Christopher Richard Wynne Nevinson. 1889-1948.
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Geoffrey Badger Moody. 1922. Drypoint. Guichard 38, Black 98. 10 x 7 (sheet 12 5/8 x 9 1/8). Edition 150. Illustrated: Fine Prints of the Year, 1923. A rich impression with drypoint burr, printed on 'FJ Head & Co' cream wove paper. Published by Lefevere and Son and Mssrs. Ernest Brown and Phillips. Signed in pencil. $2,750.
Making the Engine. 1917. Lithograph. Leicester Galleries 27; Black 16. 15 7/8 x 12 (sheet 19 7/8 x 15 5/8). Edition 200. One of a set of 6 lithographs entitled "Building Aircraft" published by the Stationary Office as part of the series, The Great War: Britain's Efforts and Ideals. Illustrated: Ingleby, Black, Cohen and Cooke, C.R.W. Nevinson: The Twentieth Century Imperial War Museum exhibition catalogue, 1999, page 115. A rich impression in pristine condition printed on white wove paper. Signed in pencil. Price upon request.
Wind. 1918. Mezzotint. 'Nash and Nevinson in War and in Peace', Leicester Galleries catalog 1977 number 79 45; Black, 'C.R.W. Nevinson The Complete Prints', 2014, cat.48. 7 x 7 (sheet 9 1/4 x 11 3/4). Edition 25. A rich tonal impression with velvety blacks and delicate highlights, printed on cream laid paper with full margins. Signed and dated in pencil, lower right. Housed in a elegant 14 x 16-inch carved and beaded gold leaf frame. Price upon request.
New York Set.
From the Ferry. 1921. Drypoint. Leicester Galleries 50, Black 78. 7 3/8 x 4 7/8 (sheet 11 3/4 x 8 3/8). New York set. Printed on cream laid paper with wide margins, and a deckled edge on one side. Signed in pencil. This scarce image has only been offered once at public auction (2014). $7,500.
Looking Down on Downtown. 1921. Etching and drypoint. G 29. 7 7/8 x 5 ΒΌ (sheet 10 1/2 x 9 1/2). American Set. A view looking down into Hanover Square in lower Manhattan. Illustrated: Ingleby, Black, Cohen and Cooke, C.R.W. Nevinson: The Twentieth Century Imperial War Museum exhibition catalogue, 1999, page 146. Excellent condition apart from remnants of two paper hinges, verso and faint time toning. A very rich, atmospherically wiped impression on laid paper watermarked "England." This extremely scarce image has been offered at public auction (2005). Signed in pencil. $10,000.
Looking Through Brooklyn Bridge. 1921. Drypoint. Leicester Galleries 41; Guichard 27, Black 21. 9 1/4 x 6 7/8 (sheet 13 13/16 x 11 9/16). New York set. A Illustrated: Salaman, Modern Masters of Etching; Ingleby, Black, Cohen and Cooke, C.R.W. Nevinson: The Twentieth Century Imperial War Museum exhibition catalogue, 1999, page 146; Ackley, Rhythms of Modern Life: British Prints 1914-1939, page 96. Another impression of this image was owned by Sinclair Lewis. A very rich, atmospherically wiped impression printed on laid paper. Signed in pencil. Price upon application.
On the Roof Garden. 1919. Mezzotint. Leicester Galleries 53, Guichard 32, Black 57. 8 1/4 x 4 5/8. Edition 50. New York set. A richly inked impression printed on laid paper,with full margins. Nevinson made only 6 mezzotints. A superb impression of this rare print. Nevinson captures the essential spirit of the flapper. Signed in pencil. $7,500.
Temples of New York. 1919. Drypoint. Leicester 44, Guichard 26, Black 55. 7 3/4 x 6. Edition 50. New York set. Trinity Church facade from the back, which faces Wall Street. Illustrated: Ingleby, Black, Cohen and Cooke, C.R.W. Nevinson: The Twentieth Century Imperial War Museum exhibition catalogue, 1999, page 138. Pristine condition. A very rich impression, with burr, printed with plate tone on cream wove paper with full margins. Signed in pencil. $7,500.
Two A.M. Metropolis). also titled Three A.M. - A Corner by Madison Square at Night. 1920. Drypoint. Leicester Galleries 45; Guichard 30; Black 72. 9 7/8 x 6 7/8 (sheet 18 3/8 x 11 1/2). American set. Edition 75. Illustrated: Ingleby, Black, Cohen and Cooke, C.R.W. Nevinson: The Twentieth Century Imperial War Museum exhibition catalogue, 1999, page 140. Pristine condition. A very rich, tonal impression. Printed on cream laid paper, on the full sheet with deckled edges. Signed in pencil. This striking image has been sold at public auction only twice (2002, 2014). $15,000.
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