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Bolton Castle: Vista. 1894. Etching. 4 1/4 x 7 7/8 (sheet 5 1/16 x 8 3/4). A fine impression printed with subtle plate tone on fine laid paper. An early state, before the signature and date '1895' in the plate. Signed and dated in pencil. $225.
A Border Castle. c. 1920. Etching and drypoint. 6 15/16 x 11 13/168 (sheet 9 5/16 x 15 3/16). A rich impression with drypoint printed in cream laid paper with full margins. Signed and titled in pencil. $300.
Broughton Moor Pits, Durham. c. 1920. Etching and drypoint. 7 7/8 x 11 13/16 (sheet 10 x 14 3/8). A fine impression on cream wove paper. Signed in pencil. $250
[Newbiggin]. c. 1895. Drypoint. 6 x 8 7/8 (sheet 9 1/2 x 12 3/16). A fine impression printed with plate tone on cream laid paper. Signed in pencil. $225.
[A Yorkshire Road]. c. 1924. Etching and drypoint. 5 x 7 1/4(sheet 7 1/2 x 10 1/2). A fine impression on cream laid paper watermarked 'FJ Head & Co'. Signed in pencil. $150.
[Road into Town]. c. 1894. Lithograph. 5 5/8 x 8 3/8 (sheet 7 3/8 x 10 1/4). Printed on cream 'MBM' laid paper. Signed in the stone. $75.
Oliver Hall was a painter, lithographer and etcher of landscapes; born at Tulse Hill; studied at the Royal College of Art, 1887-90 and in evening classes at Westminster and Lambeth Schools of Art; made his debut at the Royal Academy in 1890, where he regulary exhibited paintings and original etchings until 1921, elected RA, 1927 and Senior Academician in 1945; held his first solo exhibition at the Dowdeswell Gallery, 1898; also exhibited at the Royal Water-Colour Society, Fine Art Society, Leicester Galleries and abroad in Paris, Munich, Vienna, Chicago and Venice. Travelled extensively in France, Spain and Italy; Lived at Ulverton, Lancashire, where he died in 1957. His work is held in many collections including the Tate Gallery, Royal Academy, Leeds Art Gallery and Salford Museum.
Allinson Gallery Index.
British Fine Prints.
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