Making the Stack. c. 1930. Etching and drypoint. 6 3/8 x 7 5/7 (sheet 8 1/2 x 10 3/4). Edition 50, #39, fourth state. A very rich impression on cream "J Whatman" laid paper . Signed, titled and annotated "No. 39 of 50 4th state" in pencil. $225.
Eric Hesketh Hubbard was a landscape and architectural painter. He was also an accomplished etcher and furniture designer. He wrote over a dozen books on art including 'Colour Block Print Making', 'Architectural Painting in Oils' and '100 Years of British Painting'. He studied Art at the Westminster School of Art and later became interested in print making using the etching technique and subsequently wood and lino cutting. In 1930 he sponsored the funding of a drawing club connected to the Royal Society of British Artists, which was subsequently named the Hesketh Hubbard Society in his honour in 1957. It still meets in the Mall Galleries in St James's.
Works by Hesketh Hubbard can be found in many Municipal Art Galleries, The RAF Museum, The Ulster Museum, The Art Institute of Chicago and the Smithsonian American Art Museum. The Royal Collection holds a copy of his 1925 Folio of 'The Gateways of Salisbury Cathedral'. He was elected to The Royal Institute of Oil Painters (ROI) in 1922 and The Royal Society of British Artists (RBA) in 1924. He many pictures at The Royal Academy.
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British Fine Prints.
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