Charles Meryon. 1821-1868.
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L'Arche du Pont Notre-Dame. (An Arch of the Pont Notre Dame, Paris). 1853 and later. Etching. Burty 39, Delteil-Wright 25; Schneiderman 28.iv/vii. 6 x 7 3/5/8 (sheet 8 x 9). Series: Eaux-Fortes sur Paris. In this state, the border line has not yet been strengthened, but with the inscriptions in cursive "C. Meryon, del. sculp, 1853', and, lower right, 'Imp. Rue Ne. and St. Etienne-du-Mont 26. Lower right is the inscription, 'Paris 1853'. A fine impression on printed on pale green laid paper. $6,500.
La Galerie Notre-Dame. 1853. Etching with engraving. Schneiderman 29.iv/vi. 11 1/8 x 6 15/16 (14 3/8 x 9 3/8). A rich impression printed in warm black/brown ink on cream laid paper. Illustrated: Lumsden, The Art of Etching. Signed in pencil. Collector's seal: Alfred Morrison (Lugt 151). Signed and dated in the plate. $5,500.
Le Grand Châtelet à Paris, vers 1780. 1861. Etching and drypoint. Schneiderman 74.iv. 9 3/16 x 11 3/4 (sheet 13 1/2 x 19 1/4). Edition 100 in this state. A fine impression printed on laid paper with the letters 'A&M' in a crown. Initialed in the plate. The etching was done after an old drawing in the collection of Monsieur Bérard. It was exhibited at the Salon of 1863. Initialed in the plate, lower left. $750.
La Pompe Notre Dame. (The Pumphouse, Notre Dame). 1852. Etching. Schneiderman 26.vii/x. 6 11/16 x 9 7/8 (sheet 11 x 14). A rich impression with plate tone printed on vergé bleu vedâtre. Signed and dated in the plate. $6,000.
La Pompe Notre Dame. (The Pumphouse, Notre Dame). 1861. Etching. Delteil-Wright 31.ix; Schneiderman 26.x. 6 3/4 x 10. Edition 30 in this state. Series: Eaux-Fortes sur Paris. Initialed in the plate. Illustrated: Leipnik, A History of French Etching; Keppel, The Golden Age of Engraving-; Salaman, The Great Painter Etchers from Rembrandt to Whistler. Ex-collection: Louis Conrad Rosenberg, the American architectural etcher. $3,000 the pair. Accompanied by an etching by Rosenberg himself:
Louis Conrad Rosenberg, N.A. 1890-1983.
Royal Insurance Building of Canada. (Royal Globe Insurance Company Building) 1927. Drypoint. 12 x 6 1/2 (sheet 17 1/2 x 10 1/2). A rich impression with selective plate tone printed in black/brown ink on cream wove paper. Signed in pencil.
La Rue des Chantres. 1862. Etching. Schneiderman 85.v/vi. 11 3/4 x 5 7/8 (sheet 16 1/4 x 9). Edition 100 in this state (total printing unknown). the dolphin atop the spire has been replaced by a weathercock. A rich impression printed on cream wove paper. Provenance: deacession of Baldwin-Wallace College, Berea, Ohio. $2,750.
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