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A Spanish Holiday.

An artistic tribute to the people and the landscape.

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The People.

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Sir Muirhead Bone. 1876-1953.

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Dancing on the Apostle's Day, Santiago. 1930. Drypoint. Dodgson 444. 6 5/16 x 7 11/16 (sheet 10 3/4 x 15 7/8). Edition 133. Printed on the full sheet of white laid paper with deckle edges. WITH Jubilee Year, Santiago de Compostela. 1930. Drypoint. Dodgson 39. 13 3/8 x 7 7/8 (sheet 20 x 13 1/4). Edition 133. Printed on the full sheet of white laid paper with deckle edges. Illustrated: Gertrude Bone, Days in Old Spain. Published in the portfolio, Two Drypoints by Muirhead Bone. $2,000 the pair in the original portfolio.

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Jubilee Year, Santiago de Compostela 1930. Drypoint. Dodgson 39. 13 3/8 x 7 7/8 (sheet 20 x 13 1/4). Edition 133. Printed on the full sheet of white laid paper with deckle edges. Illustrated: Gertrude Bone, Days in Old Spain. Published in the portfolio, Two Drypoints by Muirhead Bone. The other drypoint in the folder is, Dancing on the Apostle's Day, Santiago. (not included here). Signed in pencil. $1,750.

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A Spanish Good Friday (Ronda). 1925. Drypoint. Dodgson 412.xxix. 12 1/2 x 8 1/8 (sheet 16 3/4 x 12). Edition 160 in 29 states. Illustrated: Zigrosser: Six Centuries of Fine Prints. A rich impression with velvety drypoint burr. Printed on smooth simili-Japan paper with full margins. Annotated by Bone 'XXIX A Spanish Good Friday (Ronda) (for Morris) in the lower margin. Signed in pencil by Bone. $7,500.

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A Spanish Good Friday (Ronda). 1925. Drypoint. Dodgson 412. One of only 20 numbered impressions printed from the cancelled plate in 1985. 12 1/2 x 8 1/8 (sheet 22 1/2 x 15). A rich impression, printed on heavy white wove paper, countermarked BFK RIVES FRANCE, with wide margins. Inscribed in pencil at extreme lower edge of sheet '8/20' and 'U[niversity]. of Bristol School of Art 1985'. Ex-collection William Pelletier. $500.

Gerald Leslie Brockhurst, R.A., R.E. 1890-1978.

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The Black Silk Dress (Anaïs). 1927. Etching. Fletcher 58.v/x. 8 3/4 x 6 1/4 (sheet 17 1/8 x 11). 4 impressions in thei state (edition 111). Exhibited at the RE, 1928, no.22. Illustrated: Furst, Original Engraving and Etching: An Appreciation and Salaman, Modern Masters of Etching: Brockhurst. A rich impression printed on 'J Whatman' laid paper. Signed and annotated '5th state GLB 4 proofs thus' in pencil. $2,000.

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The Basque Boy also called Boy with Beret and Fabian. 1944. Lithograph. Fletcher Lithographs 3.ii. zinc plate. 13 x 10 1/4 (sheet 7 1/4 x 2 7/8). Edition 10. Printed on countermarked 'hand made' wove paper on the full sheet with deckle edges. A fine impression of this very rare lithograph. Signed and dated in pencil. $900.

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Head of a Girl (Anaïs; Melisande; Head of a Basque). 1944. Fletcher Lithograph 2. Zinc plate.iii/iii. 11 3/8 x 9 3/16 (sheet 16 1/4 x 12 13/16). Edition 25. A fine impression printed on cream wove paper. Pristine condition. This is a portrait of the artist's first wife, Anaïs. Provenance: the estate of Kathleen Nancy Woodward Brockhurst. Signed in pencil. $650. Another proof, not from the estate, on cream wove paper, stains from previous hinges in the four corners, the lower left-hand corner missing. Signed and dated in pencil. $550.

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Chiquita. 1923-4. Etching. Fletcher 44.Published state. 6 3/8 x 5 5/16 (sheet 11 x 8 3/4). Edition 76 (total 81 impressions). A dramatic impression with subtle plate tone, printed on cream wove paper with full margins. Signed in pencil. $650.

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Phémie (Marguérite). 1924. Etching. Fletcher 42. 3 7/8 x 2 7/8 (sheet 10 3/4 x 7 3/4). Edition 76 (total 79 impressions). Exhibited t the R.E>, 1924. A fine proof printed on the full sheet of cream wove paper with deckle edges. A dramatic tonal study. $400.

Sir William Russell Flint, R.A. 1880-1909.

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Spanish Wheelwrights. 1931. Drypoint. Wright 46. 9 3/16 x 12 7/8 (sheet 10 3/4 x 16 3/8). Edition 75, #24. An extremely rich impression printed on 'J Whatman 1799' laid paper. Signed, numbered and dated '17.11.31' in ink. $1,250.

Pablo Picasso. 1881-1973.

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Homme dévoilant une Femme. (Man uncovering a woman). 1933. Etching. Bloch 138; Baer 203 B.d. 14 1/2 x 11 3/4 (sheet 17 1/2 x 11 3/4). Series: Suite Vollard, plate 5. From the edition of 250 on petit papier vergé Montval paper (there was also an edition of 50 on grand papier vergé Montval that same year, and 3 on parchment). Printed by: Lacourière, Paris. A rich with drypoint burr, impression printed on laid paper countermarked 'Vollard' on the full sheet with deckle edges. Price upon request.

Sir Frank Short, R.A., P.R.E. 1857-1945.

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Prisoners of War. 1890. Etching. Hardie 240. 5 15/16 x 7 3.4 (sheet 7 x 8 11/ 16). Printed with plate tone on off-white laid paper. Two printing folds in the lower margin, the right-hand one just extending into the image. Signed in pencil. $175.

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The Landscape

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John Taylor Arms, N.A. 1887-1953.

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Burgos (A Spanish Town Revisited) 1924. Etching. Fletcher 142. 8 5/8 x 13 1/8 (10 1/2 x 15 3/4). Spanish Church Series, #2. Edition 175 (+ 2 trial proofs). A fine impression printed on FJ Head and Co. laid paper with a partial countermark. Signed and dated in pencil. $400.

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La Colegiata, Toro. 1935. Etching. Fletcher 284.ii. 9 3/4 x 12 3/4 (11 1/2 x 18 1/8). Spanish Church Series, #12. Edition 153.Illustrated: Fine Print of the Year, 1936. A rich, well-inked impression printed by David Strang on blue/green laid paper. Signed, dated, titled and annotated 'II' and 'sp' in pencil. $975.

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La Giralda, Seville (Seville IVRS). 1924. Etching. Fletcher 145. 12 1/8 x 7 5/8 (sheet 14 1/2 x 9 5/8). Edition 154. Spanish Church Series #4. Printed by Frederick Reynolds on cream wove paper. $325.

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Puerta del Obispo, Zamora (The Bishop's Door, Zamora). 1933. Etching. Fletcher 266.ii. 12 1/2 x x 7 1/8 (17 x 11 3/8). Edition 160 (+ 30 trial proofs). Spanish Church series, #9.A rich impression printed in red/brown ink on cream laid paper. Signed, dated, titled and annotated 'Second and published state' and 'sp' indicating a proof printed by David Strang in 1937-38. $600.

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Puerta Principal de la Iglesia de San Pablo, Valladolid. (Miniature, San Pablo, Valladolid) 1934. Etching. Fletcher 278.ii. 7 3/8 x 5 1/2 (9 3/4 x 7 1/2). Spanish Church Series, #11. Edition 170 (+ 12 trial proofs). A fine impression with plate tone printed on cream laid paper with a partial watermark. Signed, dated, titled and annotated 'sp' (Strang printed) in pencil. $300.

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Santa Maria Major, Ronda. 1935. Etching. Fletcher 288.ii. 8 x 5 3/8 (12 1/8 x 9). Spanish Church Series, #13. Edition 165 (+ 7 trial proofs). Commission for the American College Society of Print Collectors. A rich, well-inked impression printed by David Strang on 'David Strang' countermarked cream laid paper. Signed, dated, titled and annotated 'Plate etched for the American College Society of Print Collectors' and 'sp' (Strang printed) in pencil. $425.

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Stone Tapestry, San Isidoro, León . (South Portal of the Collegiate Church of San Isidor, Leon).1936. Etching. Fletcher 267. 11 5/8 x 3 (14 1/8x 7 5/8). Spanish Church Series, #10. Edition 154 (+ 18 trial proofs). A fine impression with plate tone printed on cream wove paper. Signed, dated and titled in pencil. $325.

Robert Sargent Austin, R.A., P.R.E., P.R.W.S. 1895-1973.

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Donkeys of Selva. (Island of Majorca) 1928. Line engraving. Dodgson 78. 5 x 5 3/16 (7 1/4 x 9 1/2). An early proof before drypoint work printed on tan laid paper. Initialed in the plate.Initialed 'A' lower right margin. $375.

Donkeys of Selva (Island of Majorca). 1928. Line engraving. Dodgson 78.ii. 5 x 5 3/16 (sheet 8 x 10 1/8). The image is toned; otherwise fine condition. Printed with plate tone on cream laid paper. Initialed in the plate; signed and dated in pencil. $375.

Samuel Chamberlain, N.A. 1895-1975.

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The Hospital, Santa Cruz, Toledo. 1938. Etching. Kingslund/Chamberlain 271. 9 3/16 x 7 5/8 (sheet 13 1/8 x 10 1/8). Edition 100 for The Print Club of Albany. A rich impression with plate tone, printed on wove paper watermarked "BFK". Signed in and numbered 22/100 in pencil. $350.

Sir Francis Seymour Haden, R.A., P.R.E. 1818-1910.

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Grim Spain. 1877. Etching. Schneiderman 173.i/ii. 6 X 8 13/16 (sheet 9 5/8 x 12 1/2). A fine impression printed on simili-Japan paper. Printed by Goulding for the Fine Art Society for publication in Frederick Wedmore's Four Masters (London, 1883). Signed and dated in the plate. $475.

Oliver Hall, R.A., R.E., R.S.W. 1869-1957.

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A Spanish Town. c. 1927. Etching and drypoint. 6 3/4 x 9 3/4 (sheet 9 7/8 x 13 1/2). Edition 40, #22. A fine impression on cream laid paper. Illustrated: Print Collector's Quarterly 15 (1928): 39. Signed and numbered in pencil. $275.

James McBey. 1883-1959.

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A Fierce Bull. 1911. Drypoint. Hardie 108. 5 3/8 x 8 (sheet 8 5/16 x 11 7/8). Edition 8. An exceptional impression with rich drypoint burr printed on antique laid paper. A proof of the utmost rarity. Signed, numbered and titled in ink. $2,150.

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The Matador. 1911. Drypoint. Hardie 109. 6 7/8 x 10 7/8 (sheet 7 7/8 x 12). Edition 15. A few scattered foxing marks and slight mat line; otherwise fine original condition. A rich impression with drypoint burr printed on antique laid paper. Signed and dedicated 'To James Greig' in ink. $1,250.

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The Picador Incites the Bull. 1911. Drypoint. Hardie 104. 6 1/4 x 9 7/8 (sheet 8 1/4 x 11 7/8). Edition 30, #5. Slight mat line, 1 hinge stain in the lower margin, well outside the image; otherwise fine original condition. A rich impression with drypoint burr printed on antique laid paper. Signed and numbered in ink. $1,250.

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Sunrise at Tarragona. 1911. Etching. Hardie 103. 5 7/8 x 8 7/8 (sheet 7 7/8 x 12).Edition 30, #3. A rich impression on antique laid paper. An extremely scarce image. Signed and numbered" in ink. $750.

William Walcot, R.E. 1874-1943.

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Segovia Bridge, Madrid. 1924. Etching. Harvey-Lee 128. 5 3/4 x 13 11/16 (sheet 10 3/4 x 17 3/4). Edition 74. Printed on 'J Whatman' cream wove paper. Signed in pencil. $950.

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Allinson Gallery Index.

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