Sir David Young Cameron, R.A., R.S.A.,R.W.S, R.E. 1865-1945.
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All works are signed in pencil unless indicated otherwise.
Reference Book
Frank Rinder. D. Y. Cameron An Illustrated Catalogue of His Etched Work. James Maclehose & Sons, Glasgow, 1912. 26 x 20 cm 259 pp with 434 black & white illustrations. Deluxe edition of 200, #96, printed on are on hand-made paper, with proofs of the illustrations on Japanese vellum. Each of these two hundred copies has, as frontispiece, an original pencil-signed etching, The Lion and the Unicorn. $650.
Scotland
Ben Lomond. 1923. Etching and drypoint. Rinder 468.v/vi. 10 3/8 x 16 (sheet 11 1/2 x 17). Edition about 80. Illustrated: Salaman, Modern Masters of Etching; Print Collector's Quarterly 11 (1923): 63; American Magazine of Art (August, 1929); Guichard, British Etchers: 1850-1940. A rich, tonal impression with drypoint burr, printed on tissue-thin laid paper. A rich impression with drypoint burr. Signed in pencil. Housed in a period gold frame. $2,000.
Culzean Castle. 1889. Etching. Rinder 48.11 5 13/16 x 9 (sheet 8 1/4 x 13 1/8). Series: The Clyde Set, #19. A fine impression with plate tone on watermarked laid paper. Printed by Goulding. Signed in pencil by Goulding and by Cameron. $325.
Dunure Castle. Oil on canvas. 16 1/2 x 28 3/8. Signed, lower right. Housed in a dramatic 22 x 34-inch gold leaf frame. Price upon request.
Glen Orchy. c. 1925. Watercolor, pencil and conte crayon on paper. 9 1/4 x 13 (sheet 10 3/8 x 13 1/4). Ex-collection L.G. Duke,purchased at Sotheby's, London '10.12.70'. Mat line; otherwise good condition. Signed and titled in pencil, lower right. Housed in a French mat within subtle wood and gold leaf 18 5/8 x 22-inch frame. $2,250.
Robert Lee's Workshop. 1905. Etching and drypoint. Rinder 375.i/iii. 11 7/8 x 8 5/8 (sheet 12 3/8 x 9 ). Illustrated: Salamana, Modern Masters of Etching. Frederick Keppel Gallery & Co. Gallery label. Printed on Japanese mulberry paper with small margins with carefully-wiped plate tone and drypoint burr. Unobtrusive 1/4-inch circular stain in the top right-hand corner; otherwise excellent original condition. A superb impression of this extremely rare first state before the added lines in the foreground. Signed in pencil. $975.
The Workshop (Stirling). 1905. Etching and drypoint. Rinder 369.ii/iv. 8 3/16 x 12 (sheet 8 5/16 x 12).No published edition. A rich impression with drypoint burr printed on very fine laid paper. Trimmed to the plate along three sides, à la Whistler. A rare state of this very scarce work. Signed in pencil. $975.
Belgium
Ypres II [Belgium]. c. 1910-1914. Charcoal and watercolor. 9 x 12 (sheet 9 1/16 x 13 3/4). Signed in pencil. $1,950.
France and Italy
Rue Saint Julien le Pauvre. 1904. Etching and drypoint. Rinder 366.ii/v. 8 3/16 x 6 1/2 (sheet 9 x 7). Paris Set, #6. TThe Paris Set consisted of 6 images, printed in an edition of 35, with some additional impressions. Repaired paper loss from a hinge, top right, outside the image. Printed with plate tone on off-white laid paper. A very rich impression of this scarce image. Signed in pencil. $450.
Thermae of Caracalla. 1923. Etching. Rinder 470.iii. 11 x 1615/16 (sheet 12 3/16 x 18 3/4). Edition about 70. Illustrated: Print Collector's Quarterly (1924): 67; Salaman, Modern Masters of Etching; Lumsden, The Art of Etching, 339. Signed in pencil. Collector's seal, 'NG' lower right from the extensive collection of Neal Greene (not in Lugt). Signed in pencil. A glowing impression printed cream laid paper. Signed in pencil. $950.
The East
The Turkish Fort. 1909. Etching and drypoint. Rinder 409. 5 1/2 x 10 3/8. The fort is on the Mokaltam Hills, near Cairo. Signed in pencil. $275.
Scottish painter, etcher, and draughtsman, born in Glasgow, the son of a clergyman. He abandoned brief unhappy careers in commerce and law to study at *Glasgow School of Art and the Royal Scottish Academy in Edinburgh. Most of his work consisted of landscapes (especially scenes of mountains) and architectural views, and he is best known for his etchings of buildings, including Gothic churches on the Continent—rich and sombre works with which he established a reputation as one of the outstanding printmakers of the day.
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