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Charles Meryon. 1821-1868.

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La Galerie Notre-Dame. 1853. Etching with engraving. Schneiderman 29.iv/vi. 11 1/8 x 6 15/16 (14 3/8 x 9 3/8). A rich impression printed in warm black/brown ink on cream laid paper. Collector's seal: Alfred Morrison (Lugt 151). Signed and dated in the plate. $6,500.

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Le Grand Châtelet à Paris, vers 1780. 1861. Etching and drypoint. Schneiderman 74.iv. 9 3/16 x 11 3/4 (sheet 13 1/2 x 19 1/4). Edition 100 in this state. A fine impression printed on laid paper with the letters 'A&M' in a crown. Initialed in the plate. The etching was done after an old drawing in the collection of Monsieur Bérard. It was exhibited at the Salon of 1863. Initialed in the plate, lower left. $750.

La Pompe Notre Dame. (The Pumphouse, Notre Dame). 1861. Etching. Delteil-Wright 31.ix; Schneiderman 26.x. 6 3/4 x 10. Edition 30 in this state. Series: Eaux-Fortes sur Paris. Initialed in the plate. Illustrated: Leipnik, A History of French Etching. Ex-collection: Louis Conrad Rosenberg, the American architectural etcher. $2,750.

La Rue des Chantres. 1862. Etching. Schneiderman 85.v/vi. 11 3/4 x 5 7/8 (sheet 16 1/4 x 9). Edition 100 in this state (total printing unknown). the dolphin atop the spire has been replaced by a weathercock. A rich impression printed on cream wove paper. Provenance: deacession of Baldwin-Wallace College, Berea, Ohio. $2,750.

La Tour de l'Horloge. (The Clock Tower). 1858. Etching. Delteil-Wright 28.vi/x. Schneiderman 23.vi/x. Edition of 600 for l'Artiste volume 5, number 9,é October, 1858. 10 1/4 x 7 5/16 (sheet 12 1/4 x 18 5/8). Series: Eaux-Fortes sur Paris. Illustrated: Keppel, The Golden Age of Engraving; Salaman, Modern Masters of Etching: Meryon. Monogrammed in the plate, upper right. A glowing impression printed on warm brown India appliqué mounted on white wove paper. Initialed in the plate. $3,000.

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Allinson Gallery Index.

Continental Fine Prints.

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