banner

Srule10.gif - 377 Bytes

John Sloan. 1871-1951.

Click on the images for larger screens.

arch1.jpg - 7242 Bytes

Arch Conspirators. 1917. Etching. Morse 183.ii. 4 1/2 x 6 1/3(sheet 7 1/4 x 9). Edition 100. A rich impression printed on antique laid paper. Signed, titled, numbered '100 proofs'in pencil by Sloan; inscribed 'Ernest Roth, imp. [old paper]"' in pencil. $3,900.

calflove1.jpg - 7640 Bytes

Calf Love. 1916. Etching. Morse 182. 4 1/4 x 2 3/4 (sheet 5 1/2 x 4 7/8). Edition 100. Signed and titled in pencil. A rich impression printed in black/brown ink on cream wove paper. Signed in pencil. $1,150.

connoisseurs1.JPG - 5558 Bytes

Connoisseurs of Prints. 1905. Etching. Morse 127. 5 x 6 7/8 (sheet 9 3/4 x 11 3/4). Series: New York City Life, first plate. Edition 100. Exhibited: Panama-Pacific International Exposition, San Francisco, 1915. Provenance: Krushaar Galleries, N.Y.; Rhode Island School of Design Museum exhibition 'Art for your Collection', 1961. A fine impression on cream wove paper with full margins. Signed, titled,annotated '100 proofs' and '21' in pencil. $5,000.

fifthavecritics1.jpg - 7000 Bytes

Fifth Avenue Critics. 1909. Etching. Morse 128.x/xi. 8 x 6 (sheet 11 3/4 x 9 3/8). Edition 100 in this state (few proofs in earlier states, and a large unsigned edition printed for the Gazette des Beaux Arts. A rich impression printed by Platt on cream wove paper with full margins. Annotated '#14 Platt imp' in pencil in the lower left-hand margin.Signed, dated, titled and and annotated '100 proofs' in pencil by the artist. $2,750.

wigwam1.jpg - 7277 Bytes

Fourteenth Street. The Wigwam. (Tammany Hall). 1928. Etching. Morse 235.vii.9 3/4 x 7 (sheet 17 1/4 x 11 3/8). From the first printing of 100 proofs by Peter Platt. There were an additional 10 printed by Ernest Roth. Illustrated: Reese, American Prize Prints of the 20th Century; Fifty Prints of the Year, 1929..A rich impression printed on cream wove paper.Two hinge stains in the left-hand margin, well away from the image; otherwise fine condition. Signed 'Peter Platt imp' by the printer. Signed, titled and annotated '100 proofs' by Sloan. $3,500.

girls1.jpg - 7953 Bytes

Girls Sliding. 1915. Etching. Morse 171.iv. 4 1/4 x 5 7/8 (sheet 8 3/4 x 11 7/8). A fine impression on cream wove paper. Annotated "Peter Platt imp" in pencil (Platt printed 30 of the total edition of 100). Signed, titled and annotated "100 proofs" in pencil. $2,500.

hellhole1.jpg - 7886 Bytes

Hell Hole. 1917. Etching and aquatint. Morse 186.ii. 8 x 9 7/8. (sheet 11 1/8 x 10 1/4). An early rich impression printed on cream wove paper, on the full sheet with deckle edges. Signed, titled 'The Hell Hole' and annotated '100 proofs' in pencil by Sloan. $4,500.

kraushaars1.jpg - 7387 Bytes

Kraushaar's. 1926. Etching. Morse 29.viii. 3 7/8 x 5 15/16 (sheet 7 x 11 1/16). A rich impression printed on Japanese bulberry paper with wide margins. 3 7/8 x 5 15/16). Annotated 'Erndst Roth imp' in pencil, lower left. Signed, title and annotated '100 proofs' in pencil by Sloan. Signed, titled and annotated '100 proofs' in pencil by the artist. $2,500 framed.

Srule10.gif - 377 Bytes

lafayette1.jpg - 6667 Bytes

The Lafayette. 1928. Etching. Morse 233/vi. 4 7/8 x 6 7/8 (sheet 8 1/8 x 9 3/8). Proof prior to the intended edition of 100, that was probably closer to 80. A rich impression on cream paper with a fleur-de-lys watermark. Signed and titled "John Sloan (by H[elen] F[arr]S[loan])" in pencil (presumably because it was part of the artist's personal collection). Annotated "First state 2-'24'28" in pencil by Sloan." Morse notes 'Proofs of 1st state dated March 24, 1928.' p.259. An extremely rare proof. $4,000.

littlebride1.jpg - 6846 Bytes

The Little Bride. 1916. Etching. Morse 138. 4 7/8 x 6 3/4 (sheet 9 3/8 x 12). Series: New York City Life. tenth plate. Printed on cream wove paper with deckle edges on two sides. Series: New York City Life, tenth plate. Exhibited: Panama-Pacific International Exposition, San Francisco, 1915. Illustrated: Charles Wisner Barrell, 'The Real Drama of the Slums as told in John Sloan's Etchings' The Craftsman vol. 15, p. 560. Signed and annotated "Ernest Roth Imp' by the printer. Signed, titled and annotated '100 proofs' in pencil by Sloan. $2,000.

love1.jpg - 7052 Bytes

Love on the Roof. 1914. Etching. Morse 167.ii. 5 7/8 x 4 1/4 (sheet 10 1/2 x 6 1/4). Edition 100. A rich impression printed on Japanese mulberry paper. Signed in pencil. $3,750.

roofs1.jpg - 7559 Bytes

Roofs, Summer Night. 1906. Etching. Morse 137.ii. 5 1/4 x 7 (sheet 9 1/2 x 12 1/8). Series: New York City Life, plate 9. A fine impression on cream laid paper on the full sheet with deckle edges. Annotated 'Peter Platt imp.' by the printer. Signed, titled and annotated "100 proofs" by Sloan in pencil. $3,750.

seeingimage1.jpg - 11522 Bytes

Seeing New York. 1917. Etching. Morse 1288. 2 3/8 x 3 3/4 (sheet: 8 1/4 x 11 1/4). Edition 100. A fine early impression printed on cream wove paper with full sheet margins. Tack holes from drying in the outer margin edges, as usual. Signed, titled and annotated "100 proofs" in pencil. $1,750.

showcase1.jpg - 7416 Bytes

The Show Case. 1905. Etching. Morse 129.iii. 5 x 6 15/16 (sheet 9 3/4 x 12 1/2). Annotated "Peter Platt imp" in pencil (Platt printed part of the total edition of 100). Series: New York City Life, third plate. A fine impression on cream wove paper, printed on the full sheet with deckle edges. Tack holes from drying in the outer margin edges, as usual. Signed, titled and annotated "100 proofs" in pencil. $2,750.

sunbathers1.jpg - 8671 Bytes

Sunbathers on the Roof. 1941. Etching. Morse 307. 6 x 7 (sheet 8 1/4 x 10 1/2). Edition 175 of which 125 were provided on commission to the American College Society of Print Collectors. A fine impression on cream laid paper on the full sheet with deckle edges. Signed and titled by Sloan in pencil. $3,750.

swinging1.jpg - 8299 Bytes

Swinging in the Square (In the Park). 1912. Etching. Morse 156.iii. 4 x 5 1/8 (sheet 8 7/8 x 12 1/4). Edition 100. A rich impression, printed on 'Van Gelder Zonen Holland' laid paper, on the full sheet with deckle edges. Signed, titled and annotated "100 proofs" by Sloan in pencil. Sloan wrote "Walked down to the East Side this afternoon, enjoyed watching the girls swinging in the Square, Avenue A and 8th Street East. " Morse page 181. The scene is Tompkins Square Park in Manhattan. $2,250.

wake1.jpg - 7675 Bytes

Wake on the Ferry. 1949. Etching. Morse 313.iv. 5 x 7 (sheet 8 3/4 x 11 7/8). Edition of 350: 200 for the Art Students League and 150 for the artist. A fine impression printed by the etcher, Ernest David Roth, on cream-colored Rives paper with wide margins. Roth used selective plate tone in the sky to suggest a rainy day. Signed, titled and annotated 'Ernest Roth imp.' by the printer. Signed, titled and annotated '200 proofs' by Sloan in pencil. $1,750.

woman1.jpg - 6326 Bytes

Woman with Hand to Her Chin. c.1913. Etching. Morse 165. 6 1/2 x 3 1/4 (sheet 10 1/2 x 6 5/8). A rich impression printed on cream wove paper mounted on a support sheet of mat board. Signed in pencil by Sloan’s widow Helen Farr Sloan and annotated 150 proofs; also signed by the printer June Baskin and annotated 'imp' (printed) lower left. $300.

Srule10.gif - 377 Bytes

Sloan, came to New York in 1904 and worked for some time as a freelance illustrator. With Robert Henri, he organized an exhibition of a group of urban realist painters, known as “The Eight” or the “Ashcan School,” who challenged traditional notions of art. Having moved to the Village in 1912, Sloan lived with his wife Dolly at 240 West 4th Street and at 88 Washington Place.

Srule10.gif - 377 Bytes

American Fine Prints.

New York Images.

Allinson Gallery Index.

To order, to report broken links or to be placed on the email list or to place an order, please email Jane Allinson (jane@allinsongallery.com) or fax (860) 429 2825.