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Highbridge. 1928. Line engraving. Dodgson 77. vii. 4 1/2 x 5 1/8 (sheet 8 5/8 x 9 1/8). Edition 75. A fine impression printed on cream laid paper. Signed and dated in pencil. $650.
The Pack Bridge, Aylestone, Leicestershire. 1926. Line engraving. Dodgson 65. 4 13/16 x 4 7/16 (sheet 9 5/8 x 7 5/16). Edition 60. A fine impression printed on cream laid paper. Signed and dated in pencil. $800.
Siena, Evening. 1923. Line engraving. Dodgson 38. 4 3/8 x 4 3/16 (sheet 8 x 7 1/4). A fine impression with plate tone, printed on cream laid paper. Signed, dated and titled in pencil. $750.
Austin was born in Leicester and studied at the School of Art, 1909-13, and at the Royal College of Art under Frank Short. From 1915-1919 Austin served in the trenches, and from 1922-1925 lived in Rome, then taught at the RCA. Known as an etcher, engraver and watercolourist, in 1921 Austin was elected to the Royal Society of Painter-Etchers and Engravers, and was elected to the Royal Academy (RA) in 1949. Austin's 1921 line engraving, Horse of Ostend resembles a work by the Dutch etcher, Pieter Dupont. Old Masters etchings influenced his oeuvre.
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