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Charles Meryon. 1821-1868.

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La Galerie Notre-Dame. 1853. Etching with engraving. Schneiderman 29.iv/vi. 11 1/8 x 6 15/16 (14 3/8 x 9 3/8). A rich impression printed in warm black/brown ink on cream laid paper. Illustrated: Lumsden, The Art of Etching. Signed in pencil. Collector's seal: Alfred Morrison (Lugt 151). Signed and dated in the plate. $5,500.

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Le Grand Châtelet à Paris, vers 1780. 1861. Etching and drypoint. Schneiderman 74.iv. 9 3/16 x 11 3/4 (sheet 13 1/2 x 19 1/4). Edition 100 in this state. A fine impression printed on laid paper with the letters 'A&M' in a crown. Initialed in the plate. The etching was done after an old drawing in the collection of Monsieur Bérard. It was exhibited at the Salon of 1863. Initialed in the plate, lower left. $750.

La Pompe Notre Dame. (The Pumphouse, Notre Dame). 1861. Etching. Delteil-Wright 31.ix; Schneiderman 26.x. 6 3/4 x 10. Edition 30 in this state. Series: Eaux-Fortes sur Paris. Initialed in the plate. Illustrated: Leipnik, A History of French Etching; Keppel, The Golden Age of Engraving-; Salaman, The Great Painter Etchers from Rembrandt to Whistler. Ex-collection: Louis Conrad Rosenberg, the American architectural etcher. $2,750.

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Allinson Gallery Index.

Continental Fine Prints.

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