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A Spanish Holiday.

An artistic tribute to the people and the landscape.

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The People.

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Sir Muirhead Bone. 1876-1953.

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Dancing on the Apostle's Day, Santiago. 1930. Drypoint. Dodgson 444. 6 5/16 x 7 11/16 (sheet 10 3/4 x 15 7/8). Edition 133. Printed on the full sheet of white laid paper with deckle edges. WITH Jubilee Year, Santiago de Compostela. 1930. Drypoint. Dodgson 39. 13 3/8 x 7 7/8 (sheet 20 x 13 1/4). Edition 133. Printed on the full sheet of white laid paper with deckle edges. Illustrated: Gertrude Bone, Days in Old Spain. Published in the portfolio, Two Drypoints by Muirhead Bone. $2,000 the pair in the original portfolio.

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Jubilee Year, Santiago de Compostela 1930. Drypoint. Dodgson 39. 13 3/8 x 7 7/8 (sheet 20 x 13 1/4). Edition 133. Printed on the full sheet of white laid paper with deckle edges. Illustrated: Gertrude Bone, Days in Old Spain. Published in the portfolio, Two Drypoints by Muirhead Bone. The other drypoint in the folder is, Dancing on the Apostle's Day, Santiago. (not included here). Signed in pencil. $1,750.

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A Spanish Good Friday (Ronda). 1925. Drypoint. Dodgson 412.xxix. 12 1/2 x 8 1/8 (sheet 16 3/4 x 12). Edition 160 in 29 states. Illustrated: Zigrosser: Six Centuries of Fine Prints. A rich impression with velvety drypoint burr. Printed on smooth simili-Japan paper with full margins. Annotated by Bone 'XXIX A Spanish Good Friday (Ronda) (for Morris) in the lower margin. Signed in pencil by Bone. $7,500.

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A Spanish Good Friday (Ronda). 1925. Drypoint. Dodgson 412. One of only 20 numbered impressions printed from the cancelled plate in 1985. 12 1/2 x 8 1/8 (sheet 22 1/2 x 15). A rich impression, printed on heavy white wove paper, countermarked BFK RIVES FRANCE, with wide margins. Inscribed in pencil at extreme lower edge of sheet '8/20' and 'U[niversity]. of Bristol School of Art 1985'. Ex-collection William Pelletier. $500.

Gerald Leslie Brockhurst, R.A., R.E. 1890-1978.

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The Black Silk Dress (Anaïs). 1927. Etching. Fletcher 58.v/x. 8 3/4 x 6 1/4 (sheet 17 1/8 x 11). 4 impressions in thei state (edition 111). Exhibited at the RE, 1928, no.22. Illustrated: Furst, Original Engraving and Etching: An Appreciation and Salaman, Modern Masters of Etching: Brockhurst. A rich impression printed on 'J Whatman' laid paper. Signed and annotated '5th state GLB 4 proofs thus' in pencil. $2,000.

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The Basque Boy also called Boy with Beret and Fabian. 1944. Lithograph. Fletcher Lithographs 3.ii. zinc plate. 13 x 10 1/4 (sheet 7 1/4 x 2 7/8). Edition 10. Printed on countermarked 'hand made' wove paper on the full sheet with deckle edges. A fine impression of this very rare lithograph. Signed and dated in pencil. $900.

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Head of a Girl (Anaïs; Melisande; Head of a Basque). 1944. Fletcher Lithograph 2. Zinc plate.iii/iii. 11 3/8 x 9 3/16 (sheet 16 1/4 x 12 13/16). Edition 25. A fine impression printed on cream wove paper. Pristine condition. This is a portrait of the artist's first wife, Anaïs. Provenance: the estate of Kathleen Nancy Woodward Brockhurst. Signed in pencil. $650. Another proof, not from the estate, on cream wove paper, stains from previous hinges in the four corners, the lower left-hand corner missing. Signed and dated in pencil. $550.

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Chiquita. 1923-4. Etching. Fletcher 44.Published state. 6 3/8 x 5 5/16 (sheet 11 x 8 3/4). Edition 76 (total 81 impressions). A dramatic impression with subtle plate tone, printed on cream wove paper with full margins. Signed in pencil. $650.

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Phémie (Marguérite). 1924. Etching. Fletcher 42. 3 7/8 x 2 7/8 (sheet 10 3/4 x 7 3/4). Edition 76 (total 79 impressions). Exhibited t the R.E>, 1924. A fine proof printed on the full sheet of cream wove paper with deckle edges. A dramatic tonal study. $400.

Sir William Russell Flint, R.A. 1880-1909.

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Spanish Wheelwrights. 1931. Drypoint. Wright 46. 9 3/16 x 12 7/8 (sheet 10 3/4 x 16 3/8). Edition 75, #24. An extremely rich impression printed on 'J Whatman 1799' laid paper. Signed, numbered and dated '17.11.31' in ink. $1,250.

Francisco José de Goya y Lucientes. 1746-1828.

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Y aun no se van! (And still they don't go!) 1799. Etching and medium grain aquatint. 8 3/8 x 6 (sheet 12 1/8 x 9). Series: Los Caprichos, plate 59. Delteil 73; Harris 71.III.3/of 12. (c.1868), with the plate in good condition. A fine impression printed in black/brown ink on warm white wove paper. Numbered and titled in the plate; unsigned as issued. $1,250.

Sidney Mackensie Litten. 1887-1949.

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Spanish Holiday, Granada. c. 1930. Etching and drypoint. 11 7/8 x 8 3/4 (sheet 17 x 11 1/8). Edition 80. A rich impression with plate tone printed on blue-green 'F J Head & Co' laid paper. Signed and numbered in pencil. $650.

Pablo Picasso. 1881-1973.

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Homme dévoilant une Femme. (Man uncovering a woman). 1933. Etching. Bloch 138; Baer 203 B.d. 14 1/2 x 11 3/4 (sheet 17 1/2 x 11 3/4). Series: Suite Vollard, plate 5. From the edition of 250 on petit papier vergé Montval paper (there was also an edition of 50 on grand papier vergé Montval that same year, and 3 on parchment). Printed by: Lacourière, Paris. A rich with drypoint burr, impression printed on laid paper countermarked 'Vollard' on the full sheet with deckle edges. Price upon request.

Sir Frank Short, R.A., P.R.E. 1857-1945.

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Prisoners of War. 1890. Etching. Hardie 240. 5 15/16 x 7 3.4 (sheet 7 x 8 11/ 16). Printed with plate tone on off-white laid paper. Two printing folds in the lower margin, the right-hand one just extending into the image. Signed in pencil. $175.

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The Landscape

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John Taylor Arms, N.A. 1887-1953.

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Puerta del Obispo, Zamora (The Bishop's Door, Zamora). 1933. Etching. F 266. 12 1/x x 7 1/8. Trial proof, apart from the edition 160. Spanish Church series, #9. Signed, and annotated "trial proof xxv.III." and "Bon à tirer. No. III. J.T.A." A beautifully printed trial proof. $675.

Robert Sargent Austin, R.A., P.R.E., P.R.W.S. 1895-1973.

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Donkeys of Selva. (Island of Majorca) 1928. Line engraving. Dodgson 78. 5 x 5 3/16 (7 1/4 x 9 1/2). An early proof before drypoint work printed on tan laid paper. Initialed in the plate.Initialed 'A' lower right margin. $375.

Donkeys of Selva (Island of Majorca). 1928. Line engraving. Dodgson 78.ii. 5 x 5 3/16 (sheet 8 x 10 1/8). The image is toned; otherwise fine condition. Printed with plate tone on cream laid paper. Initialed in the plate; signed and dated in pencil. $375.

Samuel Chamberlain, N.A. 1895-1975.

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The Hospital, Santa Cruz, Toledo. 1938. Etching. Kingslund/Chamberlain 271. 9 3/16 x 7 5/8 (sheet 13 1/8 x 10 1/8). Edition 100 for The Print Club of Albany. A rich impression with plate tone, printed on wove paper watermarked "BFK". Signed in and numbered 22/100 in pencil. $350.

Sir Francis Seymour Haden, R.A., P.R.E. 1818-1910.

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Grim Spain. 1877. Etching. Schneiderman 173.i/ii. 6 X 8 13/16 (sheet 9 5/8 x 12 1/2). A fine impression printed on simili-Japan paper. Printed by Goulding for the Fine Art Society for publication in Frederick Wedmore's Four Masters (London, 1883). Signed and dated in the plate. $475.

Oliver Hall, R.A., R.E., R.S.W. 1869-1957.

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A Spanish Town. c. 1927. Etching and drypoint. 6 3/4 x 9 3/4 (sheet 9 7/8 x 13 1/2). Edition 40, #22. A fine impression on cream laid paper. Illustrated: Print Collector's Quarterly 15 (1928): 39. Signed and numbered in pencil. $275.

James McBey. 1883-1959.

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Gerona. 1923. Etching and drypoint. Hardie 213. 7 5/16 x 12 13/16 x 12 3/8 (sheet 10 3/8 x 16). Edition 76. #A3. Signed and numbered in ink. A few unobtrusive foxing specks, otherwise excellent condition. A rich impression with drypoint burr, printed on cream laid paper from an antique volume, on the full sheet. Signed and numbered in ink. $375.

Richard Pearsall, b. 1891.

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The Gathering Storm, Toledo. c. 1938. Drypoint. 7 1/4 x 11 1/8 (sheet 10 1/4 x 14 7/16). Edition 75, #13. Illustrated: Fine Prints of the Year, 1938. A very rich impression with plate tone printed on 'Millbourn British Hand Made Pure Rag' cream wove paper. Signed, titled and numbered in pencil. $225.

Joseph Pennell, N.A. 1857-1926.

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The Bridge of Alcantara, Toledo. 1904. Etching. Wuerth 322. 10 x 7 7/8 (sheet 12 1/4 x 9 1/8). Edition probably 25 pencil-signed proofs, and an unsigned edition published in 1909 by Gesellschaft fur Vervielfaltigunde Kunst. Plate destroyed.A rich subtle proof on fine laid paper. Signed in pencil. $375.

Douglas Ian Smart, R.E. 1876-1970.

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Toledo Bridge, No. 5. 1911. Etching and drypoint. 7 1/2 x 7 (sheet 10 5/16 x 7 1/2). A rich impression printed on cream wove paper. Monogrammed and dated lower left in the plate. Titled in pencil, lower left. Signed in pencil, lower right. $150.

William Walcot, R.E. 1874-1943.

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Segovia Bridge, Madrid. 1924. Etching. Harvey-Lee 128. 5 3/4 x 13 11/16 (sheet 10 3/4 x 17 3/4). Edition 74. Printed on 'J Whatman' cream wove paper. Signed in pencil. $950.

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Allinson Gallery Index.

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