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Return to Allinson Gallery Index

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Works of Art $200 and Under.

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All works are signed in pencil unless indicated otherwise.

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Edwin Austin Abbey. 1852-1911.

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'Ha! Ha! Ha! Was there ever such a sober sentimental interview?' 1887. Etching after the drawing by Abbey. 9 7/8 x 8 5/8. As published in SHE STOOPS TO CONQUER: A Comedy by Dr. Goldsmith with drawings by Edwin A. Abbey Harper & Brothers, New York, New York, 1887, deluxe edition, folio. Some wrinkling to the paper; otherwise fine condition. Unsigned proof on tissue. Housed in a 15 3/4 x 11 3/4-inch gold leaf and black frame. $175.

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John Taylor Arms, 1887-1953.

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Church of Saint Jean l'Aigle, Orn. 1940. Etching. Fletcher 343.ii. 3 1/4 x 5 3/8 (sheet 7 1/2 x 5 1/4). Edition 551. French Church Series #43; Miniature series #26. Annotated 'sp' in pencil indicating a proof printed by David Strang. A fine impression on Japanese mulberry pencil. Signed,dated and annotated in pencil. $150.

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Wilby Church, Northamptonshire, England. 1940. Etching. Fletcher 335.iii. 4 1/4 x 2 3/8 (sheet 6 1/16 x 4 11/16). Edition 432.English Series #7; Miniature Series # 24. Printed by David Strang on cream laid paper. Signed, titled, numbered, dated, annotated 'iii' and dedicated 'To Charles E. Pont from John Taylor Arms' in pencil. $150.

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Isaac Carpenter Clark. 1892-1959.

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Old Connecticut. c. 1937. Etching and aquatint. 9 3/4 x 11 13/16 (sheet 10 1/8 x 12). Edition 72, #2. Exhibited: Lyme Art Association. A rich impression with tonal wiping, printed by the artist on cream wove paper. Signed, titled, numbered and annotated 'imp' in pencil. $175.

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Ponset Barns - Winter. c. 1937. Etching and aquatint. 7 1/8 x 8 7/8 (sheet 12 1/84 x 14 1/4). Edition 100, #6. A rich impression with tonal wiping, printed by the artist on textured cream wove paper. Signed, titled, numbered and annotated 'imp' in pencil. $175.

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Timothy Cole. 1852 - 1931.

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(after Sargent). Portrait of Mrs. Phipps N.Y. 1912. 7 3/4 x 4 3/16. Proof on tissue paper. Provenance: (after Sargent). Portrait of Mrs. Phipps N.Y. [and her granson, Winston Frederick Churchill Guest (1906-1982), son of Amy Phipps Guest.] 1912. Wood engraving. 7 3/4 x 4 3/16. Proof on tissue paper. Provenance: collection of Dr. Eugene Allen Noble. Signed, titled and dedicated 'To E.A. Noble' in pencil. $150.

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Kerr Eby, N.A. 1890-1946.

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Nomads 1922. Etching and drypoint. Giardina 79.ii. 9 7/16 x 13 3/8 (11 x 14 3/8). Trial proof, apart from the edition of 30. A very rich impression with tonal wiping. Light soiling in the lower right-hand corner; otherwise fine condition.Signed and annotated '1st trial proof' and 'imp' (imprimit) in pencil, indicating a proof printed Eby. The etching depicts a Bedouin encampment in the Algerian desert. $125.

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Samuel Arlent Edwards. 1861-1938.

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Emma, Lady Hamilton (after George Romney ). 1902. Mezzotint. 4 ¾ x 4 (sheet 8 x 6). Printed on Japanese vellum, Published in New York in 1902 by L. Katz, 314 Columbus Avenue. Signed in pencil. $100.

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John William Evans. American. Born 1855.

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Portrait of Johnson. 1935. Wood engraving after a sculpture by James E. Kelly. 7 1/2 x 6 1/2. Printed on tissue paper. Thomas Johnson (1844 - 1904) was a wood engraver and illustrator. Signed in pencil by Evans and in ink by Johnson. $175.

Evans was a distinguished wood engraver, who did both reproductive and original work. In the late nineteenth and early twentieth centuries, wood engraving was the primary medium of reproduction in books and magazines. Wood engraving is a highly technical and demanding medium. Evans was one of the masters of the medium.

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Daniel S. Goldenbloome.

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[Wadsworth Athenaeum Barn - Hartford, CT]. 1949. Linoleum cut printed in colors. 6 1/8 x 8 (sheet 8 1/4 x 12 3/8). A fine impression printed on Japanese mulberry paper. Signed in pencil. $125.

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Douglas Gorsline. 1894-1964.

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Christmas from the Gorslines. 1942. Etching. 4 7/8 x 2 7/8 (sheet 8 3/4 x 5 7/8). A fine impression on off-white laid paper with deckle edges on 2 sides. Excellent condition apart from two stains from old hinges in the top corners. Signed and dated in pencil. $175.

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Christmas Pudding. 1942. Etching. 4 7/8 x 2 7/8 (sheet 9 3/16 x 5). A fine impression with plate tone printed on watermarked laid paper. Excellent condition apart from two stains from old hinges in the top corners. Signed and dated in pencil. $175.

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Arthur Hall. 1889-1981.

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Wet Weather Branch. 1934. Etching. 4 x 7 3/5 (sheet 8 1/2 x 11 1/8). A fine impression printed on 'J Whatmans' cream wove paper. Signed in pencil. $200.

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Thomas Schofield Handforth. 1894-1964.

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Once a Cow [Tunisia]. c. 1929. Etching. 6 3/16 x 5 1/4 (sheet 11 x 15). Edition 50. Printed on cream-colored laid paper. Illustrated: Holme, Etchings of Today, 1929. Signed and annotated '50' in pencil; titled verso. $175.

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Sun-Drenched Road [Tunisia]. 1927. Etching. 10 1/2 x 13 (sheet 11 1/8 x 15). Edition 50. Printed on cream-colored laid paper. Signed and annotated '-50 - 3rd state' in pencil; titled verso. $225.

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Arthur William Heintzelman. 1891-1965.

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Janine. Drypoint. 9 5/16 x 8 1/4 (sheet 15 1/4 x 12 3/4). A rich impression with plate tone printed on cream wove paper. Signed in pencil. $200.

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Helen West Heller. American. 1872-1955

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Hall Bedroom. 1928. 2 x 1 1/4 (sheet 3 7/8 x 3 1/4). Printed on 'Hand {Made}' wove paper. Signed in pencil. $175.

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Jeff Hier.

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The Four Evangelists. 1951. Woodcut. x 6 1/2. Matthew, Mark, Luke and John are presented in medieval iconography. $125.

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Earl Horter. 1881-1940.

America

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The Church in Woodland Park. (Old Swede's Church, Wilmington, Deleware). 1925. Etching. 10 3/8 x 6 1/4 (sheet 12 1/4 x 7 7/8). A rich impression with plate tone printed on simili-Japon paper. Signed in pencil. $200.

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Mount Vernon - Rear. c. 1930. Etching. 8 5/8 x 11 1/2 (sheet 11 1/4 x 15 5/8). Series: Historic Homes of Virginia A fine impression printed on cream wove paper, on the full sheet with deckle edges. Signed in pencil. $175.

France

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Archway, with Newsstand. (France). c. 1920. Etching. 5 3/8 x 4 (sheet 8 1/4 x 5 3/8). A rich impression with plate tone printed on cream wove paper. Unsigned. $100.

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Charles Frederick William Mielatz. 1861-1919.

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Old Mill near Newport. 1887. Etching. 9 1/4 x 6 3/4 (sheet 12 7/8 x 9 5/8). As published by Frederick A. Stokes in Representative Etchings By Artists Of To-day In America. A fine impression printed on cream wove paper with full margins. Signed and dated in the plate; signed and titled in letterpress below. $175.

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Bertha Clausen Jaques. 1863-1941

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Sweetbriar (little). 1922. Etching and drypoint. Jaques 324. 5 7/8 x 2 7/8 (sheet 8 3/16 x 5 3/16). A rich impression with plate tone, printed on Japanese mulberry paper. Provenance: the artist's estate. Monogrammed in the plate; annotated "1st proof" in the artist's hand. The artist also made a larger plate of the same subject. $125.

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Dumb Bell Inn -- Near London. 1913. Etching. Jaques 220. 9 13/16 x 5 15/16 (sheet 11 x 8). A rich impression with plate tone, printed on cream wove paper. A rich impression with plate tone. $125.

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Mary G. Kaelber. American. Twentieth Century.

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Sculpture Study. c. 1930. Pencil drawing. 5 x 11 (sheet 12 5/16 x 15 15/16). Drawn on light brown, thick, wove paper. Signed in pencil. $125.

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Troy Kinney, N.A. 1871-1931.

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Arcadia. 1921. Etching. Kinney 33. Fantasy. 6 1/2 X 7 3/4 (sheet 11 3/4 x 12 1/2). Edition 170. Exhibited: Chicago Society of Etchers, The Art Institute of Chicago, Catalogue of an Exhibition of Etchings, Jan. 26-Feb.28, 1922; Print Makers Society of California, 3rd International Print Makers Exhibition, Los Angeles Museum Exposition Park, March 21-April 16, 1922. Illustrated: Print Collector's Quarterly 25 (1938): 280. A fine impression printed on wove paper on the full sheet with deckle edges. Signed in pencil. $200.

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John Harrison Levee. Born 1924.

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Composition. 1958. Lithograph printed in colors. 11 3/4 x 8 5/8 (sheet 12 15/16 x 9 7/8). Edition 300, #147. Published by the Galerie de France, 3, Faubourg Saint Honore, Paris, January 1958. Signed and numbered in ink. $125.

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Thomas Willoughby Nason. 1889-1971.

Cambridge and England: Harvard University

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Fogg Museum Courtyard [Harvard University, Cambridge, Massachusetts]. 1949. Wood engravng. Boston Public Library 452. 1 1/4 X 2 1/2 (sheet 4 3/4 x 6 1/4). No edition; few proofs only. Commissioned to illustrate the book Education, Bricks, Mortar published by Harvard in 1949. Printed on cream wove paper. Unsigned. $200.

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John Harvard's Chapel, Southwark Cathedral [Borough of Southwark, London, England] 1948. Wood engravng. Boston Public Library 434. 3 1/8 X 2 3/8 (sheet 7 11/16 x 4 7/8). No edition; few proofs only. Printed on fine wove paper. Unsigned. $150. John Harvard's Chapel, Southwark Cathedral [Borough of Southwark, London, England]

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Harvard Hall [Harvard University, Cambridge, Massachusetts]. 1944. Wood engraving. Boston Public Library 369 3 1/4 X 2 5/8 (sheet 6 1/16 x 5). Edition 20. A fine impression, printed on cream wove paper. Excellent condition. Unsigned. $200.

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Hollis Hall [Harvard University, Cambridge, Massachusetts]. 1944. Wood engravng. Boston Public Library 439. 3 1/8 X 4 3/4 (sheet 5 3/8 x 7 11/16). No edition; few proofs only A fine impression, printed on fine wove paper on the full sheet with deckle edges. Excellent condition. Unsigned. $200.

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Laboratory Interior [Harvard University, Cambridge, Massachusetts]. 1949. Wood engraving. Boston Public Library 457. 2 7/16 X 2 3/8 (sheet 6 1/8 x 4 5/8. No edition; few proofs only. Commissioned to illustrate the book Education, Bricks, Mortar published by Harvard in 1949. A fine impression, printed on 'bourne deckle edge ' countermarked paper. Unsigned. $100.

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Littauer Center Staircase [Harvard University, Cambridge, Massachusetts]. 1949. Wood engravng. Boston Public Library 450. 1 1/8 X 2 1/4 (sheet 5 x 6 1/4). No edition; few proofs only. Commissioned to illustrate the book Education, Bricks, Mortar published by Harvard in 1949. Printed on cream wove paper. Unsigned. $150.

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Lowell House Tower [Harvard University, Cambridge, Massachusetts]. 1949. Wood engravng. Boston Public Library 449. 4 3/4 X 2 13/16 (sheet 6 1/4 x 4 3/4). No edition; few proofs only. Commissioned to illustrate the book Education, Bricks, Mortar published by Harvard in 1949. Unsigned. $200.

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Stoughton Hall [Harvard University, Cambridge, Massachusetts]. 1948. Wood engravng. Boston Public Library 426. 3 3/4 X 4 7/8 (sheet 5 5/8 x 8 1/2. No edition; few proofs only. A fine impression, printed on cream wove paper. Slight residual inking, lower right; otherwise excellent condition. Unsigned. $225.

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Robert Hogg Nisbet, N.A. 1879-1961.

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Landscapes

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Florida Pines. c. 1932. Etching. 4 x 4 3/4 (sheet 8 x 8 7/8). A rich impression with plate tone, printed on cream wove paper. Signed and titled in pencil. $175.

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Idylle. c. 1935. Drypoint. 7 15/16 x 8 7/8 (sheet 12 x 14 1/4). Edition 12. A rich impression with plate tone printed on Japanese vellum. Signed, titled and annotated 'Ed. 12' in pencil. $150.

Seascapes

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Ledge at Harrings. Etching. 4 x 5 (sheet 9 1/2 x 12 5/8). Printed on cream wove 'Van Gelder Zonen Holland' watermarked paper with deckle edges. There are tack holes along the margins from drying. Signed, titled, numbered and annotated '$12' in pencil. $75.

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Lewis Rubenstein. Born 1908

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The Ginza. c. 1950. Color serigraph. 15 x 21. Edition 30, #26. Affixed to a backing board. "The Ginza" referrs to the Japanese shopping district, much like Manhattan's Fifth Avenue. Signed and numbered in pencil. $175.

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George Spiel. 19th - 20th century.

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Falls in Alum Rock Park, San Jose, California 1887. Etching. 11 3/4 x 8 (sheet 12 5/8 x 8 7/8). As published in Picturesque California. 1888. A rich, tonal impression printed with plate tone on cream wove paper. Signed in the plate. $100.

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Ruth Haviland Sutton. 1900-1960.

Colleges

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Alpha Delta Phi, Amherst, Mass. c. 1929. Linoleum cut. 6 x 8. $125.

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College Hall, Amherst [MA]. c. 1929 Linoleum cut. 7 3/8 x 6. A fine impression printed in Japanese mulberry paper. Signed in pencil. $125.

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John M. Greene Hall, Smith College. c. 1929. Linoleum cut. 5 3/8 x 7 7/8. A fine impression printed in Japanese mulberry paper. Signed in pencil. $125.

Historical Storrowton Village

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Cape Cod Cottage, Storrowton. c. 1955. Linoleum cut. 5 3/4 x 7 7/8. A fine impression printed in Japanese mulberry paper. Signed in pencil. $75.

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Church and Schoolhouse, Storrowton. c. 1955. Linoleum cut. 6 x 8. A fine impression printed in Japanese mulberry paper. Signed in pencil. $75.

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Red School House, Storrowton. c. 1955. Linoleum cut. 7 1/2 x 6. fine impression printed in Japanese mulberry paper. Signed in pencil. $75 in black and white.

Red School House, Storrowton. c. 1955. Linoleum cut. 7 1/2 x 6. fine impression printed in Japanese mulberry paper. Signed in pencil. .$125 in color.

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Jane Martin VonBosse. 1931-2011.

Nature Studies

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After Cat (after a drawing by Eric). c. 1964. Linoleum cut. 3 1/8 x 4 1/2 (sheet 5 3/4 x 7 3/8). Edition 6, #1. A fine impression printed on Japanese mulberry paper. Signed, titled and numbered in pencil. $175.

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Fledgling. c. 1964. Linoleum cut. 3 x 2 (sheet 8 x 6). Edition 16. A fine impression printed on Japanese mulberry paper. Signed, titled and numbered in pencil. $75.

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Worm Hunter c. 1964. Linoleum cut. 4 x 6 1/2 (sheet 9 3/4 x 15). Edition 16, #12. A fine impression printed on textured Japanese mulberry paper. Signed, titled and numbered in pencil. $175.

Figure Studies

The Juggler c. 1964. Linoleum cut printed in colors. 8 1/2 x 9 (sheet 16 1/2 x 10 1/2). Edition 48, #11. A fine impression printed on Japanese mulberry paper. Signed, titled and numbered in pencil. $175.

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Statue-Fisherboy 1967. Linoleum cut. 9 1/2 x 7 5/8 (sheet 11 x 13 3/8). Edition 16, #1. A fine impression printed on Japanese mulberry paper. Signed, titled and numbered in pencil. $100.

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Waiting for Sue c. 1964. Linoleum cut. 7 x 6 (sheet 8 3/4 x 10 1/2). Edition 16, #15. A fine impression printed on Japanese mulberry paper. Signed, titled and numbered in pencil. $100.

Love Images

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Love c. 1964. Linoleum cut. 3 1/4 x 2 7/8 (sheets 6 5/8 x 4 3/4 and 8 3/8 x 7). Edition 64, #22 and #30. Fine impressions printed on Japanese mulberry paper. Signed, titled and numbered in pencil. $175 each.

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Valentine's Day (from The Tempest by William Shakespeare) 1965. Linoleum cut. 5 x 4 3/4 (sheet 8 5/8 x 10 3/8). Edition 16, #6. A fine impression printed on Japanese mulberry paper. Signed, titled and numbered in pencil. $175.

Landscape Studies

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Cliff House c. 1964. Linoleum cut. 3 x 4 (sheet 7 x 8 1/2). Edition 32, #1. A fine impression printed on Japanese mulberry paper. Signed, titled and numbered in pencil. $125.

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Plant Form c. 1964. Linoleum cut. 10 x 4 3/8 (sheet 14 3/4 x 10). Edition 24, #17. A fine impression printed on 'Weston' wove paper. Signed, titled and numbered in pencil. $225/pair.

Plant Form c. 1964. Linoleum cut. 10 x 4 3/8 (sheet 14 3/4 x 10). Edition 24, #12. A fine impression printed on blue-toned Japanese mulberry paper. Unsigned; numbered in pencil. $225/pair.

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The Seed 2 c. 1964. Linoleum cut. 6 3/8 x 2 1/2 (sheet 13 5/8 x 10 1/8). Edition 24, #1. A fine impression printed on textured Japanese mulberry paper. Signed, titled and numbered in pencil. $125.

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Fragment 1966. Linoleum cut. 1 1/4 x 1 1/2 (sheet 5 7/8 x 7 1/2). Edition 64, #1. A fine impression printed on Japanese mulberry paper. Signed, titled and numbered in pencil. $75.

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Storm Tree c. 1962. Linoleum cut. 8 1/2 x 7 1/4 (sheet 13 x 10 1/4). Edition 20, #10. A fine impression printed on Japanese mulberry paper. Signed, titled and numbered in pencil. $125.

Cards: Sample Cards

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Sheet 1. "Printed from Metal Plate made from Original Design of Hand Stamped Wood Type or Rubber Erasers". Sheet of 5 cards, each approximately 5 1/2 x 4, mounted on a single sheet by the artist. $50.

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Sheet 2. "Printed from Metal Plate made from Original Drawing in Pen and Ink". Sheet of 5 cards, each approximately 5 1/2 x 4, mounted on a single sheet by the artist. $50.

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Sheet 3. "Printed froma Selection of Old Type Cuts". Sheet of 3 cards, 5 1/2 x 4 1/4, 6 x 4 3/4 and 7 x 6, mounted on a single sheet by the artist. $40.

Holiday Cards

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'The Star' from The Rainbow by D.H. Lawrence. 1963. Linoleum cut printed in grey, red and yellow. 7 3/8 x 9 (sheet 7 7/8 x 11).Paper loss top left-hand corner; otherwise good condition. A fine impression printed on hand-made cream paper. Signed, dated and annotated in pencil. $50

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Whence Comes A Rush of Wings Afar Following Straing the Noel Star?. 1964. Linoleum cut printed in grey and red. 7 1/2 x 10 1/4 (sheet 8 3/4 x 11 1/2). Center fold; otherwise good condition. A fine impression printed on cream wove paper. Signed, dated and annotated in pencil. $50

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'Till Dangers Troubled Night and the Star of Peace Return.' Thomas Campbell. 1965. Linoleum cut printed in red, white and black. 10 x 9 3/8 (sheet 7 3/4 x 12 1/2). A fine impression printed on cream wove paper. Signed, dated and annotated in pencil. $50

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[Icon]. 1968. Linoleum cut printed in red and black. 6 3/4 x 11 1/4 (sheet 8 1/2 x 11 5/8). Paper clip stains; otherwise good condition. A fine impression printed on white wove paper. Signed, dated and annotated in pencil. $50.

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'I Saw Three Ships Come Sailing In...on Christmas Day in the Morning. '. 1969. Linoleum cut printed in red and grey. 6 3/4 x 11 1/4 (sheet 8 1/2 x 11 5/8). Paper clip stains; otherwise good condition. A fine impression printed on white wove paper. Signed, dated and annotated in pencil. $50.

Last but not Least!

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Little Caboose c. 1964. Linoleum cut. 4 x 3 1/2 (sheet 10 x 10 3/4). Edition 20, #19. A fine impression printed in red ink on yellow-tan Japanese mulberry paper. Signed, titled and numbered in pencil. $125.

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British Prints

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Francesco Bartolozzi, R.A. 1727-1815.

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William Cowper Esqr. (After Thomas Lawrence 1769-1830). 1806. Stipple engraving. 11 x 8 (sheet 12 1/8 x 9 5/8). Published by J. Johnson, St. Paul's Church Yard, January 1, 1806. Printed on cream wove paper. Signed, dated and titled in the plate. $125. 1/4 (sheet 10 x 7 1/2). Published in Modern Woodcutters. Printed on cream wove paper with one side deckle edge. Unsigned. $75.

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George Augustus Baldwyn, author.

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A Man of Duke of the Duke of York's Island/ A Man of Lord Howe's Island. (Papua, New Guinea, and Australia, Tasman Sea, respectively.) 1794. Steel engraving. 7 1/4 x 8 3/4 (sheet). As published in, George Augustus Baldwyn, A New, Royal, Authentic, Complete, and Universal System of Geography; or, a Modern History and Description of the Whole World.. Descriptions of Europe, Asia, Africa, and America... including... the Late Discoveries in the South Seas, and towards the North Pole... Comprising every Interesting Discovery and Circumstance in the Narratives of Captain Cook's Voyages round the World. One of 87 engraved plates and maps. There an engraving of A Family of New South Wales on the top half of the sheet. Published by Alex Hogg, March 1, 1794. Several repaired tears. Unsigned. $50.

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Charles William Cain. 1893-1962.

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Waiting to Pass. River Tigris. 1924. Drypoint. 4 1/8 x 8 1/2 (sheet 8 1/2 x 12 7/8). Printed on cream wove paper. A brilliant impression in pristine condition. Signed, titled and annotated in pencil. $175.

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George Cattermole. 1800-1868.

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West Bow, Edinburgh. c. 1847. Lithograph by Harding after a drawing by Cattermole. 16 3/4 x 11 9/16 (sheet 21 1/2 x 14). From the portfolio "Scotland Delineated in a Series of Views," originally produced for John Parker Lawson and published by E,Gambart in London and Edinburgh, 1849 - 1854. Lithographed by Day and Son. There were several printings. This is probably from the first edition, volume 1. Printed on heavy off-white wove paper. Good condition apart from scattered foxing. Signed in pencil by Cattermole. $175.

John Sell Cotman, 1782-1842.

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Abbey Church of the Holy Trinity at Caen. East side of the South Transept. 1820. Etching. Image: 9 1/2x 12 3/4; plate: 118 x 14 (sheet 13 3/8 x 19). Series: Architectural Antiquities of Normandy by John Sell Cotman; Accompanied by Historical and Descriptive Notices by Dawson Turner, Esq. F.R. and A.S. Plate 29. Published in London by J. & A. Arch. A fine impression printed on cream wove paper. Signed and titled in the plate. $75.

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Abbey Church of the Holy Trinity, Caen. Interior of the Nave, Looking West . 1820. Etching. Image: 9 1/4 x 14 1/2; plate: 10 7/8 x 15 1/2 (sheet 13 3/8 x 19). Series: Architectural Antiquities of Normandy by John Sell Cotman; Accompanied by Historical and Descriptive Notices by Dawson Turner, Esq. F.R. and A.S. Plate 30. Published in London by J. & A. Arch. A fine impression printed on cream wove paper. Signed and titled in the plate. $75.

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Maria Hampshire Eaton. c. 1860-1940.

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St. Paul's. c. 1925. Etching and drypoint.6 3/4 x 5 1/4 (sheet 10 5/8 x 8 7/8). A rich impression printed on cream wove paer. Signed and titled in pencil. $175.

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Etipet.

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Lancing College, from Coombes Road. c. 1900. Etching. 7 1/2 x 10 5/8 (sheet 9 7/8 x 14 7/8). Published by W.H. Bergnor and Co., Cheltenham. A fine impression with plate tone, printed on cream paper countermarked 'O.W.P. & A.O.L.' Margins grubby; the image is in good condition. Titled in the plate; signed in pencil. $125.

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Bernard Eyre-Walker, A.R.E. Born 1886.

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Scheregate Steps, Colchester (Essex). c. 1921. Etching. 9 1/2 x 6 3/8 (sheet 13 x 9 1/8). Edition 50. A fine proof printed with plate tone, on Japanese mulberry paper. $150.

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Percival Gaskell, R.E. 1868-1934.

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Penmaenpool Bridge. c. 1930. Etching. 4 7/8 x 6 7/8 (sheet 8 x 9 3/4). A rich impression on cream-colored wove paper with full margins. Signed in pencil. $125.

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Eric Gill, R.E. 1882-1940.

Religious Image: Prints Published by Douglas Cleverdon

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Chalice and Host: Manducaverunt / Et Saturati Sunt Nimis: Non Sunt Fraudati A Desiderio Suo. 1927. Wood engraving. Physick 490. 2 5/8 x 1 3/4 (sheet 13 1/16 x 9 7/8). As published in Engravings by Eric Gill Douglas Cleverdon, Birmingham, England, 1929. Printed on the full sheet of cream wove paper. Made for the Reverend Desmond Chute. Unsigned. $175.

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The Last Judgement. 1917. Wood engraving. Physick 107. 1 3/4 x 2 1/4 (sheet 13 x 10). Originally published ina bory published in a broad-sheet (S. Dominic's Press, 1917). As published in Engravings by Eric Gill Douglas Cleverdon, Birmingham, England, 1929. Printed on the full sheet of cream wove paper. Unsigned. $175.

Secular Images: Prints Published by Douglas Cleverdon

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Cartouche for Colophon. 1929. Woodcut. Physick 613. 2 1/4 x 3 5/16 (sheet 13 1/16 x 9 7/8). Printed for Douglas Cleverdon's Engravings by Eric Gill. Printed on cream wove paper. Unsigned. $75.

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Device: Spray of Leaves. 1917. Wood engraving. Physick 108. 1 x 1 3/8. Printed for a funeral card and subsequently used for other purposes by S. Dominic's press.

Device: Stalk with Leaves. 1917. Wood engraving. Physick 109. 7/8 x 1. Printed for a funeral card and subsequently used for other purposes by S. Dominic's press.

Device: Initial letter 'O' with Speedwell. 1917. Wood engraving. Physick 110. 1 1/8 x 1 1/8. Printed for a funeral card and subsequently used for other purposes by S. Dominic's press.

Device: Paschal Lamb. 1917. Wood engraving. Physick 192. Originally printed in The Game, Volume I, Number 31 and elsewhere.

Device: Axe and Block. 1917. Wood engraving. Physick 135. 1 1/2 x 1 1/2. Originally printed in The Game, volume II, Number 1; and Woodwork, by A. Romney Green (S. Dominic's press, 1918).

Device: Hangman's Rope. 1917. Wood engraving. Physick 136. 1 1/2 x 2 1/2. Originally printed in The Game, volume II, Number 1; and Woodwork, by A. Romney Green (S. Dominic's press, 1918).

All six wood engravings printed on one sheet of cream wove paper, as published in Engravings by Eric Gill Douglas Cleverdon, Birmingham, England, 1929. Unsigned. $175.

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Dumb-Driven Cattle. 1915. Wood engraving. Physick 36. 3 3/4 x 3 1/4 (sheet 13 1/8 x 9 15/16). Originally published in 'The Devil's Devices,' by Douglas Pepler (The Hampshire House Workshops, London, 1915). The first 200 copies of the edition of 1,500 were numbered and signed. Two editions of the engravings only (consisting of 15 and 33 sets at 31/6 and 15/- a set respectivly) were issued in the same year. As published in Engravings by Eric Gill Douglas Cleverdon, Birmingham, England, 1929. Printed on the full sheet of cream wove paper. Initialed in the block. $175.

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Initial 'S' with Church. 1916. Wood engraving. Physick 62. 1 x 1. Engraved for S. Dominic's press.

Chalice and Host with Candles. 1916. Woodcut. Physick 53. 1 1/4 x 1.

Hog in a Triangle. 1916. Wood engraving. Physick 58. 1 1/8 x 3/4.

DP and Cross. 1916. Wood engraving. Physick 64. 1 1/4 x 3/8.

Chalice and Host. 1916. Wood engraving. Physick 65. 1 7/16 x 3/4.

All five images printed upon cream laid paper with one side deckle edge (8 x 4 7/8). Unsigned. $175 for the sheet.

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My Love among the Lilies. 1925. Wood engraving. Physick 327. 2 x 3 (sheet 13 1/16 x 9 7/8). Originally published in The Song of Songs (Golden Cockerel Press, 1925). As published in Engravings by Eric Gill Douglas Cleverdon, Birmingham, England, 1929. Printed on the full sheet of cream wove paper. Minimal foxing on the bottom part of the sheet, well outside of the image. Unsigned. $175.

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Portrait of: A Lady (Moira, Mrs. Robert Gibbings). 1924. Engraving on copper. Physick 296. 7 x 4 1/2 (sheet 13 1/16 x 9 7/8). As published in Engravings by Eric Gill Douglas Cleverdon, Birmingham, England, 1929. Printed on cream wove paper. Signed in the block. $175.

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Portrait of: Mrs. Williams of Ditchling. 1924. Wood engraving on sycamore and grain. Physick 270. 8 3/4 x 7 5/8 (sheet 13 1/16 x 9 7/8). As published in Engravings by Eric Gill Douglas Cleverdon, Birmingham, England, 1929. Printed on the full sheet of cream wove paper. Initialed in the block. $175.

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Sculpture: I. 1923. Wood engraving. Physick 227. 3 x 1 1/2 (sheet 13 1/16 x 9 7/8). This is the second state of the engraving, as indicated by the lines cut into dots in the limbs.

Sculpture: II. 1923. Wood engraving. Physick 228. 3 x 2 (sheet 13 1/16 x 9 7/8). Originally published in Sculpture, by Eric Gill (2nd edition, S. Dominic's Press, 1923). Printed on the title page and cover for Engravings by Eric Gill Douglas Cleverdon, Birmingham, England, 1929.

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Swineherd. 1925. Wood engraving. Physick 337. 2 1/4 x 3 3/8 (sheet 13 1/16 x 9 7/8). Originally made to be published in The Song of Songs, but was never used As published in Engravings by Eric Gill Douglas Cleverdon, Birmingham, England, 1929. Printed on the full sheet of cream wove paper. Unsigned. $175.

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Stephen Frederick Gooden. 1892-1955.

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Pilgrim. 1930. Line engraving. 1 7/8 x 3 7/8 (sheet 3 3/8 x 4 3/16). Printed on cream wove paper with text on the verso, laid onto a card for support. Signed and annotated 'B' in ink. $175.

Fables of La Fontaine: Unsigned proofs from the book edition.

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The Acorn and the Pumpkin. 1927. Line engraving. 6 3/16 x 3 1/2 (sheet 10 1/8 x 6 1/8). Edition 525 in the book printing (there were 15 pre-publication proofs). Series: Fables of La Fontaine. As published in the 1931 Heinemann edition of La Fontaine, translated by Sir Edward Marsh, volume II. Printed on cream wove paper on the full sheet with deckle edges. Unsigned. $95.

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The Admirable Crichton. 1927. Line engraving. Dodgson 91. 3 3/4 x 2 7/8 (sheet 10 1/8 x 6 1/8). Edition 525 in the book printing (there were 15 pre-publication proofs). Series: Fables of La Fontaine. As published in the 1931 Heinemann edition of La Fontaine, translated by Sir Edward Marsh, volume II. Printed on cream wove paper on the full sheet with deckle edges. Unsigned. $50

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The Judge, the Hospitaler and the Solitary. 1927. Line engraving. 4 x 4 (sheet 10 1/8 x 6). Edition 525 in the book printing (there were 15 pre-publication proofs). Series: Fables of La Fontaine. As published in the 1931 Heinemann edition of La Fontaine, translated by Sir Edward Marsh, volume II. Printed on cream wove paper on the full sheet with deckle edges. Unsigned. $75.

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The Old Man and the Three Youths. 1927. Line engraving. 6 3/16 x 3 1/2 (sheet 10 x 6 1/4). Edition 525 in the book printing (there were 15 pre-publication proofs). Series: Fables of La Fontaine. As published in the 1931 Heinemann edition of La Fontaine, translated by Sir Edward Marsh, volume II. Printed on cream wove paper on the full sheet with deckle edges. Unsigned. $65.

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The Shepherd and his Flock. 1927. Line engraving. 3 x 3 3/8 (sheet 10 1/8 x 6 1/8). Edition 525 in the book printing (there were 15 pre-publication proofs). Series: Fables of La Fontaine. As published in the 1931 Heinemann edition of La Fontaine, translated by Sir Edward Marsh, volume II. Printed on cream wove paper on the full sheet with deckle edges. Unsigned. $50.

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The Two Friends. 1927. Line engraving. 6 1/4 x 3 1/2 (sheet 10 x 6 1/4). Edition 525 in the book printing (there were 15 pre-publication proofs). Series: Fables of La Fontaine. As published in the 1931 Heinemann edition of La Fontaine, translated by Sir Edward Marsh, volume II. Printed on cream wove paper on the full sheet with deckle edges. Unsigned. $50.

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The Wolf and the Sportsman. 1927. Line engraving. Dodgson 89. 2 1/4 x 3 1/4 (sheet 10 x 6). Edition 525 in the book printing (there were 15 pre-publication proofs). Series: Fables of La Fontaine. As published in the 1931 Heinemann edition of La Fontaine, translated by Sir Edward Marsh, volume II. Printed on cream wove paper on the full sheet with deckle edges. Unsigned. $50.

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Joseph Gray. 1890-1962.

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Ostend. c. 1930. Drypoint. 13x 8 3/4 (sheet 15 x 10 5/8. Edition60, #18. A rich, tonal impression with drypoint burr, printed on Japanese vellum with full margins. Signed and numbered in pencil. $200.

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Oliver Hall, R.A., R.E., R.S.W. 1869-1957.

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[Road into Town]. c. 1894. Lithograph. 5 5/8 x 8 3/8 (sheet 7 3/8 x 10 1/4). Printed on cream 'MBM' laid paper. Signed in the stone. $75.

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[Trees, Hayling Island, Hampshire]. c. 1924. Etching and drypoint. 5 x 7 3/4(sheet 8 1/4 x 11 7/8). A fine impression on cream laid paper watermarked 'FJ Head & Co'. Unsigned. Provenance; the artist's studio. $125.

France

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Vienne, France. c. 1920. Etching and drypoint. 7 x 11 7/8 (sheet 10 7/16 x 13 7/8). The right-hand margin extends just beyond the plate mark, due to paper loss from the artist's studio fire. A rich impression with drypoint burr, printed on cream laid paper. Signed in pencil. $100.

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James Duffield Harding. 1791-1863.

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At Dorking. c. 1836. Lithograph. 15 1/8 x 11 1/8 (sheet 22 1/8 x 15 3/5). Printed on grey paper laid onto heavy wove paper. Printed on grey paper laid onto heavy wove paper. Scattered foxing; otherwise good condition. A richly contrasting impression housed in an archival 24 x 20-inch mat. Titled and monogrammed in the stone. $125.

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Gertrude Ellen Hayes. born 1872.

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Shakespeare's Birthplace, Henley Street, Statford-on-Avon. c. 1910. Etching. 6 9/16 x 11 7/8 (sheet 9 7/8 x 15 9/16). A rich impression printed on fine laid paper mounted onto board for support. Some toning, otherwise in good condition. Signed in pencil. $125

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William Hogarth, 1697-1764.

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The Sleeping Congregation. 1736 (Heath Edition 1822). Etching and engraving. Paulson 140 iv/iv; British Museum Satires 2285. 10 1/2 x 8 3/16 (sheet: 12 7/8 x 9 3/4). Inscription: in plate below image, lower left: 'Invented Engraved & Published October 25: 1736 by W-m Hogarth Pursuant to an Act of Parliament / One shilling"; in plate along right edge: "Retouched& Improved April 21, 1762 by the Author". Probably from The Works of William Hogarth from the Original Plates Restored by James Heath, Esq., R.A.; With the Addition of Many Subjects Not Before Collected: To Which is Prefixed, a Biographical Essay on the Genius and Productions of Hogarth, and Explanations on the Subjects of the Plates by John Nichols, Esq., F.S.A. London. Printed for Baldwin, Cradock & Joy, Paternoster Row by Nichols and Son, Parliament Street — 1822 —. A fine impression printed on cream laid paper. Slight foxing; otherwise good condition. Signed and dated in the plate. $175.

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Albany E. Howarth, A.R.E. 1872-1936.

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The Strand-on-the-Green, Chiswick, No. 1. 1904. Etching and drypoint. 7 7/8 x 5 5/8 (sheet 11 1/8 x 7 1/2). A rich impression with plate tone and drypoint burr printed cream wove paper. Occasional light scattered foxing; otherwise fine condition. Titled in the plate; signed in pencil. $125.

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Eleanor Mary Hughes. 1882-1959.

Etchings

All of these etchings are from the artist's personal collection, which was inherited by her neice, Judith Hughes.

Click on the images for larger screens. The larger pictures are hyperlinked.

England

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Avalon House, South Place, Penzance: view from the right. Etching. 3 5/8 x 4 11/16 (sheet 6 1/8 x 6 9/16)). Working proof with pencil additions along the roof line. Printed on wove, watermarked paper with deckle edges on three sides. One foxing spot in the left-hand roof. Tack holes in the margin from drying. Stamped signature. $100.

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Avalon House, South Place, Penzance: view from the left. Etching and drypoint. Early proof, before the vertical lines on the white wall, left side and the right-hand roofs. 3 5/8 x 4 11/16 (sheet 6 9/16 x 10 3/8). Printed on wove, watermarked paper with deckle edges. Stamped signature. $100.

Avalon House, South Place, Penzance: view from the left. Etching. Proof with vertical lines on the white wall, left side, and the right-hand roofs. 3 5/8 x 4 11/16 (sheet 6 9/16 x 10 3/8). Printed on wove, watermarked paper with deckle edges. Stamped signature. $100.

Avalon House, South Place, Penzance: view from the left. Etching. Proof with vertical lines on the white wall, left side and hte right-hand roofs. 3 5/8 x 4 11/16 (sheet 6 9/16 x 10 3/8). Proof with more plate tone. Printed on wove, watermarked paper with deckle edges. Stamped signature. $100.

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Chimney Tops. Etching. 7 3/4 x 6 15/16 (sheet 13 3/4 x 9 3/4). Printed on the full sheet of laid, watermarked paper with deckle edges. Stamped signature. $175.

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Cottage -- front view. Etching. 3 5/8 x 3 3/8 (sheet 5 1/16 x 5 1/8). Printed on cream-colored laid paper with a partial watermark. A fine impression. Stamped signature. $75.

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Cottage -- front view. Etching. 3 5/8 x 3 3/8 (etching sheet 13/16 x 4 5/8; calendar sheet 9 x 7 1/8). The etching is hinged onto a backing board. A sheet of parchment paper is the front mount; a 1937 calendar is affixed to the parchment paper. An orange ribbon, tied in a bow, holds the front and back mount together. Stamped signature. $175.

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Cottage -- side view. Etching. 3 1/2 x 4 3/16 (sheet 4 5/8 x 6 1/16). Printed on cream wove paper with deckle edges on three sides. Stamped signature. $75.

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Cottage and Barn. Etching. 4 11/16 x 3 5/8 (sheet 10 1/2 x 7 1/4). Printed on the full sheet of laid watermarked paper with deckle edges. Stamped signature. $100.

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Cottage and Stonewall. Etching. 6 15/16 x 8 7/8 (sheet 9 1/4 x 12 9/16). Printed on laid, watermarked paper with deckle edges. Stamped signature. $175.

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Farmyard from the Stone Wall. Etching. 6 x 7 7/8 (sheet 9 3/16 x 12 11/16). Printed on the full sheet of watermarked laid paper with deckle edges. Stamped signature. $175.

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Folly Seen Through the Pine Trees. Etching. 3 1/4 x 3 7/16 (sheet 9 1/4 x 6 13/16). Printed on laid paper with deckle edges. Stamped signature. $100.

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Four Trees: Farm in the Distance. Etching. Second state. 5 15/16 x 3 11/16 (sheet 8 1/2 x 8 9/16). A rich impression on cream-colored wove paper with deckle edges on two sides. Stamped signature. $100.

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Four Trees: Farm in the Distance. Etching with 1939 calendar affixed to the sheet (12 7/8 x 8 3/4). Stamped signature. $175.

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From Below the Farm. Soft-ground etching. 6 13/16 x 4 15/16 (sheet 9 1/4 x 6 5/8). Printed on 'Imitation Steinbach' laid paper. The artist's soft ground etchings are very rare. A frine printing with tonal wiping. Stamped signature. $150.

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Mill Wheel with Sycamore. Etching. 7 7/8 x 5 15/16 (sheet 11 7/16 x 9 1/8). Printed on the full sheet of laid paper with deckle edges. Stamped signature. $150.

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Old Watermill. Etching. 2 5/8 x 3 7/16 (sheet 3 1/4 x 4 3/8). Three working proofs, printed on cream wove paper. Stamped signature verso. $300 for the set of three:

a. Before the addition of the tree on the left; hint of conte crayon to suggest smoke over the roof, and faint outlines of another tree between the two on the right.

b. Before the addition of the tree on the left; conte crayon over the crees and roof on the left, and faint outlines of another tree branch between the two trees on the right.

c. With the addition of the tree on the left; conte crayon outlines of another tree between the two on the right.

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Old Watermill. Etching. 2 5/8 x 3 7/16 (sheet 9 3/16 x 6 7/8). Final state with the addition of the tree on the left and an additional branch on the next tree to the right. Printed on the full sheet of pale cream-colored wove paper with deckle edges. Tied to a separate support board with a brown ribbone tied in a bow. Preparatory for a calendar. Stamped signature. $125.

Old Watermill. Etching. 2 5/8 x 3 7/16 (sheet 9 1/4 x 6 7/8). Final state with the addition of the tree on the left and an additional branch on the next tree to the right. A 1938 calendar is affixed to the etching sheet. Printed on the full sheet of pale cream-colored wove paper with deckle edges. Tied to a separate support board with a brown ribbon tied in a bow. Stamped signature. $175.

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Penzance Church from the Harbour over Dry Dock. Etching. 7 1/2 x 7 1/8 (sheet 12 1/2 x 9 1/4). Printed on the full sheet of cream laid paper with deckle edges. Stamped signature. $175.

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Pollarded Trees. Pencil study for the etching. 5 x 4 3/8 (sheet 6 3/4 x 6 3/8). Drawn on cream wove paper of the verso of the etching. $125

Pollarded Trees. Etching. 5 x 4 3/8 (sheet 6 3/4 x 6 3/8). Printed on wove paper with deckle edges on two sides; a corner of the paper missing, outside the image. Stamped signature. $125.

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Pollarded Trees. Etching. 5 x 4 3/8 (sheet 6 3/4 x 6 3/8). Printed on cream wove paper in black ink. Working proof touched with white watercolour. Stamped signature. $125.

Pollarded Trees. Etching. 5 x 4 3/8 (sheet 9 7/84 x 7 5/8). Printed on cream wove paper. Printed on the full sheet of cream wove paper, with deckle edges. Tack holes in the margins from drying. A richly inked impression is brown/black ink. Stamped signature. $125.

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Quarry. Etching and drypoint. 6 3/4 x 7 3/4 (sheet 9 1/8 x 12 1/2). Printed on the full sheet of pale cream-colored laid paper with an "F.G. Head & Co." watermark. A rich impression in excellent condition, on the full sheet with deckle edges. Stamped signature. $175.

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Rock Faces. Etching. 10 7/8 x 7 7/8 (sheet 16 x 11 5/8). Printed on the full sheet of cream laid paper with deckle edges. Pencil signature. $150.

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Rookery. Etching with 1939 calendar affixed to the sheet 3 3/8 x 4 7/8 (sheet 10 7/8 x 8 3/4). Stamped signature. $175.

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Sycamore and Rooftops. Etching. 7 7/8 x 5 3/4 (sheet 12 5/8 x 9 1/16). A rich impression on "England" watermarked pale cream-colored laid paper. Printed on the full sheet with deckle edges. Stamped signature. $175.

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Tall Trees. Etching. 9 3/4 x 7 3/4 (sheet 13 7/16 x 9 7/8). Printed on the full sheet of cream-colored laid paper with deckle edges on three sides. Stamped signature. $175.

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Three Trees. Etching. 4 15/16 x 5 7/8 (sheet 6 1/4 x 10 3/8). Printed on wove paper with deckle edges. Stamped signature. $175.

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Trees Overlooking the Cliffs. Etching. 4 5/8 x 5 7/16 (sheet 6 1/8 x 9 5/8). Printed on laid paper with deckle edges. Stamped signature. $175.

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Trees Overlooking the Town. Etching. 7 13/16 x 10 7/16 (sheet 10 1/8 x 15 1/2). Printed on the full sheet of laid, watermarked paper with deckle edges. Stamped signature. $225. Another impression annotated "proof" in pencil; stamped signature. $175.

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Trees With Two Birds. Etching. 5 15/16 x 6 15/16 (sheet 9 1/16 x 11 7/16). Printed on the full sheet of laid watermarked paper with deckle edges. Stamped signature. $150.

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Trewoofe: Old Doorway. 1909. Etching. 2 3/4 x 3 3/8 (sheet 4 3/4 x 5 11/16). Card. Stamped signature. $100.

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Windblown Trees. Etching. 3 x 5 3/8 (sheet 5 9/16 x 10 1/4). Printed on wove paper. Stamped signature. $100.

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Wood Above the House. Etching. 6 3/4 x 4 7/8 (sheet 9 7/8 x 7 5/8). Printed on laid paper with deckle edges. A extremely rich impression. Annotated verso by the artist, 'Inst[ructions] - put heavy French transport g[round] or 1/2 & 1/2 ground by Blind". Stamped signature. $175.

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Woodland Farmyard. Etching and drypoint. First state, before additional drypoint on the trees and buildings. 7 7/8 x 5 7/8 (sheet 12 5/8 x 9 11/16). Printed on the full sheet of "Arc[hes]" laid paper with deckle edges. Stamped signature. $175.

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Frederick Lord Leighton, 1884-1962.

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[Pastoral Landscape with Cows]. 1880. Etching. 4 3/4 x 6 13/16 (sheet 7 3/4 x 10 7/16). Printed with plate tone on simili-Japan paper. Bears pencil signature. $50.

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Sidney Mackenzie Litten. 1887-1949.

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Spanish Holiday, Granada. c. 1930. Etching and drypoint. 11 7/8 x 8 3/4 (sheet 17 x 11 1/8). Edition 80. A rich, tonal impression with drypoint burr, printed on blue/green paper. Signed, titled, and annotated 'Impressions 80' in pencil. $175.

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Lowes Dalblac Luard. 1901-1978.

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The Rescue. 1940. Lithograph. 12 3/4 x 8 1/8 (sheet 13 3/4 x 9). Edition for the Artists' International Association: Everyman Prints. A fine impression in good condition, printed on cream wove paper. Unsigned. With the 'A.I.A. Everyman Prints' stamp, lower right. $175.

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William Hugh Canning Montgomerie. Born 1881.

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The Dart. c.1920. Drypoint. Brinton 11. 7 1/2 x 12 7/8 (sheet 10 7/8 x 17). A rich impression with plate tone printed on white wove paper. Signed in pencil. $175.

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Carton Moorepark. 1877-1956.

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[Balloons]. c. 1928. Etching. 8 3/4 x 5 5/8 (sheet 13 7/8 x 9 3/4). Printed on cream laid paper. Slightly toned; otherwise in fine condition. Signed in pencil. $125.

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Claude Muncaster, R.W.S. 1903-1974.

Click on the images for larger screens.

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Holy Trinity Church, Bardsea. Watercolor on cardboard. 7 3/4 x 9 1/4. Provenance: studio of the artist's father, Oliver Hall. Unsigned. $150.

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John Alexander Ness, R.E. Died 1931.

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Old Town Hall, Dunbar. c. 1910. Etching. 11 x 7 5/8 (sheet 17 1/2 x 11 1/8). A fine impressionprinted with plate tone on cream laid paper with full margins. Signed in pencil. $200.

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Palace Doorway, Holyrood. c. 1910. Etching. 11 x 7 1/2 (sheet 17 1/2 x 11). A fine impressionprinted with plate tone on cream simili-Japon paper with full margins. Signed in pencil. $200.

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Fred Newman. 20th Century.

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Cornhill and the Royal Exchange. c. 1930. Etching. 5 1/4 x 7 1/4 (sheet 8 3/8 x 11). A rich impression with plate tone, printed on cream wove paper. Signed in pencil. $100.

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David Robertson. 1884-1944.

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Landscape. c. 1927. Etching. 8 13/16 x 11 5/16 (sheet 11 9/16 x 18 3/16). Edition c. 75, #32A published by the Fine Art Society for 4 guineas. A fine impression with rich plate tone printed on a full sheet of 'Charles I' cream laid paper with deckle edges. Signed and numbered in ink. $150.

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Sir Frank Short, R.A., P.R.E. 1857-1945.

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Bridgnorth (after the watercolour by T. Girtin). 1885. Etching. Hardie 172. 6 3/4 x 9 3/4 (sheet 9 x 13 3/4). Edition of 2000, as published in the Portfolio vol. xix, 1888. A dramatic impression printed on ceam wove paper. Monogrammed in the shield, lower left. $75.

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Putney. 1894. Lithograph. Hardie 383. 5 x 8 (sheet 1/8 x 11 13/16) As published in The Studio 1894, vol. III; with their blindstamp, lower left. Unsigned; dated and titled in the image, lower right. $75.

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Rouen (after the drawing and lithograph by R.P. Bonington). 1888. Etching. Hardie 173. 10 1/4 x 7 (sheet 13 7/8 x 9 1/8). Edition of 2000, as published in the Portfolio vol. xix, 1888. A dramatic impression printed on ceam wove paper. Monogrammed in the shield, lower left. $75.

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Mill Near the Grand Chartreuse -- Dauphiny (after the drawing by J.M.W. Turner, R.A., 1775-1851.) 1886. Preliminary etching for the mezzotint. Hardie 9. Image 7 3/8 x 10; plate 9 x 11 7/8; sheet 12 1/2 x 17 1/4. A fine, richly-inked proof printed off-white wove paper. Signed in the plate. $125.

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Scene in the Campagna also known as Woman at a Tank and Hindu Ablutions. (after the drawing by J.M.W. Turner, R.A., 1775-1851.) 1886. Hardie 4.ii. Preliminary etching for the mezzotint. 8 1/2 x 11 3/8 (sheet 12 5/8 x 17 3/8). Printed in brown ink on off-white wove paper. Signed in the plate. $125.

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Water Mill (after the watercolor by J.M.W. Turner.) 1885. Preliminary etched state. Hardie 3.i/ii. Proof before the publication line. Image: 7 x 10 1/8; plate 7 7/8 x 11; sheet 12 1/4 x 16 5/8. Printed in brown ink on off-white wove paper with wide margins. Unsigned. $125.

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Martin Shortis.

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Message in the Night. 1986. Etching. 9 1/8 x 11 5/8 (11 1/4 x 15). Printed on the full sheet of cream wove paper. Signed, dated, titled and annotated 'A/P' (artist's proof) in pencil. $175.

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Douglas Ian Smart, R.E. 1876-1970.

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England

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Barge. Blue ink drawing. 4 1/2 x 7. Drawn on cream wove paper. Provenance: a collection of Smart etchings, drawings and watercolors. Unsigned. $95.

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Barge Along the Thames. c. 1950. Blue pencil drawing. 5 9/16 x 9 1/16 (sheet 7 3/8 x 11 1/16). Provenance: a collection of Smart etchings, drawings and watercolors. Drawn on cream laid paper. Unsigned. $125.

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{A Country Road}. c. 1921. Pencil drawing. 5 3/16 x 6 11/16. Drawn on watermarked laid paper from a sketchbook. Provenance: a collection of Smart etchings, drawings and watercolors. Signed in pencil, lower right. $125.

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Croyland. (Crowland)[Ruins of Croyland Abbey, Lincolnshire]. c. 1924. Watercolor. 10 1/4 x 6 13/16. Painted on heavy cream watercolor paper. Provenance: a collection of Smart etchings, drawings and watercolors. Titled in ink, verso. Signed in ink, lower right. $150.

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Lowtide Bosham. c. 1918. Crayon drawing. 5 7/16 x 7 3/8. Drawn on cream watermarked laid paper. Provenance: a collection of Smart etchings, drawings and watercolors. Unsigned. $85.

Smart exhibited an etching of this title at the Royal Academy in 1918.

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{Moored Boats}. c. 1935. Pencil drawing. 5 1/8 x 6 3/4. Drawn on tan watermarked laid paper. Provenance: a collection of Smart etchings, drawings and watercolors. Unsigned. $125.

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Repairs to S.T. John Wilson.(London) c. 1912. Crayon drawing. 7 13/16 x 8 3/4. Provenance: a collection of Smart etchings, drawings and watercolors. Sketch of a trawler, verso. Signed and titled in ink. $175.

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Richmond, Yorkshire. c. 1900. Ink drawing. 10 3/8 x 14 15/16 (sheet 11 x 15 1/2). Drawn on heavy cream wove paper. Provenance: a collection of Smart etchings, drawings and watercolors. Signed, titled, and dated in pencil, lower right. $125.

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Octagon Gallery on Ludgate Hill. (London). Pencil drawing. 9 15/16 x 7 1/8 (sheet). Drawn on cream laid paper. Provenance: a collection of Smart etchings, drawings and watercolors. Titled in pencil, upper right and lower right. $175.

St. Martin's Church, Ludgate Hill. (London). Pencil drawing. 10 x 9 7/8 (sheet 14 7/8 x 11). Provenance: a collection of Smart etchings, drawings and watercolors. Drawn on cream wove paper. There is a horizontal fold in the center, and there are tack holes in ther four corners from exhibition. Unsigned. $175.

The Octagon Gallery is located on Ludgate Hill in London. The main building in the Gallery is St. Martin's Church, which was designed by Sir Christopher Wren.

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Thames Barge. c. 1915. Russet pencil drawing. 10 3/4 x 14 3/8. Drawn on cream wove paper with deckle edges on two sides. There is a vertical center fold in the paper. Provenance: a collection of Smart etchings, drawings and watercolors. Annotated 'all lower deck grey hull brown deck houses' in brown pencil, lower right. $100.

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Thames Shipping. c. 1935. Blue ink drawing. 5 3/4 x 8 15/16. Drawn on tan wove paper from a sketchbook. Provenance: a collection of Smart etchings, drawings and watercolors. Writing and tugboat dawing in pencil, verso. Monogrammed, titled and dated lower left. $125.

France

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Le Château Gaillard, from across the Seine. (France). c. 1908. Pencil drawing. 6 1/2 x 10 7/8 (sheet 7 x 11 5/16). Provenance: a collection of Smart etchings, drawings and watercolors. Drawn on tan wove paper. Signed and titled in pencil, lower right. $175.

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Granville. (France). c. 1937. Watercolor. 11 3/16 x 8 1/4. Provenance: a collection of Smart etchings, drawings and watercolors. Painted upon heavy watercolor paper. Signed in pencil, lower left. $150.

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The Harbour, Fécamp. c. 1929. Pencil drawing. 6 1/4 x 10 9/16. Provenance: a collection of Smart etchings, drawings and watercolors. Signed and titled in ink; dated in pencil, lower right. Excellent condition. $100.

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{Provins}. (France). Pencil Drawings. 11 3/8 x 9. Drawn on wove watercolor paper. Provenance: a collection of Smart etchings, drawings and watercolors. Titled and numbered in pencil, verso. Signed in pencil, lower right. $125.

Spain

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Toledo Bridge, No. 5. 1911. Etching and drypoint. 7 1/2 x 7 (sheet 10 5/16 x 7 1/2). A rich impression printed on cream wove paper. Monogrammed and dated lower left in the plate. Titled in pencil, lower left. Signed in pencil, lower right. $150.

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William Strang, R.A., R.E. 1859-1921.

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After Work. Etching and mezzotint. David Strang 8, William Strang 551. 2 7/8 x 4 (sheet 4 1/4 x 5 7/16). A rich impression printed on cream laid paper. Printed by David Strang. Annotated in pencil, 'David Strang imp' and 'Wm Strang fec. DS'. The artist is the figure seated to the right. $175.

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Norman Wade. Twentieth Century.

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Durham Cathedral. 1978. Color serigraph. 9 1/2 x 12 1/2 (sheet 12 1/2 x 15). Edition 200, #46. Signed, numbered, and titled in pencil. $125.

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Herbert Gordon Warlow, A.R.E. 1885-1942.

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Farmyard. c. 1925. Etching and drypoint. 5 1/2 x 11 (sheet 10 x 15 1/4). Edition 75, #54. A rich impression with plate tone printed on cream wove paper. Signed and numbered in pencil. $150.

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Continental Fine Art

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Maurice Achener. 1881-1963.

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Moulin de Pierre (The Stone Windmill). c. 1930. Etching. 4 7/8 x 8 1/8 (sheet 7 1/8 x 10 1/16). Edition 50, #6. A fine impression printed on the full sheet of cream laid paper. Monogrammed in the plate; signed, numbered and titled in pencil. $200.

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Le Portail (The Gate. Frotenac). c. 1930. Etching. 4 1/16 x 2 3/4 (sheet 5 11/16 x 4). Edition 30, #20. A fine impression printed on the full sheet of cream wove paper. Signed and titled in pencil; annotated 'Frontenac' and monogrammed in the plate. $125.

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Giuseppe G. Albi. Born 1946.

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Gentleman Wearing a Jacket. c.1969. Pen and ink drawing. 11 5/8 x 9 (sheet 13 3/4 x 11). Drawn on wove paper from a spiral bound drawing pad. Ex-collection of Eugene A. Noble. Signed and dated in pencil. $175.

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[Portrait]. c. 1969. Pen and ink drawing. 12 5/8 x 10 (sheet 13 3/4 x 11). Drawn on white wove paper from a spiral bound drawing pad. Ex-collection of Eugene A. Noble. Signed and dated, lower right. $175.

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Charles Aubert. 1840-1927.

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La Vierge au Serpent. (Lady with a Snake). 1876. Etching. 4 3/8 x 3 (sheet 10 3/4 x 7 1/4). Printed by Delâtre on tan laid paper. As published in Paris à l'eau-forte. Signed in the plate. $65.

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Paul Albert Baudouin. 1844-1931.

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[Lovers]. 1876. Etching. 4 3/4 x 4 1/16 (sheet 10 5/8 x 7 1/8). Printed on tan laid paper. Visible plate mark. As published in Paris à l'eauforte. Signed in the plate. $50.

Marius Alexander Jacques Bauer. 1867-1932.

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Market in Front of a Mosque. Etching. Wisselingh 108. 7 7/8 x 5 7/8 (sheet 12 7/8 x 8 7/8). Number 30. Printed on a full sheet of 'Van Gelder Zonen' laid paper. Initialed and annotated in pencil. $150.

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Frédéric Chevalier. 1833-1898.

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Pierrot en Prison I. 1876. Etching. 4 7/8 x 3 15/16 (sheet 11 7/16 x 7 11/16). Printed by Delâtre on tan laid paper with deckle edges on three sides. Visible plate mark. As published in Paris à l'eauforte. Unsigned. $50.

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Honoré Victorin Daumier. 1808-1879.

Click on the images for larger screens.

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Series: Actualités

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LA RENTRÉÉE.
C'est drôle, je ne vois pas revenir la petite Confiance.

(The return
It's strange that , I don't seem to see little Confiance return.)

1868. Lithograph. Delteil 3669.iii/iii (with letters). 9 7/8 x 8 3/8 (sheet 11 3/4 x 11 3/16). Series: Actualités, (News of the Day), plate 220. Published in Le Charivari October 12, 1868. Text: lower left: A.de Vresse,r. Rivoli 55; lower right: Lith.Destouches, r. Paradis Pre.28. Vertical and horizontal folds; minor scattered foxing; sheet trimmed. Initialed in the stone, lower left. $125.

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Ils brûlent, ces gros-là, ils brûlent!
---
Chauds les gros! Chauds!...

(They scorch these big ones, they burn!
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Big hot ones! Hot!)

1868. Lithograph. Hazard 3673.iii/iii (with letters). Not in Delteil 3673. 9 1/2 x 8 7/8 (sheet 11 3/4 x 11 3/4). Series: Actualités, (News of the Day), plate 222. Published in Le Charivari November 14, 1868. Text: lower left: A.de Vresse, R. Rivoli 55 lower right: Lith Destouches R.Paradis Pre. 28. Vertical and horizontal folds; sheet trimmed. Initialed in the stone, lower left. $175.

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John Feherst. Nineteenth-twentieth century.

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Nooreinde den Haag (North End of The Hague). Etching and aquatint printed in colors. 16 3/8 x 12 1/4 (sheet 21 x 19). Edition 200, #27. Signed, titled and numbered in pencil. $85.

The image shows the equestrian statue (1845) of William of Orange (William the Silent) at Paleis Noordeinde, The Hague, The Netherlands.

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Helene Formstecher. 1838-1874.

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Napoleon. Etching after Leon Cogniet (1791-1880). 6 3/4 x 5 1/4 (sheet 12 1/8 x 8 13/16). A fine impression with plate tone printed on cream laid paper with deckle edges on three sides. Signed in the plate and in pencil. $175.

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Gavarni (Guillaume Sulpice Chevalier). 1804-1886.

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L'amant et le dictionnaire des rimes. (The Lover and the Rhyming Dictionary) July 7, 1839. Lithograph. 7 7/8 x 6 1/4 (image), 10 1/3 x 9 (border), 14 5/8 x 10 (sheet). A find impression printed on newsprint as published in Le Charivari. Good condition apart from a center fold. Signed in reverse in the stone. $175. A charming parody on amateur poets, as the comparisons become increasingly less flattering. $125.

(L'amant): Nymphes des Bois, connaissez vous Adèle? (Le Dictionnaire des Rimes): Adèle! Pastourelle, charnelle, onzelle, matétielle, récelle, sempiternelle, femelle....Qu'elle demoiselle!

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Roger-Edgard Gillet. Born 1924.

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Composition. 1958. Lithograph printed in colors. 12 x 8 7/8 (sheet 12 3/4 x 9 7/8). Edition 300, #152. Published by the Galerie de France, 3, Faubourg Saint Honore, Paris, January 1958. Signed and numbered in ink. $125.

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Carl Hentschel. 1864-1930

after

Joseph Pennell, N.A. 1857-1926

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Gargoyle of Paris. 1894. Wood engraving. 11 x 8 (sheet 18 7/8 x 12 5/8). From The Devils of Notre Dame. A series of eighteen illustrations by Joseph Pennell, with descriptive text by Robert Alan Mowbray Stevenson Published 1894 by Pall Mall Gazette in London. 10 pages. Drawn on 'Japanese vellum. Signed 'C. Hentschel sc' (drew) in ink. A striking image in a format that combines the artistry of pen-and-ink drawing and reproductive block carving and printng. $125.

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François de Herain. 1877-1962.

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Le Pope Niemetsky. Prisonnier de guerre au camp de Halle (Prusse), 1915. (Pope Niemetsky, Prisoner of war in the Halle Camp, Prussia). 1915. Drypont. Printed by Vernant and Dollé, and published in Revue de l'Art ancien et moderne. Unsigned. $65.

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Victor Hüber.

1875-1941(?).

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Marine Landscape. Etching. 7 x 9 1/2 (sheet 12 7/8 x 19 7/8). Printed on cream 'Van Gelder Zonen' laid paper with deckle edges. Written in pencil verso, 'Herz. Gruüss Suez'. Signed and annotated 'IV/V' in pencil. $95.

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Frèdèric Auguste La Guillermie. 1841-1934.

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Portrait of Lèon Bonnat. 1880. Etching. 3 1/4 x 2 1/2 (sheet 12 x 8 3/16). Printed by Vernant on cream wove paper and published in Revue de l'Art ancien et moderne. Monogrammed in the plate. $85.

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A. Protche.

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L'hiver des fôrets I. (The Forest in Winter I). 1876. Etching. 4 x 2 7/8 (sheet 11 7/16 x 7 9/16). Printed by Delâtre on tan laid paper. Slight foxing, well outside the image. Published in Paris à l'eau-forte. Signed in the plate. $75.

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Paul Rajon. 1842-1888.

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Cornelius Vander Geest (after Anthony Van Dyck 1599-1640). c. 1868. Etching. 7 1/16 x 5 11/16 (sheet 13 11/16 x 9 3/4). Printed on cream laid paper. Signed in the plate. $75.

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Portrait of Murillo (after Bartolom é Esteban Murillo - 1617 - 1682). c. 1879. Etching. 6 x 4 5/8 (sheet 18 x 12 1/2) As published in American Art Review vol. i, #1 (1979). Exhibited: Massachusetts Charitable Mechanic Association, Boston, 1881. .A rich impression printed on warm chine, applied to white wove paper. Unsigned. $125.

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Maria Ressel. 1877 - 1945.

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Palmen in Egyptus (Palm Tees in Egypt). c. 1921. Etching printed in colors. 7 1/4 x 10 1/2 (sheet 11 5/8 x 14 7/8). A fine impression with plate tone printed on cream wove paper. Signed and titled in pencil. $175.

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Wald c. 1923. Etching printed in grey-green. 7 5/4 x 5 3/4 (sheet 12 1/2 x 9 1/2). A fine impression with plate tone printed on watermarked cream wove paper. Ex-collection Eugene A. Noble'. Signed and titled in pencil. $175.

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M. Rocetri. Twentieth Century.

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Masked Couple. Etching and aquatint. Edition 70, #42. 6 1/4 x 4 1/8 (sheet 13 1/2 x 9 9/16).
Masked Couples. Etching. Edition 70, #40. 6 1/2 x 4 5/16 (sheet 13 7/16 x 9 1/2).

Each printed on cream wove 'FABRIANO' paper. Signed and numbered in pencil. $125 for the pair.

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Tony George Roux. 19th-20th Century.

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Paris, Le Pont Marie. 1923. Etching printed in colors. 8 3/8 x 6 5/16 (sheet 11 x 9). An unusual etching, printed on silk. Unsigned (the etching was signed and titled on the old mat, which is included). $75.

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Wili Scholtz. 19th-20th Century.

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Kirschen Obernplatz. 1910. Etching and drypoint. 7 13/16 x 5 3/8 (sheet 13 1/8 x 10). A rich impression with plate tone, printed on Japanese vellum. Signed and titled in pencil. $85.

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Henri Somm. 1810-1889.

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L'esclave du Devoir. (A Slave to Duty.) 1876. Etching. 4 3/16 x 2 5/8 (sheet 11 7/16 x 7 3/4). Printed by Delâtre on cream laid paper with one side deckle edge. Published in Paris à l'eau-forte. Signed in the plate. $85.

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Les Fous. (Crazy People.) 1876. Etching. 3 5/8 x 2 3/8 (sheet 11 1/2 x 8). Printed by Delâtre on cream laid paper. Published inParis à l'eau-forte. Signed in the plate. $75.

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Le Mariage. (The Wedding.) 1876. Etching. 3 5/8 x 2 5/16 (sheet 11 3/8 x 7 7/8). Printed by Delâtre on cream laid paper with one side deckle edge. Published in Paris à l'eau-forte. Scattered foxing, well outside the image. Signed in the plate. $85.

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Rosine et le Docteur. (Rosine and the Doctor.) 1876. Etching. 3 1/2 x 2 3/8 (sheet 11 7/16 x 7 7/8). Printed by Delâtre on cream laid paper with one side deckle edge. Published in Paris à l'eau-forte. Signed in the plate. $50.

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Jules J. Veyrassat. 1828-1893.

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Asses. 1872. Etching. Two different images printed on the same sheet of cream laid paper each measuring 3 9/16 x 5 1/16 (sheet 13 11/16 x 9 3/4). As published in The Portfolio, volume 3. Both images initialed in plate. $125 for the sheet.

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A Horse Ferry on the Seine. 1872. Etching. 4 1/2 x 9 1/8 (sheet 9 3/4 x 13 5/8). Printed on cream laid 'PORTFOLIO MBM' paper. As published in The Portfolio, volume 3. Signed in the plate. $75.

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Le Joueur de Mandoline (The Mandolin Player). After Alexandre Gabriel Decamps, 1803-1860. Etching. 6 1/16 x 7 5/8 (sheet 8 13/16 x 12). Printed by Delamam on cream wove paper. As published in l'Artiste. Scattered foxing. Signed in the plate. $75.

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Ponies and Horses on the Battlefield. 1872. Etching. Two different images printed on the same sheet of cream laid 'PORTFOLIO MBM' paper each measuring 3 9/16 x 5 1/16 (sheet 13 11/16 x 9 3/4). As published in The Portfolio, volume 3. Both images initialed in plate. $125 for the sheet.

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Peter von Halm. 1854-1923.

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Blick auf Constanz (View of Constanz). 1923. Etching. 4 1/14 x 10 1/2 (sheet 10 x 15). Printed with plate tone on the full sheet of cream laid paper. Signed and titled in pencil. $175.

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V. Whel

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Fürtcanel No.5. 1900. Etching. 8 1/4 x 11 (sheet 11 3/4 x 14 7/8). Printed on cream wove paper. Signed and titled in pencil. $85.

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Japanese Woodblock Prints (Ukiyo-e).

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Toyohara Kunichika. 1835-1900.

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Kabuki Actors: Ichikawa and Iwai. c. 1860. 14 x 9 1/2 (sheet 14 x 3/4). Good color and condition. Soiling in the bottom right-hand; slight toning. $175.

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Utagawa Kunimasa II. 1872-18572.

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Kataoaka Gado II at Hogo. c. 1847. 14 x 9 1/4 (14 1/2 x 9 5/8). Excellent color and condition. $175.

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Utagawa Kuniyoshi. c. 1797 -1861.

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Obo Muroku and Ioshiko 1847-48. Vertical oban. 14 x 9 3/4. In poor condition; paper losses and colors faded; backed. Signed: Kuniyoshi ga. $75.

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Nishikawa Sukenobu. 1671-1750.

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Coming Home from the Teahouse at Night. Book illustration. 7 3/16 x 4 3/8 (image and sheet). Printed on Japanese mulberry paper. Unsigned. $75.

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Tomikichiro Tokuriki. 1902-1999.

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Lake Biwa Viewed at Medura Temple. c. 1950. Japanese woodblock print. Shishikiban: 10 1/4 x 11 3/8. Series: New Eight Views of Oomi, #5. Printer: Uchida. Excellent color and condition. Signed and sealed. $150.

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Utagawa Toyokuni I. 1769-1825.

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The Actor Sawamura Tanosoke in a Female Role. Vertical oban. 14 1/2 x 9 15/16 (image and sheet). Kiwame seal. Publisher: Yamaguchi-ya. Soiling and ink transfer stains; otherwise in good condition. A highly dramatic image. Signed: Toyokuni gwa. $175.

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Utagawa Toyokuni III. 1786-1865.

Yakusha Mitate: Actors from the 53 Stations of the Tokaido.

Akasaka, Sawai.

Series: Actors from the 53 Stations of the Tokaido. Station 36.

Actor: Bando Mitsuemon.

Role: Sawai Kanbei.

Date: 1852.

Publisher: Izutsuya.

Carver: horitake.

Signed: Toyokuni ga.

Size: vertical oban (14 x 10 inches)

Excellent color, good condition. $125.

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Chiryu.

Series: Actors from the 53 Stations of the Tokaido. Station 40.

Actor: Bando Takesaburo.

Role: Ariwara no Narihira.

Play: Ise Monogatari.

Date: 1852 (rat 3).

Censors' seals: Watanabe, Yonera.

Publisher: Iseya.

Carver: Horitake.

Signed: Toyokuni ga.

Size: vertical oban (14 x 10 inches).

Good color, impression and condition. Printed with gauffrage (embossing) in the white part of the robe. $175.

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Futakawa (Two Rivers). Station 34.

Actor: Futakawa: Actor Ichikawa Kodanji IV.

Role: Ishikawa Tomoichi.

Date: 1852 (rat 5.)

Censors's seals: Hama, Magome.

Publisher Sumiyoshiya Masagoro.

Carver: Horitake.

Signed: Toyokuni ga.

Size: vertical oban (14 x 10 inches).

Series: Actors from the 53 Stations of the Tokaido. Station 34.

Actor Ichikawa Kodanji IV.

Role: Ishikawa Tomoichi.

Date: 1852 (rat 5.)

Censors' seal: Hama, Magome.

Publisher Sumiyoshiya Masagoro.

Carver: Horitake.

Signed: Toyokuni ga.

Size: vertical oban (14 x 10 inches).

Gauffrage (embossing) in the actor's robe. Sight soiling in the actor's right cheek; otherwise verygood condition. Excellent color, $150.

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Gontuzaka.

Series: Actors from the 53 Stations of the Tokaido. Station 5 (between Hodogaya and Totsuka).

Actor: Matsumoto Kinsho II

Role: Igami No Gonda

Date: 1852 (rat 8).

Censors' seals: Murata, Kinugasa.

Publisher: Kazusaya Iwakichi.

Size: vertical oban (14 1/2 x 10).

Fine color and condition.

Signed: Toyokuni ga.

Housed in a black wood frame with a gold lip and a grey silk mat. $200.

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Ishiyakushi.

Series: Actors from the 53 Stations of the Tokaido.

Actor: Sawamura Chojuro V.

Role: Yoshitaka.

Date: 1852 (rat 5).

Publisher: Itsutsuya.

Carver: Horitake.

Signed: Toyokuni ga.

Size: vertical oban (14 x 10).

Two pale stains in the sky; otherwise good color and condition. Gauffrage (embossing)in the actor's right hand and robe. $125.

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Kyoto/Keishi.

Series: Actors from the 53 Stations of the Tokaido. Station 55.

Role:Ishikawa Goemon.

Date: 1852 (rat 6).

Publisher: Tsujioka Bunsuke.

Carver: Mino.

Signed: Toyokuni ga.

Size: vertical oban (14 x 10 inches)

Some soiling in the actor's right cheek; otherwise fine color and condition. $150.

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Mishima.

Series: Actors from the 53 Stations of the Tokaido. Station 12.

Actor: Segawa Kikunojo IV.

Role: Osen.

Date: 1852 (rat 3).

Publisher: Iseya.

Carver: Mino.

Signed: Toyokuni ga.

Size: vertical oban (14 x 10 inches)

Excellent color and impression. $175.

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Nihombashi.

Series: Actors from the 53 Stations of the Tokaido. Station 1.

Actor: Bando Mitsugoro III

Role: The Bonito Fish Peddler

Play: Shiki no Nagame Yosete Mitsudaij

Date: 1852 (rat 2).

Censors' seals: Fukushima Giemon

Publisher: Tsujioka Bunsuke

Carver: Horitake.

Signed: Toyokuni ga.

Size: vertical oban (14 x 10 inches)

Paper losses, soiling. Good color. $75.

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Odawara

Series: Actors from the 53 Stations of the Tokaido. Station 10.

Actor: Morita Kanya XI.

Role: Iinuma Katsugoro.

Date: 1852 (rat 4).

Censors' seals: Kinugasa, Murata.

Publisher: Sumiyoshiya Masagoro.

Carver: Horitake.

Signed: Toyokuni ga.

Size: vertical oban (14 x 10 inches).

Good color apart from uneven inking in the sky. Good consition apart from repaired paper loss in the sky. Gauffrage (embossing)in the actor's right hand and robe. $125.

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Okazaki.

Series: Actors from the 53 Stations of the Tokaido. Station 2.

Date: 1852 (rat 5).

Actor: Nakamura Utaemon IV.

Role: (Karaki) Masaemon.

Publisher: Iseya Kanekichi.

Censors' seals: Hama, Magome.

Carver: Horitake.

Signed: Toyokuni ga.

Size: vertical oban (14 x 10).

Good color and condition. Gauffrage (embossing)in the bridge. $175.

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Sakanoshita

Series: Actors from the 53 Stations of the Tokaido. Station 49.

Date: 1852 (rat 5).

Actor: Matsumoto Koshiro VI.

Role: Jirozo.

Censors' seals: Hama, Magome;

Publisher: Izutsuya Shokichi.

Carver: Horitake.

Size: vertical oban. (14 x 10)

Good color and condition. $125.

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Seki.

Series: Actors from the 53 Stations of the Tokaido. Station 48.

Date: 1852 (rat 5).

Actor: Iwai Hanshiro VII.

Role: Koman.

Publisher: Sumiyoshiya Masagoro.

Censors' seals: Hama, Magome.

Carver: Horitake.

Signed: Toyokuni ga.

Size: vertical oban (14 x 10).

Gauffrage (embossing) in the actor's robe and hair. VeryhGood color and condition. $175

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Shinagawa.

Series: Actors from the 53 Stations of the Tokaido. Station 2.

Date: 1852 (rat ).

Actor: Matsumoto Koshiro V.

Role: Banzuin Chobei.

Publisher:Fuku, Muramatsu.

Censors' seals: Fuku, Muramatsu.

Carver: Horitake.

Signed: Toyokuni ga.

Size: vertical oban (14 x 10).

Gauffrage (embossing) in the actor's clothing and hair. Fair color and condition. $125.

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Shono.

Series: Actors from the 53 Stations of the Tokaido. Station 46.

Date: 1852 (rat ).

Actor: Bando Hikosaburo IV .

Role: Nakano Tobei.

Publisher: Sumiyoshiya Masagoro.

Censors' seals: Hama, Magome.

Signed: Toyokuni ga.

Size: vertical oban (14 x 10).

Gaufrage (embossing) in the actor's robe. Light soiling in the actor's cheek; otherwise good color and condition. $150.

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Totsuka.

Series: Actors from the 53 Stations of the Tokaido. Station #6 .

Actor: Ichikawa Danjuro VIII.

Role: Hayano Kanpei.

Play: Kanadehon Chushingura.

Date: 1852 (rat 3).

Publisher: Tsujiokaya Bunsuke.

Censors' seals: ?.

Carver: Horitake.

Signed: Toyokuni ga.

Size: vertical oban (14 x 10 inches)

Gauffrage (embossing) in the robe. Good color and condition. $175

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Tsuchiyama.

Series: Actors from the 53 Stations of the Tokaido. Station 50.

Actor: Ichikawa Kodanji IV.

Role: Ichikawa Kodanji IV. (Princess Wakana disguised as Kogeshiro, the woman of humble birth).

Date: 1852 (rat 5).

Censors' seals: Hama, Magome.

Publisher: Izutsuya Shokichi.

Carver: Mino.

Signed: Toyokuni ga.

Size: vertical oban (14 x 10 inches)

Gauffrage (embossing) in the actor's robe. Good color and condition. $175.

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Yoshiwara.

Series: Actors from the 53 Stations of the Tokaido. Station .

Actor: Arashi Rikan III.

Role: Tonase.

Play: Kanadehon Chushingura.

Date: 1852 (rat 3).

Censors' seals: Mera, Watanabe.

Publisher: Izutsuya Shokichi.

Carver: Horitake.

Signed: Toyokuni ga.

Size: vertical oban (14 x 10 inches)

Excellent color and condition. Embossing in the collar. $175.

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Allinson Gallery Index.

To order, to report broken links or to be placed on the email list, please contact Jane Allinson (jane@allinsongallery.com) or send a fax to (860 ) 429 2825.

This file has been updated January 27, 2014.