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Gilding the Lily. 1926. Soft ground etching. Bolling/Withington 47. 11 1/2 x 7 1/2 (sheet 15 1/4 x 10). Edition 20 or 35 (both numbers are given on different proofs; this one annotated '35') plus trials. A rich impression with plate tone printed on cream wove paper on the full sheet with deckle edges. Signed, titled and annotated in pencil. Housed in an archival mat and an elaborate carved antique gold 23 x 19 x 1 1/4-inch frame weighing 4 1/4 pounds. 1,750.
Some Clowns. 1930. Drypoint. Bolling-Withington 65.iii. 13 3/4 x 9 5/8 (sheet 17 5/8 x 12 1/8). Edition 50. Illustrated: Fine Prints of the Year, 1931. A rich impression printed on cream 'England' countermarked paper, on the full sheet with deckle edges. Signed and annotated 'trial proof' and 3rd state' in pencil. $1,250.
Spanish Dancer No. 2. 1923. Aquatint. Bolling/Withington 19.ii. 10 1/4 x 8 1/4 (sheet 16 x 11 3/8). Edition 55 plus trial proofs. An extremely rich impression with striking contrasts, printed on the full sheet of cream laid paper. Signed in pencil. $1,750.
Swing Boats. 1923. Aquatint. Bolling/Withington 22. 9 3/4 x 6 3/4 (sheet 15 3/8 x 10 1/16). Trial proof, apart from the edition of 35. A rich, tonal impression with subtle contrasts, printed on the full sheet of watermarked cream wove paper. Signed and annotated in 'Adelaide and Gary Bearian' and 'aquatint artist's proof self print' in pencil. $1,750.
Watching the Aerial Act. 1926. Etching. Bolling/Withington 75. 11 7/8 x 10 (sheet 15 x 10 5/16). Edition c. 50. A fine impression printed on cream 'Arches' countermarked paper, on the full sheet with deckle edges. Signed and titled in pencil. $1,250.
Dame Laura Knight, DBE RA RWS (4 August 1877 – 7 July 1970) was an English artist who worked in oils, watercolours, etching, engraving and drypoint. Knight was a painter in the figurative, realist tradition who embraced English Impressionism. In her long career Knight was among the most successful and popular painters in Britain. In 1929 she was created a Dame, and in 1936 became the first woman elected to the Royal Academy since its foundation in 1768. Her large retrospective exhibition at the Royal Academy in 1965 was another first for a woman.
Although Knight was known for painting the world of the theatre and ballet in London, and for being a war artist during the Second World War, she was also greatly interested in, and inspired by, marginalised communities and individuals, including Gypsies and circus performers. Her success in the male-dominated British art establishment paved the way for greater status and recognition for women artists.
British Fine Prints.
Allinson Gallery Index.
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