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Studî della piccola Simonella (Sketches of little Simonella). August 28, 1942. Pencil drawing. 5 1/8 x 7 13/16. Rubbing to the corner, otherwise good condition. Signed, dated and titled in pencil. Studî della piccola Simonella (Sketches of little Simonella). August 28, 1942. Pencil drawing. 5 1/8 x 7 13/16. Signed, dated and titled in pencil. A charming set of studies of a sleeping child, probably the artist's daughter. Housed in an archival French mat and a 14 1/4 x 16 1/4-inch black and gold leaf frame. $600.
Skyscrapers. c. 1950. Pastel. 29 3/4 x 19 7/8. Provenance: Lewis A.Shepard, Mr.and Mrs. Archie Burack, The New Britain Museum of American Art, New Britain, Connecticut. Signed, lower right. Price upon request.
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Snow on the Aspetuck. 1927. Etching. Giardina 109.iii. 6 1/16 x 10 7/8 (sheet 9 x 13 3/4). Trial proof, apart from the edition of 90. A rich impression with plate tone printed on cream laid paper. Signed and annotated 'trial proof' and 'imp' (imprimit) in pencil, indicating a proof printed Eby. $875.Still Hollow. 1936. Etching, aquatint, and sandpaper ground. Giardina 185.ii. 10 3/16 x 14 1/2 (sheet 13 1/16 x 17 7/8). Edition 100. Illustrated: Fine Prints of the Year, 1936. A rich tonal impression printed on cream laid paper. A rich impression printed on white wove paper with full margins. Signed and annotated 'imp' (imprimit) in pencil, indicating a proof printed by Eby. $2,250 the pair.
Accompanied by the preliminary drawing: Still Hollow. c. 1936. Preliminary pencil drawing for the etching, Giardina 185.ii. 11 3/4 x 12 1/2 (sheet 12 1/4 x 15 5/8). A fine drawing on watercolor board. Signed in pencil, lower right. $2,250 the pair.
Tide Mill Marshes. 1927. Etching. Giardina 111. 7 x 12 1/2 (sheet 11 3/8 x 16 5/8). Edition 90. A rich tonal impression printed on cream laid paper. A rich impression printed on cream laid paper with full margins. Signed and annotated 'Ed90' and 'imp' (imprimit)in pencil, indicating a proof printed by Eby. $1,750 the pair.
Accompanied by the preliminary drawing: Tide Mill Marshes. c. 1927. Preliminary pencil drawing for the etching, Giardina 111. 9 9/16 x 14 1/2. A fine drawing on watercolor board. Signed in pencil, lower right and lower left. Annotated in pencil "Connecticut Shore" on the verso. $1,750 the pair..
Cityscape Reflections - Study No. 1. 1980. Pastel and pencil drawing. 8 x 4 15/16. Signed and dated in ink, lower right. Anotated 'Nov. 1980' on the mat. Housed in a 15 x 11 1/8-inch gold leaf frame. $1,750.
Ericsson's Day, No. 1. 1914. Etching. 6 x 9 (sheet 7 3/8 x 11). Printed on cream wove paper on the full sheet with deckle edges. Proof with subtle plate tone in sepia ink, printed by the artist himself. Accompanied by the pencil study, with a drawing of ships on the verso. 7 3/4 x 10 1/4 (sheet 7 3/16 x 12 5/16). The drawing unsigned; the etching signed in pencil. $1,750 the pair.
John Ericsson (1803-1889 invented the ship propeller and incorporated the landmark device into his design for the Civil War ironclad the Monitor. He was buried in New York. Ericsson's Day was a celebration of the centenary of his birthday on July 31, 1803.
Planters Tavern, Greenwich Street, New York. 1926. Conte crayon drawing. 12 1/4 x 11 (sheet 14 3/8 x 14 1/2). Provenance: Schwartz Galleries, Manhattan. fine impression on 'Strathmore Woromoco Damask Made in U.S.A.' countermarked paper. Signed in pencil. $475.
Continental
Moses Breaking the Tablet of the Law. c. 1860. Pencil drawing mounted onto paper. 12 1/4 x 3 3/4 inches. Collector's seal verso: Gustav Grunwald, (Lugt 1155b). Monogrammed 'DR' (Nagler 582), lower right. Housed in an archival French mat and a 20 X 11 1/2-inch carved wood frame. $1,750.
The drawing is based upon the famous vault painting by Parmigianino in the church of Santa Maria della Steceta in Parma.
British
Homewards, Evening. c.1913. Pencil drawing. Study for the drypoint of the same title, Appleby 20. 7 1/2 x 5 3/4. Signed Blampied lower left. $1,500.
Horses in a Meadow. Pencil drawing. 1c. 1914. 7 3/4 x 8 (sheet 10 x 15). Study for the etching, In a Meadow (first plate). Signed in pencil. $2,500.
Amey's Eating House, Winchester. 1916. Pencil drawing.13 x 7 1/2 (sight size). One pinhole on the right-hand edge of the drawing, 3 inches from the top; otherwise fine condition. Provenance: Fine Art Society, with their label, verso. Framed and glazed. Signed, dated and annotated 'Winchester', lower right. $1,750.
Ypres II [Belgium]. c. 1910-1914. Charcoal and watercolor. 9 x 12 (sheet 9 1/16 x 13 3/4). Signed in pencil. $1,950.
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