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Femme assise sur un rocher. (after Louise Abbéma. 1847-1898.). c. 1874. Ink study for the etching. 4 1/8 x 3 1/2 (image and sheet). Drawn on fine yellow/tan paper. Unsigned. 2,750 the pair.
Femme assise sur un rocher. (after Louise Abbéma. 1847-1898.). c. 1874. Etching. Bourcard-Goodfriend 46. 5 1/8 x 6 7/8 (sheet 8 1/2 x 12 3/16). Printed on cream laid paper. Soiling in the right-hand margin; otherwise good condition. Signed, annotated and dated in the plate. $2,750 the pair.
La petite marine -- Souvenir de Medway. (Little Seascape, a Remembrance of the Medway). 1879. Etching, drypoint, false biting, aquatint and stop-out. Bourcard-Goodfriend 153.vi. 6 1/2 x 8 9/16 (sheet 9 3/8 x 11 1/2). Very fine impression of the completed state on tan laid Van Gelder paper with full margins. Signed with the red owl stamp, signed and annotated 'épreuve d'artist' in pencil. Housed in a 13 x 14 1/2 gold and grey wood frame. $1,800.
Les Voisins de Campagne (The Country Neighbors). 1878. Etching, drypoint, false biting, aquatint and stop-out. Bourcard-Goodfriend 148.v. 5 1/4 x 7 1/8 (sheet 10 3/8 x 12 1/8). A fine impression of the completed state on Van Gelder laid paper with full margins. Signed and annotated 'épreuve d'artist' in the plate. This is Buhot's most whimsical image. $1,250.
Westminster Palace. 1884. Etching with drypoint and aquatint. Bourcard-Goodfriend 155.vi/vii, before effacement of the words 'in progress for 'lower left. 11 1/2 x 15 11/16 (sheet 14 x 19 1/4). A rich impression with plate tone, printed in brownish/black on cream laid paper. Westminster Palace is one of Buhotís masterpieces. Signed with the artist's red owl stamp. (Lugt 977) and in pencil. $3,500.
Continental Fine Prints.
Allinson Gallery Index .
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