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Fine Prints
Bethlehem. 1925. Line engraving. Dodgson 62. 6 x 4 7/8 (sheet 9 1/2 x 7 3/8). Edition 50. A rich impression printed on cream laid paper. Signed and dated in pencil. $500.
Flight Into Egypt. 1925. Line engraving. Dodgson 61. 6 1/2 x 10 3/8 (sheet 10 1/4 x 17). A rich impression with plate tone printed on cream laid paper. Signed and dated in pencil. $500.
Highbridge. 1928. Line engraving. Dodgson 77. vii. 4 1/2 x 5 1/8 (sheet 8 5/8 x 9 1/8). Edition 75. A fine impression printed on cream laid paper. Signed and dated in pencil. $650.
Man with a Cross. 1924. Etching. Dodgson 46.iv. Edition 40. 5 3/16 x 5 (sheet 6 1/2 x 6 1/4). A rich impression printed on cream laid paper. Signed, dated, titled and annotated in pencil. $500.
The Pack Bridge, Aylestone, Leicestershire. 1926. Line engraving. Dodgson 65. 4 13/16 x 4 7/16 (sheet 9 5/8 x 7 5/16). Edition 60. A fine impression printed on cream laid paper. Signed and dated in pencil. $800.
Siena, Evening. 1923. Line engraving. Dodgson 38. 4 3/8 x 4 3/16 (sheet 8 x 7 1/4). A fine impression with plate tone, printed on cream laid paper. Signed, dated and titled in pencil. $750.
Street in Cologne. 1919. Etching and drypoint. Dodgson 7.ii. 7 1/4 x 4 (sheet 11 3/8 x 9 1/8). Only proof of the second plate. Unpublished. Printed in sepia ink on cream laid paper. Signed, dated and annotated 'second state'. A rare, unique proof. $850.
Women at Prayer. (Women in Church) 1936. Line engraving. 10 15/16 x 8 7/16 (sheet 13 13/16 x 10 13/16). Subsequent to Dodgson. Edition 40 published by the Twenty-One Gallery for 7 guineas. Illustrated: Fine Prints of the Year, 1936. A rich impression with plate tone printed on white wove paper. Signed and dated in pencil. A large, impressive plate. $500.
Zouteland (The Netherlands). 1930. Line engraving. Dodgson 82.xi. 5 1/8 x 5 5/16 (sheet 10 11/16 x 7 1/4). Edition 75, #21. A cleanly-wiped impression printed on cream laid paper. Signed, dated and numbered in pencil. $650.
Austin was born in Leicester and studied at the School of Art, 1909-13, and at the Royal College of Art under Frank Short. From 1915-1919 Austin served in the trenches, and from 1922-1925 lived in Rome, then taught at the RCA. Known as an etcher, engraver and watercolourist, in 1921 Austin was elected to the Royal Society of Painter-Etchers and Engravers, and was elected to the Royal Academy (RA) in 1949. Austin's 1921 line engraving, Horse of Ostend resembles a work by the Dutch etcher, Pieter Dupont. Old Masters etchings influenced his oeuvre.
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