the sheet edges, well outside the image. A rich, tonal proof printed on white wove Japan paper. Signed in pencil. $2,500.

Sir Francis Seymour Haden, R.A., P.R.E. 1818-1910.

agamemnon1.JPG - 4184 Bytes

Breaking up of the Agamemnon, No 1. 1840. Etching and drypoint. Schneiderman 133.viii/xi. 7 3/4 x 16 3/8 (sheet 9 1/4 x 17 1/2). A rich impression with plate tone printed in black/brown in on cream laid paper. Signed in pencil. $1,750.

James Abbott McNeill Whistler. 1834-1903.

dipping1.jpg - 5311 Bytes

Dipping the Flag. 1877. Etching and drypoint. Kennedy 325; Glasgow 308.iii(?)/iv. 3 1/8 x 6 5/8 (sheet 8 1/2 x 13 1/4). Dipping the Flag formed part of the 'Jubilee ' alternatively 'Naval Review' set. Unique proof printed in red brown ink with tonal wiping on simili-japon paper. Signed with the butterfly in pencil. $25,000.

Srule10.gif - 377 Bytes

William Lionel Wyllie, R.A., R.I., R.E. 1851-1931.

Our Fathers

ourfathers1t.jpg - 7262 Bytesourfathers2t.jpg - 7277 Bytesourfathers3t.jpg - 6950 Bytesourfathers4t.jpg - 6434 Bytes

Our Fathers, To The Memory of the nameless Killed and Wounded. 1913. Set of 4 etchings. Each 12 1/4 x 8 1/4. Poem by Captain Ronald A. Hopwood. R.N. Each etching in fine condition, on the full sheet of cream wove paper. Each signed in pencil lower left. $1,250 the set.

Mediterannean Series.

medittitle1.JPG - 4024 Bytes

Mediterranean Series. 1913. Set of 6 drypoints. 6 1/4 x 14 3/4 (sheet 10 7/8 x 18 1/8). Edition 160, #29. Printed on 'JW Whatman' cream wove paper. Each signed in pencil. Each in its original mount in the original presentation portfolio. $3,750 the set.

gibraltar1.jpg - 5591 Bytes

Gibraltar, Showing the Rock and the Warships Coming Out. 1913. Set of 6 drypoints. 6 1/4 x 14 3/4 (sheet 10 7/8 x 18 1/8). Edition 160, #29. Printed on 'JW Whatman' cream wove paper. Each signed in pencil. Each in its original mount in the original presentation portfolio. $3,750 the set.

villefranche1.jpg - 5712 Bytes

Villefranche. 1913. Set of 6 drypoints. 6 1/4 x 14 3/4 (sheet 10 7/8 x 18 1/8). Edition 160, #29. Printed on 'JW Whatman' cream wove paper. Each signed in pencil. Each in its original mount in the original presentation portfolio. $3,750 the set.

naples1.jpg - 5823 Bytes

Naples, Entrance to the Harbour. 1913. Set of 6 drypoints. 6 1/4 x 14 3/4 (sheet 10 7/8 x 18 1/8). Edition 160, #29. Printed on 'JW Whatman' cream wove paper. Each signed in pencil. Each in its original mount in the original presentation portfolio. $3,750 the set.

mtvesuvias1.jpg - 5814 Bytes

Mount Vesuvius, from the Sea. 1913. Set of 6 drypoints. 6 1/4 x 14 3/4 (sheet 10 7/8 x 18 1/8). Edition 160, #29. Printed on 'JW Whatman' cream wove paper. Each signed in pencil. Each in its original mount in the original presentation portfolio. $3,750 the set.

malta1.jpg - 5732 Bytes

Malta, Valetta. 1913. Set of 6 drypoints. 6 1/4 x 14 3/4 (sheet 10 7/8 x 18 1/8). Edition 160, #29. Printed on 'JW Whatman' cream wove paper. Each signed in pencil. Each in its original mount in the original presentation portfolio. $3,750 the set.

pyramids1.JPG - 3324 Bytes

The Pyramids from the Nile, showing Native River Craft and Nile Passenger Boats. 1913. Set of 6 drypoints. 6 1/4 x 14 3/4 (sheet 10 7/8 x 18 1/8). Edition 160, #29. Printed on 'JW Whatman' cream wove paper. Each signed in pencil. Each in its original mount in the original presentation portfolio. $3,750 the set.

Srule10.gif - 377 Bytes

North Africa: The Desert War

Srule10.gif - 377 Bytes

James McBey. 1883-1959.

The East: First Palestine Set - 1919.

raselain1.jpg - 6069 Bytes

Ras-El-Ain. 1919. Etching. Hardie 180. 7 7/8 x 12 7/8 (sheet 9 x 14 1/2). Edition 76, # 1. A rich impression with plate tone, printed on cream laid paper from an antique volume. Signed and numbered in ink. $700.

dawn8image1.jpg - 8319 Bytes

Dawn. The Camel Patrol Setting Out. October, 1919. Etching. Hardie 181. 8 7/8 x 14 7/8 (sheet 10 1/2 x 16 3/8). Ed. 76, #viii. Illustrated: Zigrosser, Six Centuries of Fine Prints. An extremely rich impression with drypoint burr and subtle tonal wiping. Printed on antique laid paper. Signed in ink. Price upon request.

desertsinainew1.jpg - 5610 Bytes

The Desert of Sinai (No. 2). 1919. Etching. Hardie 184. 7 7/8 x 13 3/4 (sheet 9 5/8 x 15 1/2). Edition 76. Illustrated: Furst, Original Engraving and Etching: An Appreciation. Printed with plate tone on cream laid paper from an antique volume. Signed and numbered in ink. $700.

sunsetwadi1.jpg - 6059 Bytes

Sunset: Wadi-Um-Mukhsheib. 1919. Etching. Hardie 185. 7 x 13 (sheet 8 1/8 x 14 1/14). Edition 76, # A4 (American edition). Series: First Palestine Set. Mat line, well outside the image; otherwise in excellent condition. A rich impression with plate tone printed on laid paper from an antique volume. Signed and numbered in ink. $650.

The other etchings in the First Palestine Set are: The Mid-Day Halt, The Desert of Sinai (No. 1), Strange Signals, A Deserted Oasis. (The Desert of Sinai (No. 1) was issued in trial proofs only.)

Second Palestine Set - 1920.

palestine1.jpg - 6030 Bytes

Palestine. "Blue Bonnets O'er the Border." 1920. Etching and drypoint. Hardie 192. 6 7/8 x 12 3/8 (sheet 10 3/4 x 15 1/4). Edition 76, #6. Series: Second Palestine Set. A cleanly wiped impression with drypoint burr, printed on cream laid paper from an antique volume. Signed and numbered in ink. $750.

dust1.jpg - 6744 Bytes

Dust, Beersheba. 1920. Etching. Hardie 193. 8 15/16 x 15 3/8 (sheet 11 1/8 x 17 7/8). Edition 76, #21. Series: Second Palestine Set. A fine impression printed on cream laid paper from an antique volume. Signed and numbered in in ink. $1,450.

sniper1.jpg - 6719 Bytes

The Sniper (No. 2). 1920. Drypoint. Hardie 195. 7 3/8 x 11 7/8 (10 13/16 x 14 1/2). Edition 76, # 32. Series: Second Palestine Set. Printed on cream laid paper from an antique volume. An extremely rich impression printed in sepia ink with plate tone and drypoint burr. Signed and numbered in ink. $975.

firstsightnew1.jpg - 5872 Bytes

The First Sight of Jerusalem, Nebi Samwil (No. 2). 1920. Etching. Hardie 197. 11 x 18. Edition 76. Series: Second Palestine Set. Printed with plate tone on antique laid paper with full margins. Signed and numbered in ink and annotated 'Jerusalem' in pencil. $1,300.

advance1.jpg - 6117 Bytes

The Advance on Jerusalem. Wadi Ali. 1920. Etching. Hardie 198. 8 x 14 (sheet 10 1/4 x 15 1/16). Edition of 76 (plus 8 trial proofs), #13. Series: Second Palestine Set. A very rich impression printed on laid paper taken from an antique volume. Signed and numbered in ink. $950.

moonlightattack1.jpg - 6443 Bytes

The Moonlight Attack, Jelil. 1920. Etching. Hardie 200. 9 x 15 3/8 (sheet 11 x 17). Edition 76 + 8 trial proofs. Series: Second Palestine Set. A rich impression printed on antique laid paper. Signed and numbered in ink. $1,100.

The other etchings in the Second Palestine Set are: The Sniper (No. 1), The First Sight of Jerusalem, Nebi Samwil (No. 1), The Surrender of Jerusalem, Gaza: Prisoners of War, Zero. The Sniper (No. 1) and Gaza: Prisoners of War were issued in trial proofs only.

Third Palestine Set - 1921.

gunfire1.JPG - 3677 Bytes

Gun Fire, Mount of Olives. 1921. Drypoint. Hardie 204. 8 x 5 3/4 (sheet 10 x 7 1/4). Edition 54, #33. Series: Third Palestine Set. A rich impression with plate tone printed on antique wove paper. Signed and numbered in ink. $750.

jerusalem1.jpg - 5504 Bytes

Jerusalem from Olivet. 1917. Drypoint. Hardie 205. 6 5/8 x 14 3/8 (sheet 10 7/8 x 17 1/4). Edition 76, #22. Printed with plate tone on antique ledger paper. Signed and numbered in ink and annotated 'Jerusalem' in pencil. $900.

deadsea1.jpg - 6095 Bytes

The Dead Sea. 1921. Drypoint. Hardie 206. 7 13/16 x 11 3/4 (sheet 10 5/8 x 16). Edition 76, #23.A very rich impression with drypoint burr, printed on blue-toned paper from an old volume.Signed and numbered in ink. $700.

hermon1.jpg - 5454 Bytes

Hermon: Cavalry Moving on Damascus. 1918-21. Etching. Hardie 207. 8 7/8 x 15. (sheet 11 x 17 1/4). Edition 76, number 9. A rich impression with plate tone printed on antique laid paper with a Strasbourg Lily watermark. Signed and numbered in ink. $1,250.

The other etching in the Third Palestine Set is: Bombs! issued in trial proofs only.

Watercolors

gaza1.jpg - 6042 Bytes

Trenches at Gaza 1917. 1921. Watercolour. 14 x 22. Provenance: The Fine Art Society. Annotated 'Gaza 1917' lower left. Signed and dated 1921, lower left. Housed in a dramatic 22 x 29 3/4-inch gold and blue/grey frame.

medjelft.jpg - 6195 Bytesmejdelversot.jpg - 5120 Bytes

Mejdel Yaba. 20 September , 1918 Pencil, ink and watercolour on paper. 8 1/8 x 22. Annotated, upper left, "due N at ???' Dated on the ink drawing on the verso. Signed and dedicated on the front "To Paul from James McBey." Housed in a dramatic 22 x 29 3/4-inch gold and blue/grey frame. $4,000.

acre1.jpg - 5828 Bytes

Acre. 1934. Watercolour. 12 1/2 x 18. Signed, dated and titled, lower right. Annotated in pencil verso, 'Acre (Palestine)'. Provenance: The Fine Art Society.

Srule10.gif - 377 Bytes

The U.S.A.

Srule10.gif - 377 Bytes

The Statue of Liberty

Srule10.gif - 377 Bytes

Deirdre Allinson. Born 1968.

liberty1.jpg - 5506 Bytes

The Statue of Liberty. June 9, 2013. Antique-toned photograph printed on Hahnemuhle paper. 11 x 17 (sheet 12 x 18). Signed in pencil. $225.

Sir Muirhead Bone. 1876-1953.

statue1.jpg - 6651 Bytes

Liberty Statue New York. 1923. Conte crayon and watercolor. 7 1/2 x 10 (sheet 8 5/16 x 10 5/8). Signed and annotated 'Liberty Statue New York. Sketched from a Ferry Boat July 1923.' and 'Muirhead Bone to Mrs David Keppel with kind regards Dec 1925'. $2,500.

Joseph Pennell, N.A. 1857-1926.

hail1.JPG - 2239 Bytes

Hail America. 1908. Mezzotint. Wuerth 502. 8 1/2 x 14 7/8 (sheet 11 1/2 x 17). Trial working proof before the edition of c. 70. An extremely rich impresion printed on the full sheet of antique paper. Signed, annotated 'trial working proof' and 'imp' in pencil, indicating a proof printed by Pennell. Perhaps the artist's most iconic American image. $7,500.

Charles Frederick William Mielatz. 1861-1919.

ericet1.jpg - 5602 Bytesericdr1.jpg - 5716 Bytes

Ericsson's Day, No. 1. 1914. Etching. 6 x 9 (sheet 7 3/8 x 11). Printed on cream wove paper on the full sheet with deckle edges. Proof with subtle plate tone in sepia ink, printed by the artist himself. Accompanied by the pencil study, with a drawing of ships on the verso. 7 3/4 x 10 1/4 (sheet 7 3/16 x 12 5/16). The drawing unsigned; the etching signed in pencil. $1,250 the pair.

Srule10.gif - 377 Bytes

World War I

taft1.jpg - 7739 Bytes

President William H. Taft II. 1911. Original etching. Hjert and Hjert 165.iv. 9 7/8 x 8 (sheet 14 3/8 x 11 7/8). A fine impression with plate tone, printed on cream laid 'Van Gelder Zonen' paper with full margins. Signed in pencil by Zorn; dedicated in ink 'For Laurence Bradman with best wishes of Wm H Taft Jany 20, 1922.' $4,000.

Childe Frederick Hassam, N.A. 1859-1935.

lafayette1.jpg - 7990 Bytes

Lafayette Street. 1918. Crayon and lithotint. Kleeman 18; Griffith 5. 14 5/8 x x 11 (sheet 18 x 11 3/4). Edition 59. A rich impression printed on Japanese mulberry paper with an oak leaf watermark. Signed and annotated in the stone "Childe Hassam 1918"; signed with the cypher in pencil. $7,500.

Helen Hyde. 1868-1919.

bit1.jpg - 6346 Bytesbitframe1.JPG - 4837 Bytes

Srule10.gif - 377 Bytes

World War II

Wayne Lambert Davis. 1904 - 1988.

left1.jpg - 5546 Bytes

Left Behind. c. 1942. Drypoint. 8 1/2 x 6 (sheet 14 1/2 x 10 1/4). A rich, tonal impression printed on cream wove paper. Signed in ink and titled in pencil. $400.

Srule10.gif - 377 Bytes

Allinson Gallery Index.

To order, to report broken links or to be placed on the email list, please contact Jane Allinson (jane@allinsongallery.com) or send a fax to (860) 429 2825.