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Childe Frederick Hassam, N.A. 1859-1935.

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New York Bouquet. 1917. Lithograph. Kleeman 23; Griffith 2. 11 x 6 (sheet 14 5/8 x 10 1/2). Edition 93. Provenance: gift of Mrs. Hassam to the Springfield Museum of Fine Arts, and subsequently deaccessioned. Signed and annotated in the stone "Childe Hassam Nov, 14, 1917"; signed with the cypher in pencil. An excellent impression printed on cream wove paper with full margins and deckle edges on two sides. $6,500.

The lithograph is based Hassam's flag painting of the same title.

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The most distinctive and famous works of Hassam's later life comprise the set of some thirty paintings known as the "Flag series". He began these in 1916 when he was inspired by a "Preparedness Parade" (for the US involvement in World War I), which was held on Fifth Avenue in New York (renamed the "Avenue of the Allies" during the Liberty Loan Drives of 1918).[51] Thousands participated in these parades, which often lasted for over twelve hours.

An avid Francophile, of English ancestry, and strongly anti-Germany, Hassam enthusiastically backed the Allied cause and the protection of French culture. The Hassams joined with other artists in the war relief effort from nearly the beginning of the conflict in 1914, when most Americans as well as President Woodrow Wilson were decidedly isolationist. Hassam even considered volunteering to record the war in Europe, but the government would not approve the trip. He was even arrested (and quickly released) for innocently sketching naval maneuvers along the city's rivers. In addition to the time he gave to many committees, several of his flag pictures were contributed to the war relief in exchange for Liberty Bonds. Although he had great hopes that the entire series would sell as a war memorial set (for $100,000), the pictures were sold individually after several group exhibitions, the last at the Corcoran Gallery in 1922.

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