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Cudham, Kent. 1924. Etching. Tassi 15; Cooke 20. 3 1/8 x 4 (sheet 4 3/8 x 6 7/16). Edition of 42, including some artist's proofs. Published by the Twenty-One Gallery in London. Slight paper loss in the top left-hand corner, toning in the image. A rich impression with plate tone, printed by the artist on antique laid paper. Signed in pencil. $2,750.
Michaelmas. 1928. Etching. Tassi 25.iii; Cooke 31. 3 3/8 x 2 3/4 (sheet sheet 7 3/4 x 5 7/8). Edition of 109 for the Print Collector's Club, London. Published by Twenty-One Gallery, London. Printed by Stanley Wilson. Illustrated: Print Collector's Quarterly 16 (1929): 93. A fine impression printed on off-white laid paper with wide margins. Signed in pencil. $2,000.
Warning Camp. 1924. Etching. Tassi 9; Cooke 15. 5 1/8 x 6 1/8 (sheet 8 x 10 1/2). Edition of 62 in two states. Published by Twenty-One Gallery, London. A fine impression printed on cream colored laid paper with wide margins. Excellent condition. A scarce early image printed by the artist. Signed in pencil. $2,250.
Graham Sutherland (1903-1980) was a prominent 20th-century English landscape artist, who was inspired by the etchings of Samuel Palmer. Sutherland's earliest works, done while he was a student at Goldsmith's College in the early 1920s, were images of pastoral calm. However, his early success was ended by the 1929 slump, which destroyed the market for contemporary prints. His work went through a transformation around this time, and his landscapes became threatening, sinister and tragic. He achieved maturity and made his first significant contribution to English landscape art with "Pastoral" (1930) and "The Garden" (1931).
British Fine Prints.
Allinson Gallery Index.
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