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Cudham, Kent. 1924. Etching. Tassi 15; Cooke 20. 3 1/8 x 4 (sheet 4 3/8 x 6 7/16). Edition of 42, including some artist's proofs. Published by the Twenty-One Gallery in London. Slight paper loss in the top left-hand corner, well outside the image. A rich impression with plate tone, printed by the artist on antique laid paper. Signed in pencil. $2,750.
May Green. 1927. Etching. Tassi 24.iv/vi; Cooke 30. 4 1/2 x 6 3/8 (sheet). Edition 18 in this state (total 93 proofs in 6 states). Published by Twenty-One Gallery, London. Illustrated: Fine Prints of the Year, 1927. A fine impression printed on Fabiano laid paper with a partial watermark. Full margins. A proof in the British Museum is inscribed by the artist, 'Blackheath, May Green.' Signed, annotated 'Fabiano', and 'imp' in pencil, indicating a proof printed by the artist. $5,500.
Warning Camp. 1924. Etching. Tassi 9.ii; Cooke 15. 5 1/8 x 6 1/8 (sheet 8 x 10 1/2). Edition of 62 in two states. Published by Twenty-One Gallery, London. A fine impression printed on cream colored laid paper with wide margins. Excellent condition. A scarce early image printed by the artist. Signed in pencil. $2,750.
Graham Sutherland (1903-1980) was a prominent 20th-century English landscape artist, who was inspired by the etchings of Samuel Palmer. Sutherland's earliest works, done while he was a student at Goldsmith's College in the early 1920s, were images of pastoral calm. However, his early success was ended by the 1929 slump, which destroyed the market for contemporary prints. His work went through a transformation around this time, and his landscapes became threatening, sinister and tragic.
British Fine Prints.
Allinson Gallery Index.
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