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Bolton Castle: Vista. 1894. Etching. 4 1/4 x 7 7/8 (sheet 5 1/16 x 8 3/4). A fine impression printed with subtle plate tone on fine laid paper. An early state, before the signature and date '1895' in the plate. Signed and dated in pencil. $225.
A Border Castle. c. 1920. Etching and drypoint. 6 15/16 x 11 13/168 (sheet 9 5/16 x 15 3/16). A rich impression with drypoint printed in cream laid paper with full margins. Signed and titled in pencil. $300.
Broughton Moor Pits, Durham. c. 1920. Etching and drypoint. 7 7/8 x 11 13/16 (sheet 10 x 14 3/8). A fine impression on cream wove paper. Signed in pencil. $250
[Newbiggin]. c. 1895. Drypoint. 6 x 8 7/8 (sheet 9 1/2 x 12 3/16). A fine impression printed with plate tone on cream laid paper. Signed in pencil. $225.
[A Yorkshire Road]. c. 1924. Etching and drypoint. 5 x 7 1/4(sheet 7 1/2 x 10 1/2). A fine impression on cream laid paper watermarked 'FJ Head & Co'. Signed in pencil. $150.
[Road into Town]. c. 1894. Lithograph. 5 5/8 x 8 3/8 (sheet 7 3/8 x 10 1/4). Printed on cream 'MBM' laid paper. Signed in the stone. $75.
Oliver Hall was a painter, lithographer and etcher of landscapes; born at Tulse Hill; studied at the Royal College of Art, 1887-90 and in evening classes at Westminster and Lambeth Schools of Art; made his debut at the Royal Academy in 1890, where he regulary exhibited paintings and original etchings until 1921, elected RA, 1927 and Senior Academician in 1945; held his first solo exhibition at the Dowdeswell Gallery, 1898; also exhibited at the Royal Water-Colour Society, Fine Art Society, Leicester Galleries and abroad in Paris, Munich, Vienna, Chicago and Venice. Travelled extensively in France, Spain and Italy; Lived at Ulverton, Lancashire, where he died in 1957. His work is held in many collections including the Tate Gallery, Royal Academy, Leeds Art Gallery and Salford Museum.
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