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'Let It Snow!' Snow in the City, Snow in the Country.

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Snow in the City.

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Childe Frederick Hassam, N.A. 1859-1935.

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The Church Across the Way. 1916. Etching. Cortissoz, Clayton 66. 8 1/4 x 4 3/8 (sheet 10 1/16 x 6 1/8). A fine impression with carefully-wiped plate tone printed on whitelaid paper with a '6' partial countermark. With the usual drying tack holes in the margins. Annotated 'New York C.H. 1916'in the plate; signed with the cypher in pencil. The etching is extremely scarce. Housed in a period 18 x 14-inch gold leaf frame. $5,000.

The Little Church Around the Corner. 1923. Etching. Cortissoz, Clayton 220.ii. 8 x 11 1/2 (sheet 10 5/8 x 11 3/8). A fine impression with carefully-wiped plate tone printed on white wove paper with deckle edges. Drying tack holes in the margins. Signed and dated 'Jany.31, CH 1923 in the plate; signed with the cypher in pencil. The etching is extremely scarce. Housed in a classic 16 1/4 x 19-inch gold leaf frame. $5,000.

Helen West Heller. American. 1872-1955.

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Flogging. 1927. Woodcut. 8 3/8 x 9 (sheet 16 5/16 x 12 7/16). Printed on Japanese mulberry paper. Signed, dated and titled in pencil. $750.

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November Twilight. 1928. Woodcut. 4 5/16 x 6 (sheet 7 1/4 x 10). Printed on sturdy Japanese mulberry paper. Signed, dated and titled in pencil. $650.

Ellison Hoover. 1888-1955.

Arc de Triomphe in Snow (Napoleon's Triumphal Arch). c. 1930. Lithograph. 11 1/4 x 9 7/16 (sheet 16 x 12). A tonal impression printed on off-white wove paper with full margins. Signed in pencil. $1,750.

Otto Kuhler. 1894-1977.

Spires of Manhattan. c. 1930. Etching. 9 3/8 x 12 3/4. A fine snowscene printed on cream laid paper with full margins.

Martin Lewis, N.A. 1881-1962.

Stoops in Snow. 1930. Drypoint and sandpaper ground. McCarron 89.ii. 9 3/4 x 14 3/4 (sheet 13 7/16 x 18 7/16 ). Edition 115 recorded impressions. Illustrated: American Etchers: Martin Lewis. A rich, tonal impression printed on white laid paper with full margins. Signed in pencil. Housed in a stunning archival black mat and a 20 x 24 3/4-inch modernist black wood frame. Price upon request.

John Sloan, N.A. 1871-1951.

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Girls Sliding. 1915. Etching. Morse 171.iv. 4 1/4 x 5 7/8 (sheet 8 3/4 x 11 7/8). A fine impression on cream wove paper. Annotated "Peter Platt imp" in pencil (Platt printed 30 of the total edition of 100). Signed, titled and annotated "100 proofs" in pencil. $2,500.

Stow Wengenroth, N.A. American. 1906-1978.

From the Weather Bureau. New York, New York. February, 1940. Lithograph printed in black and cream. Stuckey 106.ii. Two stone printing. 10 1/8 x 17 (sheet 16 x 21 5/8). Edition 40 in this state (total edition 43). A subtle, tonal impression. Signed and annotated 'Ed/40' in pencil. $9,750.

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Snow in the Country

William Harry Warren Bicknell. 1860-1947.

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Edge of the Woods. 1916. Drypoint. 7 7/8 x 9 3/4 (sheet 10 7/16 x 13 1/8). A rich impression in printed on Japanese paper with an oak leaf watermark. Signed and annotated '3rd state' in pencil. $300.

Harold Kerr Eby, N.A. 1890-1946.

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The Cow Shed. 1946. Etching, aquatint and sandpaper ground. G 211. 9 5/8 x 15 1/8. Edition 100. $850.

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Driftway, Moonlight 1931. Etching and aquatint. Giardina 168.viii. 8 5/8 x 15 5/8 (sheet 2 1/2 x 18 7/8). Edition 100. A rich, tonal impression printed on cream wove paper. Mat line from a former mount; otherwise excellent condition. Signed and annotated 'imp' in pencil, indicating a proof printed by the artist. $1,200.

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Goin' Home. 1928. Etching. Giardina 133.iii. 11 x 6 7/8 (sheet 15 1/2 x 10 1/16). Edition 90. A rich impression with plate tone, printed on watermarked cream laid paper with full margins. Signed and annotated 'Ed90' and 'imp' in pencil, indicating a proof printed by Eby. $550.

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New England Winter. 1933. Etching. Giardina 176. 6 15/16 x 13 13/16 (sheet 11 3/4 x 13 3/4). Edition 90.Illustrated: Fine Prints of the Year, 1931; Reese, American Prize Prints of the Twentieth Century. The scene is probably Westport, Connecticut, where Eby lived. Signed and annotated' Ed. 90' and 'imp' (imprimit) in pencil, indicating a proof printed Eby. $975.

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Snow Fields. 1924. Etching. Giardina 92. 7 1/2 x 12 3/4 (sheet 9 3/4 x 14 7/8). Edition 90-100. Soiling in the right and lower margins, outside the image. A rich impression with plate tone printed on cream laid paper. Signed and annotated 'imp' (imprimit) in pencil, indicating a proof printed Eby. $750.

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Snow on the Aspetuck. 1927. Etching. Giardina 109.iii. 6 1/16 x 10 7/8 (sheet 9 x 13 3/4). Trial proof, apart from the edition of 90. A rich impression with plate tone printed on cream laid paper. Signed and annotated 'trial proof' and 'imp' (imprimit) in pencil, indicating a proof printed Eby. $875.

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Still Hollow. 1936. Etching, aquatint, and sandpaper ground. Giardina 185.ii. 10 3/16 x 14 1/2 (sheet 13 1/16 x 17 7/8). Edition 100. Illustrated: Fine Prints of the Year, 1936. A rich tonal impression printed on cream laid paper. A rich impression printed on white wove paper with full margins. Signed and annotated 'imp' (imprimit) in pencil, indicating a proof printed by Eby. $2,250 the pair.

Accompanied by the preliminary drawing: Still Hollow. c. 1936. Preliminary pencil drawing for the etching, Giardina 185.ii. 11 3/4 x 12 1/2 (sheet 12 1/4 x 15 5/8). A fine drawing on watercolor board. Signed in pencil, lower right. $2,250 the pair.

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Tide Mill Marshes. 1927. Etching. Giardina 111. 7 x 12 1/2 (sheet 11 3/8 x 16 5/8). Edition 90. A rich tonal impression printed on cream laid paper. A rich impression printed on cream laid paper with full margins. Signed and annotated 'Ed90' and 'imp' (imprimit)in pencil, indicating a proof printed by Eby. $1,500 the pair.

Accompanied by the preliminary drawing: Tide Mill Marshes. c. 1927. Preliminary pencil drawing for the etching, Giardina 111. 9 9/16 x 14 1/2. A fine drawing on watercolor board. Signed in pencil, lower right and lower left. Annotated in pencil "Connecticut Shore" on the verso. $1,500 the pair.

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The Whales Back. 1925. Etching. Giardina 95.iii. 6 1/2 x 12 (sheet 10 x 16). Triap proof, prior to the edition of 90. Illustrated in Fine Prints of the Year, 1927. A rich impression with plate tone printed on cream laid paper. Signed and annotated 'imp' (imprimit) in pencil, indicating a proof printed Eby. $650.

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Turkey Hill. 1932. Etching. G74.ii. 9 3/4 x 16 3/8. Edition 100. Illustrated: Print Collector's Quarterly 26 (1939): 94. Signed in pencil. A tonal impression printed on laid paper with a crown and shield watermark and wide margins. Printed by the artist. $1,150.

Frederick Landseer Griggs, R.A., R.E. 1876-1938.

The Almonry. 1925. Etching. Comstock 34.v/vii. 9 5/8 x 6 5/8 (sheet 12 1/8 x 8 1/2). Edition 82 in this state (total edition 101). A fine impression on white laid paper. Illustrated Fine Prints of the Year, 1925; Guichard, British Etchers: 1850-1940. Provenance: The Fine Art Society, London. With the DHP (Dover House Press) stamp verso. Signed in pencil. Housed in a 17 1/4 x 21 1/2-inch gold leaf Whistler style frame This is the artist's major etching. $8,500.

Gustave Adolph Hoffman. 1869-1945.

New England Winter: The Old Homestead. 1896. Etching and aquatint printed in grey-green. 7 3/4 x 11 3/4 (sheet 10 x 13 1/16). A rich impression in printed on grey=green ink on white wove paper. Signed and annotated 'imp' in pencil, indicating a proof printed by the artist. $300.'

Eika Kato. 1869-1942.

Yuki no yougure - Snow at Dusk. c. 1900. Watercolor on Japanese paper with a chrysanthemum watermark. 37 1/2 x 25 1/4. Signed "E. Kato" lower right. The shop on the right sells cigarettes. An extremely large and dramatic image in fine condition. $1,750.

Isabel Beatrice Mesham. Born 1896.

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[St. Mary Church, with Stars, Torquay, Devon]. Etching and aquatint. 8 x 6 (sheet 9 1/8 x 6 3/4). A richly inked impression printed on cream wove paper. Unsigned. Sold with the zinc etching plate, 8 x 6. The image on the plate is reversed in the etching when the etching is printed. $500 the pair.

Robin Tanner. 1904-1988.

Christmas. 1929. Etching. Garton 9.II. 13 X 11 (sheet 20 X 16 5/8). Edition of 50 from the Penn Print Room edition published in 1974 by McDonald & Nicholson. (Total edition of 100 lifetime proofs and 122 posthumous proofs published by Garton & Co. ) A rich, tonal impression printed on cream cove paper with full margins. Signed and 'numbered 44/50' in pencil. $4,500.

Ronau W. Woiceske. 1890-1946.

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Brookside. c.1935. Etching, drypoint and aquatint. 11 7/8 x 10 (sheet 15 x 13). Edition 75. A rich atmospheric impression printed on 'France' countermarked cream wove paper with full margins. Signed, titled and annotated in pencil. $950.

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Reflections. c.1935. Etching, drypoint and aquatint. 12 3/4 x 7 1/4 (sheet 15 3/4x 10 7/8). Edition 60. A rich atmospheric impression printed cream wove paper with full margins. Signed, titled and annotated in pencil. $950.

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Snowstorm. c.1935. Etching, drypoint and aquatint. 10 1/4 x 12 1/8 (sheet 13 3/8 x 15 7/8). 2nd state, trial proof. A rich atmospheric impression printed on 'France' wove paper on the full sheet with deckle edges. Signed, titled and annotated '2/1' in pencil. $750.

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Symphony in White. c.1935. Etching, drypoint and aquatint. 11 1/2 x 9 3/8 (sheet 15 3/4 x 12 5/8). Edition 50. A rich atmospheric impression printed on 'Arches' wove paper on the full sheet with deckle edges. Signed, titled and annotated in pencil. $750.

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Two Trees. c.1935. Etching, drypoint and aquatint. 11 3/4 x 9 7 /8 (sheet 14 3/4 x 12 1/2). Edition 50. Illustrated: Print Collector's Quarterly volume 24, #4 (December 1937): 463. A rich atmospheric impression printed on cream 'Rives' wove paper on the full sheet with deckle edges. Signed, titled and annotated in pencil. $750.

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Winter Forage. c.1935. Etching, drypoint and aquatint. 8 3/4 x 11 3/4 (sheet 11 3/8 x 14 3/4). Edition 50. A rich impression printed on 'France' wove paper. Signed, titled and annotated in pencil. $750.

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Winter Woodland. c.1935. Etching, drypoint and aquatint. 11 3/8 x 9 3/4 (sheet 16 x 13). Printed on 'France' cream wove paper with full margins. Signed, dated and titled in pencil. $750.

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Allinson Gallery Index

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